Pigment Nude Photography

"Minnie/Mickey MM19" Photography 48" x 48" inch Edition 1/10 by Giuliano Bekor This artwork printed on a highest resolution fine art Fujiflex Crystal archive silver halide paper. P...

Katie Eleanor, "Cleansing a Shrike (Blackbird’s Birdbath)", 2018 Handcoloured portrait of a bird-like spirit, immobilised in marble, cleansing in a sprin...

"Minnie/Mickey MM5" Photography (FRAMED) 50" x 40" in Ed. 1/8 by Giuliano Bekor This artwork printed on a highest resolution fine art Fujiflex Crystal archive silver halide paper. P...

This is a series of black and white Nude art photography (13 in series). We present this series of the human form - that which has inspired artists from time immemorial. This series ...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

40x40in ed.18 Archival Pigment Print Mounted and Framed Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

"No title (No 28)" Photography 47x47 inch Edition of 18 by Yevgeniy Repiashenko No title (No 28) by Yevgeniy Repiashenko Year photo was taken: 2018 Art Print Limited Edition of 18 ...

"Eruptio" Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko "Eruptio" by Yevgeniy Repiashenko Year photo was taken: 2022 Limited Edition of 18 Picture size: Height: 47" ...

Black and white photography 2/5 Hand-signed and dated by the artist Françoise Benomar “What photography has to say” " I photograph so that the favo...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

This is a series of black and white Nude abstract contemporary art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired ar...

No title (No 55) Photography 36" x 29" inch Ed. of 28 by Yevgeniy Repiashenko No title (No 55) by Yevgeniy Repiashenko Year photo was taken: 2020 Limited Edition of 28 Picture size...

"No title (No 57)" Photography Ed. of 28 36" x 36" in by Yevgeniy Repiashenko Year photo was taken: 2017 This artwork is part of "Spirit" series. The picture shows a frozen movemen...

"E2" Photography 60" x 60" inch Edition 1/10 by Giuliano Bekor From ELEPHANT series Archival exhibition Giclee Baryta print Not framed. Ships in tube ELEPHANT series “I just fe...

Ed. 1/5, includes white frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classic...

Edition 1 of 3, 2 APs Large size: 15.25 x 36 inches STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from t...

This is a series of black and white Nude abstract contemporary art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired ar...

Folsom Street Fair featuring public spanking - Gay Interest This archival color photograph by fine art photographer Mitchell Funk is signed, dated and nu...

"Minnie/Mickey MM4" (FRAMED) Photography 50" x 40" in Ed. 1/8 by Giuliano Bekor This artwork printed on a highest resolution fine art Fujiflex Crystal archive silver halide paper. P...

"Hills" Photography print 16" x 24" inch Edition of 45 by Yevgeniy Repiashenko Year photo was taken: 2013 Unframed - ships in a tube This is an archival pigment print on photo paper with 1" float border (not included in listed image dimensions). Prints are signed and numbered by the artist on verso and come with a certificate of authenticity. Works are hand signed and numbered by the artist and come with a certificate of authenticity. This photo work is transported in a robust plywood case. ABOUT THE ARTIST Yevgeniy Repiashenko is a well-versed photographer working in such genres as dynamic dance and sculpture, portrait, and fashion...

"Solitude" Black & White Photography 40" x 30" inch Edition 1/12 by Ben Cope Not framed. Ships in a tube Ben Cope is a Georgia native graduating from Columb...

Ed. 1/5, includes white frame. As part of Coe's newest 2024 series photographed at the Norton Gallery of Art in Palm Beach, this brand new body of work builds upon Coe's signature s...

"Three Graces" Art print Edition 3/25 36x36in by Yevgeniy Repiashenko "Three Graces" by Yevgeniy Repiashenko Year photo was taken: 2016 Art Print Limited Edition of 25 Picture size...

Ed. 1/5, includes white frame. As part of Coe's newest 2024 series photographed at the Norton Gallery of Art in Palm Beach, this brand new body of work builds upon Coe's signature s...

Untitled (Nr. 0232) Photography 18" x 24" Edition 2/24 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-...

No title (No 58) Art print Edition of 28 29"x36" inch by Yevgeniy Repiashenko Year photo was taken: 2020 Art Print Picture size: Height: 29" inch Width: 36" inch * * * NOT framed...

No title (No 24) Photography 32 x 32 inch Edition of 25 by Yevgeniy Repiashenko Year photo was taken: 2016 Photography Limited Edition of 25 Picture size: Height: 32" inch Width: 32...

40x40in ed.18 Archival Pigment Print Mounted and Framed Also available: 50x50in ed.7 Archival Pigment Print Mounted and Framed 60x60in ed.3 Archival Pigment Print Mounted and Fram...

Untitled (Nr. 0732) Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-...

No title (No 5) Photography Print Edition of 28 36x36 in by Yevgeniy Repiashenko Year photo was taken: 2017 This picture is a part of Spirit series. The picture shows the frozen mo...

"Suffocate" (FRAMED) Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships rolled in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait a...

