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Vanessa MarshUntitled #342018
2018
About the Item
Vanessa Marsh is an American artist living and working in California. Her series The Sun Beneath the Sky reflects upon the nature of light, atmosphere, geology and time. Layers of pastel toned mountains and valleys rise and fall under sunlit skies. Glowing light rakes through transparent mountain tops reminiscent of how the landscape appears through mist, smog or the haze of wildfire smoke. The images evoke a sense of the sublime, recalling the beauty of the natural world while meditating on the scale of geologic structures within it.
The Sun Beneath the Sky continues my long-term practice of using cut paper, multiple exposures, and dodging and burning techniques to create cameraless photographic landscapes. Each unique lumen print is made by selectively exposing silver gelatin paper to sunlight and then processing the paper in photo chemicals to affix the image. In this way, sunlight acts as both subject matter and medium.
Both the mountains and the Sun provide the means to contemplate deep time. From the perspective of a single human life, they are permanent and mostly unchanging, yet we know they have evolved and changed overtime. The images in this series allow the opportunity for the quiet contemplation of these greater forces and highlight both the beauty and the catastrophe of the present moment.
- Creator:Vanessa Marsh (1978, American)
- Creation Year:2018
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Sante Fe, NM
- Reference Number:1stDibs: LU13424254452
Vanessa Marsh
Vanessa Marsh is a photographer living and working in Oakland, CA. Marsh makes her images by first creating drawings on clear mylar. These drawings are then laid on top of light-sensitive paper in the darkroom and then the paper is exposed to light. For images with layered landscapes, multiple drawings are placed on the paper which is then exposed at intervals, and a drawing is removed at the end of each interval. The stars are created by exposing the paper to light through a mask with small holes poked into it. The darkroom aspect of the process creates a photogram negative, which she then scans and inverts into a positive image digitally. The final images are pigment prints on archival rag paper.
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