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18th Century Photography

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Period: 18th Century
Dear One Threads A Cocoon - Unique Hand-coloured Print in Walnut frame
Located in London, GB
Hand-coloured portrait of a human larvae bursting out of their cocoon, immobilised in marble. Representative of a safe and isolating space, the cocoon is both a cage and a shelter. This tale is a​ study of transformation, of breaking apart and coming back together as the larvae emerges from the silken threads. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...
Category

Other Art Style 18th Century Photography

Materials

Cotton, Walnut, Paint, Crayon, Ink, Spray Paint, Watercolor, Archival Pa...

Old days Photo - Landscape - Vintage Photo - Late 18th Century
Located in Roma, IT
Old days Photo - Landscape is a black and white vintage photo, realized in the late 19th century. Good conditions and aged. It belongs to a historical and Nostalgic album including...
Category

Modern 18th Century Photography

Materials

Photographic Paper

Authorization for the Fiera of S. Giustino in Chieti - 1789
Located in Roma, IT
Authorization for the Fiera of S. Giustino in Chieti realized in 1789. Written in the Italian language. Good conditions.
Category

Modern 18th Century Photography

Materials

Paper

Portrait of Garibaldi - Original Albumen Print with Hand-Written Notes - 1860/70
Located in Roma, IT
Portrait and Patriotic Epitaph written by Garibaldi is a CDV albumen print, datable around 1870 circa. The portrait contains a patriotic dedication on the front and a long epitaph hand-written on the back. Very good condition, slight signs of wear on the edges, typical of an object touched and revered and in any case written in pen on almost its surface. Cm 9,5 x 5,5 In the picture a reproduction of an unpublished painting by Garibaldi, which can be placed for its physiognomy and clothing in the years after the "Expedition of the Thousand" (1860). The photographic print also dates around 1860/1870. On the front low margin there is written a powerfull patriottic slogan: "Venite a morire con me" (come die with me), on the back, in same ink and same handwriting there is a long epitaph, readable for almost all of its entirety, reminiscent of a young and strong man who fell for Italy. Unfortunately this long and poetic text, written on the small surface of the CDV, presents some illegible words written on the iedges, which certainly contained the signature, the date and probably the name to which it is dedicated. in the text there are no coretions, but the punctuation and the stylistic form, with some repetitions, suggests that it was written in one go. The handwriting, compared to other autographs by Garibaldi seems the same, especially in the use and in the form of capital letters, used as on other similar writings by Garibaldi to emphasize the words closest to the idea of death for the homeland. It is reasonable to think that this portrait was given to the loved ones of an important fallen soldier, by Giuseppe Garibaldi as his habit. There are other similar documents, in which the hero dedicates poetic verses to famous or friends, in this case, however, the expressive power refers to images of the period of the first Italian battles...
Category

18th Century Photography

Materials

Photographic Paper

Cacti, Rio Grande, Black and White, USA 1960s, 16, 4 x 23, 1 cm
Located in Cologne, DE
Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...
Category

Modern 18th Century Photography

Materials

Black and White, Silver Gelatin

Hand-coloured Print of weeping mythical sculpture angels in Walnut Frame
Located in London, GB
Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...
Category

Victorian 18th Century Photography

Materials

Cotton, Walnut, Paint, Photographic Film, Ink, Spray Paint, Watercolor, ...

Breaking Wave - Venice Beach, California – Anthony Friedkin, Ocean, Wave, Water
Located in Zurich, CH
Anthony FRIEDKIN (*1949, America) Breaking Wave, Venice Beach, California, U.S.A., 1978 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) Edition of 25 Print only Born 1949 in Los Angeles, USA, Friedkin currently lives and works in Los Angeles. Anthony Friedkin uses his camera as a means of personal discovery. His full frame black & white photographs explore the many mysteries of moments in time. He creates his own distinctive exhibition prints in his darkroom. He says of his work, “I believe in extraordinary photographs that draw you in and cannot be easily defined-celebrating perception and its many hidden layers of reality”. Informed by the works of Atget, Kertesz, and Josef Koudelka...
Category

Contemporary 18th Century Photography

Materials

Silver Gelatin

Anthony Friedkin, Rick Dano, Malibu, Surfer, Smoking, Car, June Gloom, B&W
Located in Zurich, CH
Anthony FRIEDKIN (*1949, America) Clockwork Malibu, Rick Dano on P.C.H., Malibu, California, U.S.A., 1977 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) Edition of 25...
Category

Contemporary 18th Century Photography

Materials

Silver Gelatin

Old Surfboard, Topanga Beach, California, U.S.A. – Anthony Friedkin, Beach, Surf
Located in Zurich, CH
Anthony FRIEDKIN (*1949, America) Old Surfboard, Topanga Beach, California, U.S.A., 1977 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) E...
Category

Contemporary 18th Century Photography

Materials

Silver Gelatin

NYC Police Work
Located in Westwood, NJ
Leonard Freed is considered one of the most prolific and timely photojournalists of his generation. Born in Brooklyn, he traveled to Europe for the first time in 1952, where he disc...
Category

18th Century Photography

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Couple at Party from the Getty Archive - Romantic Black & White Photography
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Stanley (1951) Silver Gelatin Fibre Print
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Spectral (Kings Road) - unique solarized gelatin silver artist print
Located in San Francisco, CA
In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Spectral (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 limited edition solarization photograph printed by the artist + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...
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'James Dean Liz Taylor Round Up' Limited Edition silver gelatin print
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"Untitled (Nr. 3671)" Nude Photography 44" x 36" Edition of 12 by Rowan Daly
Located in Culver City, CA
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Located in Culver City, CA
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Located in Sant Cugat del Vallès, Barcelona
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Located in Brighton, GB
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Located in Culver City, CA
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Previously Available Items
Portrait of Giovanni Battista Bonanomi 1708, oil on canvas
Located in Milan, IT
Oil painting on canvas. Bergamo school. Intense gaze of the gentleman portrayed, who presents himself with his blue frock coat and representative wig. At the back of the canvas the c...
Category

Other Art Style 18th Century Photography

Materials

Oil

Anthony Friedkin, Rick Dano, Malibu, Surfer, Smoking, Car, June Gloom, B&W
Located in Zurich, CH
Anthony FRIEDKIN (*1949, America) Clockwork Malibu, Rick Dano on P.C.H., Malibu, California, U.S.A., 1977 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) Edition of 25...
Category

Contemporary 18th Century Photography

Materials

Silver Gelatin

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