This is a series of black and white Nude abstract contemporary art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired ar...

40x40in ed.18 Archival Pigment Print Mounted and Framed Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

"Butterfly 7" Photography 24" x 24" inch Edition 1/24 by Giuliano Bekor Title: Butterfly B7 Year: 2018 Print size: 24" x 24" Inch Edition: 1/24 Artist proof: 2 Medium: Archival f...

No title (No 78) Photography Edition of 18 45" x 45" in by Yevgeniy Repiashenko No title (No 78) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture size: Height: 45" inch Width: 45" inch This photo work is transported in a robust plywood case. This artwork is part of "Spirit" series. The picture shows a frozen movement of professional ballerina. Special glazed gold makeup is put on all over the body. This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...

Exposure, Margareth, Paris

"Fluidity Nr 11" Photography 40" x 30" inch Edition of 10 by Lika Brutyan Original photography by Lika Brutyan from the ""Fluidity" series Archival pi...

We curated this series of the human form - that which has inspired artists from time immemorial. This series of nude art photography is by a talented photographer who trained at Cent...

No title (No 5) Photography Edition 2/25 32x32 inch by Yevgeniy Repiashenko Year photo was taken: 2017 This picture is a part of Spirit series. The picture shows the frozen movement of the dancer. Black body make-up is put on the dancer's body. Photography on Diasec and Dibond This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...

"Approach" Art print 36" x 29" inch Edition of 25 by Yevgeniy Repiashenko Year photo was taken: 2018 Art Print Limited Edition of 25 Picture size: Height: 36" inch Width: 29" inch ...

Taken at the Folsom Street Fair. BDSM Leather LGBTQ FETISH in Gay San Francisco. Can a street photograph be a grab shot and precisely designed simul...

This is a series of black and white Nude abstract contemporary art photography (13 in series). We present this series of the human form - that which has inspired artists from time im...

Ghost Souls III • 2022 • Edition of 18 prints in 3 different sizes. A collaboration of photographer Angelika Büttner and visual artist Laure Laferrerie. All prints are numbered and ...

"Flare" Nude Photography 36 x 36 inch Edition of 25 by Yevgeniy Repiashenko "Flare" by Yevgeniy Repiashenko Year photo was taken: 2013 Art Print Limited Edition of 25 Picture size:...

Ed. 1/7, includes white frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classic...

