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Carlo Naya
St Mark's Square, Doge's Palace, Venice

c. 1880

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Cloud Over Arizona
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A very cool landscape of the abstract kind. Beautiful printed silver gelatin - wish it was easy to photograph but with the reflection...
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1990s Black and White Photography

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Butterfly, Modern French Framed Photograph
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Located in Surfside, FL
Genre: Contemporary Subject: Landscape Medium: Photograph Country: France 16 X 22.5 without frame Animalia, Insect Butterfly Photograph Élisabeth Montagnier was born in Algeria. S...
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Jeff Becker, Planetary Breathing, 2017, Video, Digital Pigment Print
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Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. Disruptive in nature, the Slurry Series works don't follow the tra...
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Jeff Becker, Africa's Heartbeat, 2017, Video, Digital Pigment Print
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Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. Disruptive in nature, the Slurry Series works don't follow the tra...
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Water Plant Lace, Colorado Rocky Mountatins
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David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition. He has also photographed extensi...
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Vintage Silver Gelatin Signed Photograph Samuel Gottscho Garden Flowers Photo NY
By Samuel Gottscho
Located in Surfside, FL
Vintage hand signed and stamp signed with the photographers stamp and numbered photo of trilliums. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...
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