Okurimono Pigment Print Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x 170 cm : edition of 7 + (+2ap) Each print is numbered and signed About the work : Work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays an important role. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays a Okurimono (meaning both “gift” and “that which is in-between” in Japanese) - is a word that binds together this comprehensive project developed over five trips to Japan between 2007 and 2018. The series explores the personal pursuit of identity, at times with an underlying darkness as Houge had the chance to be introduced to Tokyo’s subculture. In exploring this theme, Houge has ventured into delicate matters such as sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The artist wishes to question the viewer and provoke a reflection on topics that are often seen as taboos in our contemporary societies. The viewer’s own associations are important in appreciating this work where ambiguity plays an important role. The project started in the Harajuku district of Tokyo which is known as a center of Japanese youth culture and where Houge found some of his first motifs: teenage girls dressing up in post-Victorian dresses or ‘cosplay’ costumes to identify with a character of their favorite comics. Here, the desire to express one’s uniqueness is central and the photographer explores the tension between personal identity and aesthetics shared by all (or at least by the same youth group). In many of his carefully staged photographs, Houge’s models are masked, so as to echo the many social masks we wear in our day-to-day lives. In our post-modern information society, drained of wonder, these enigmatic masked characters also evoke the world of shamans and pagan rituals, therefore injecting a sense of mystery and spirituality that many people are longing for. Symbolism and the many references to ritual and identity in an otherwise suppressed society, may at times create a sense of unease among viewers. The Okurimono project also explores the topic of identity and sexuality in gender dysphoria with Japan’s nyūhāfu (the transsexual ‘new halfs’). Here, the quest for identity coincides with a search of femininity and body image which results in complex physical transformations. Viewers may look at these portraits not having any clue that models are nyūhāfu. Yet, the photographs are staged so that viewers are placed in a disconcerting voyeuristic role while looking at otherwise closed world. Shibari (the art of tying), which originates from the Edo period (1600s), is another territory explored by Houge in his Okurimono series. His striking photographs of female models tied with red rope on a white background take us into this powerful journey into vulnerability and surrender, power and freedom. Through tradition, symbolism and technology, Okurimono also explores the hugely potent symbols that help define parts of Japanese culture and national identity, between old and new. As Art historian Erling Bugge put it: “Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar.” The images of the Okurimono series share a ghostly, otherworldly quality. In reality and dream, ritual and play merge while the boundaries between the known and the unknown dissolve. Christian Houge – Now – Okurimono Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar. This is pushed to the limit in the technological and virtual wonderland of Akihabara in Tokyo, where shop after shop trade in electronic products and computer games, while a weird costume play, “cosplay”, is being performed in streets. A similar kind of simulation is being acted out in the district of Harajuku, where Houge found some of his motifs. There is no authenticity here, no western “essence” or “reality”; instead, the virtual conquers the carnal body in a purified play of surface, image and the hyperreal. This is exotic. All the while as we are conscious of these notions as pinnacle points in a western idea of the post-modern. But in this sense Japan has always been “post-modern”. It has always integrated the most refined culture and technology from the outside while somehow retained an identity for itself. So, what would this identity be? Houge takes the view of ritual and play. Indeed, Japanese culture seems to be grounded solely on ritual, in business and in sex, in its relation to nature and in religion. This play transcends the notion of authenticity altogether, unlike the West which is haunted by the “ghost” of origin and beginnings. In Japan, “now” would mean just that; it is a “no looking back”, but rather a flow of intensities integrated in the play and ritual of the ever-present, okurimono. There is no threat of being eaten up by western culture and technology here, for, like in Zen practice, the ritual oversees everything and has no historical drag. Japan becomes weightless, shot into orbit outside the material of earth itself. Is acting out the role as Lewis Caroll’s Victorian girl driven by a sense of nostalgia? I think not. It is a striving for a moment of perfected presence, in dialogue with Houge’s optical machine. It is the moment of Now. The girl, the Zen garden and the image shares in a perfection modified by small uncertainties, coincidental imperfections that become somewhat oblique points of entry for us - a discarded handkerchief or seemingly unremarkable shapes and reflections in the prismatic play of surfaces. There is a ghostly, otherworldly quality in these images, even in the fleeting blossoming cherrytree and the play of shadows across a concrete minimalism. The doubly exposed or reflected light on the lens reminds us of the uncertain beginnings in photography’s history, with its widespread belief that the camera was able to perceive more than the naked eye, like spirits and ghosts. In Houge’s images there are different specters, skeletal, natural shapes on the one hand, the machine and the virtual on the other. Here, like some scene from the film Blade Runner, there is an uncanny confusion and mix between the human and non human. Maybe the search for a perfect moment in the perpetual flow of things is a romantic or melancholic longing for transcendent wholeness, a drive that is harnessed in a rigorous attention to visual detail. This compulsive discipline might seem absurd to any western observer, while longing itself form a common ground and will ultimately be the basis in our meeting. Erling Bugge Bio: Christian Houge (born in Oslo 1972) Based in Oslo, Norway, I have been making photographs for over twenty years and new insights continue to open. By exploring the relation, and conflict, between Nature and culture, I get a better understanding about Mans` condition. I am interested in the consequences of Humankinds progression and how science often is the result of our conquering of Nature, both on Earth and beyond. Mans` ego, consumer society, the last remnants of pure Nature and identity are recurring elements in my work. I often juxtapose the visually aesthetic with an underlying uneasiness. This often emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. Looking at our actions and place in environment, which we are so dependent on, is a recurring theme in all my exploration and can use everything from digital cameras to large format and panoramic analog cameras for specific projects. I have exhibited extensively in galleries and museums in my native country Norway, as well as the US, England, France and China. The series `Death of a Mountain`(2016-2021) is nominated for the 2021 Leica Oskar Barnack Award, as well as receiving an arts grant from Norwegian Arts Council. Most recently, my series `Residence of Impermanence` 2017-2019 has been exhibited at five museums and several galleries already (including a solo show at Fotografiska, Stockholm (2019), and Les Recontres d`Arles, Haugar Artmuseum, Preus Muaeum of Photography and 2019 (Galerie Omnius, Arles). In 2021, this series received ten nominations for the Prix Pictet Award with the theme FIRE. `Residence of Impermanence` is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West...

Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...

Ed. 1/20, unframed print. Photographed in the picturesque "SoSo" neighborhood of West Palm Beach, "Tis the Season" is Nathan Coe's newest release for Christmas 2023. This work is av...

10.25 x 24 inches - Edition 1 of 5 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the his...

Ed. 1/5, includes white frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classic...

We are all born from Mother Earth. Mimicking a plant or tree, a muscular man standing on his head emerges upward from the desert ground with is legs spread out like branches. Seen f...

This is a series of black and white Nude abstract art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired artists from ti...

Edition of 9. Signature label. Framed work. A prominent French architectural photographer, Jean-Christophe Ballot’s body of work concerns itself with space: be it cities with urb...

Gabriel Wickbold Better naked than yours #5, 2017 32 x 32 inches 80 x 80 cm Edition of 15 47 x 47 inches 120 x 120 cm Edition of 15

"Untitled (Nr. 0412)" Black & White Photography 18" x 24" Ed. of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey...

"Hills" Black & White Photography Ed. of 18 24x36 inch by Yevgeniy Repiashenko Hills Photography Edition of 18 (24 x 36 inch) by Yevgeniy Repia...

No title (No 55) 45" x 37" in Photography Edition of 18 by Yevgeniy Repiashenko Year photo was taken: 2020 Limited Edition of 18 Photography on Diasec and Dibond This artwork is pa...