
Rare Vintage Original Photo from the Court of The Lubavitcher Rebbe 770 Chabad
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Levi Yitzchak FreidinRare Vintage Original Photo from the Court of The Lubavitcher Rebbe 770 Chabadc.1970's
c.1970's
About the Item
- Creator:Levi Yitzchak Freidin (1907 - 1993, Israeli, Russian)
- Creation Year:c.1970's
- Dimensions:Height: 11.75 in (29.85 cm)Width: 15.75 in (40.01 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214873822
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Greetings, 1992
Photograph 10.25 h × 7.5 w in (26 × 19 cm), Frame 11 x 8 inches
Photo mounted to foamcore and framed behind acrylic
Hand signed and dated 'Rimma and Valeriy 1992';
Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others.
Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko.
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Rare vintage signed and dated silver gelatin black & white unframed photograph. (printed circa 19730-1981) signed and numbered in ink on recto. Hand developed by or under the personal direction of Micha Bar Am at the studio of acclaimed printer Thomas Consilvio in Beverly Hills, California. In 1981, the negatives were retired and donated by Bar-Am to the permanent archives of the Tel-Aviv Museum, Israel. This one has the feel of a Roman Vishniac photo.
Micha Bar-Am (Hebrew: מיכה בר-עם) (born 1930 in Berlin, Germany) is an Israeli journalistic photographer. His images cover every aspect of life in Israel in the past sixty years.
Since 1968 he has been a correspondent with Magnum, the photographic cooperative. From 1968 to 1992, he was the New York Times photographic correspondent from Israel. He has published several books of photography, beginning in 1957. His work is held in numerous international museums and institutes throughout the world.
Born in Berlin to a Jewish family, Bar-Am moved with his parents in 1936 to then British Mandate of Palestine. He attended local schools. He was drafted in 1948 and served during Israel's War of Independence, when he was part of the Palmach Unit. Afterward, he worked several jobs, including as a locksmith and a mounted guard, before becoming a photographer. In 1949 he co-founded the kibbutz Malkia in Galilee. Later he became a member of Kibbutz Gesher HaZiv.
Photography career
In the early 1940s, Bar-Am started taking pictures of life on a kibbutz; he used borrowed cameras until he bought a Leica. After his military service, he began photographing more seriously.
After publishing his first book, Across Sinai (1957), Bar-Am gained work as a photographic reporter and in the editorial staff of the Israeli Army magazine, Ba-Mahaneh, from 1957 to 1967. In 1961 he covered the Adolf Eichmann trial. In 1967 he covered the Six-Day War, during which time he met Cornell Capa. Many of his war images brought him renown. Since 1968, he has been a correspondent for Magnum Photos. In 1974 he helped Capa found the International Center of Photography in New York City.
In 1968, Bar-Am also became the photographic correspondent from Israel for the New York Times, a position he held until 1992. From 1977-92, he was head of the department of photography at the Tel Aviv Museum of Art.
He says that he has adopted Robert Capa saying, "If your photographs aren't good enough, you weren't close enough,"
Awards
2000--Israel Prize for photography.
1993—Enrique Kavlin Prize, Israel Museum, Jerusalem, Israel
1985-86--Nieman Fellow, Harvard University, Cambridge, Massachusetts, USA
1985—IBM Fellowship, Aspen, Colorado, USA
1985—Golden Flamingo Award for Photographic Poster, Arles, France
1985--Fulbright Grant
Books
Southward: Micha Bar-Am, Photographs, Israel: The Negev Museum of Art, 2013
Insight: Micha Bar-Am's Israel, London: Koenig Books / Israel: Open Museums, 2011
Israel: A Photobiography, USA: Simon & Schuster, 1998
The Last War, Israel: Keter Publishers, 1996
Painting With Light: The Photographic Aspect in the Work of E.M. Lilian, Israel: Tel Aviv Museum of Art/Dvir Publishing, 1991
Jewish Sites in Lebanon, USA: Moreshet Eretz-Yisrael/Ariel, 1984
The Jordan, Israel: Masada Ltd., 1981
Portrait of Israel, USA: New York Times/American Heritage Press, 1970
Across Sinai, Israel: Hakibbutz Hameuchad, 1957
Collections
Israel Museum, Jerusalem, Israel
Tel Aviv Museum of Art, Tel Aviv, Israel
Haifa Museum, Haifa, Israel
The Museum of the Jewish People at Beit Hatfutsot, Tel Aviv, Israel
The Museum of Photography at Tel Hai, Tel Hai Kibbutz, Israel
International Center of Photography, New York, USA
The Museum of Modern Art, New York, USA
Museum of Fine Arts, Houston, USA
International Museum of Photography at George Eastman House, Rochester, USA
Skirball Museum, Los Angeles, USA
Minneapolis Institute of Arts, Minneapolis, USA
Henry Buhl Collection, New York, USA
Ludwig Museum, Cologne, Germany
Folkwang Museum, Essen, Germany
Bibliothèque Nationale, Paris, France
Musée d'Art et d'Histoire du Judaïsme, Paris, France
Collection FNAC, Paris, France
Fundacion “La Caixa”, Barcelona, Spain
National Maritime Museum, London, UK
Magnum Photos: Photographic Collection, Harry Ransom Center, University of Texas at Austin, USA
This photo is signed. It is from the height of the war. Leonard Freed, Micha Bar Am, Henri Cartier-Bresson, David Rubinger...
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Hatay is a visual artist, a healer and a former Rock and Roll photojournalist.
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It was when she photographed Jimi Hendrix at Madison Square Garden on May 18, 1969 and was inspired by his music that she got a chance to spread her wings artistically. She was initially inspired by his energy, his vision and his originality. "Jimi Hendrix was absolutely amazing - it is not possible to put words to the Experience. He was, and still is, unique. I didn't know at the time I photographed him that he was interested in his music being a healing power. I learned a lot about this aspect of Hendrix about ten years later when I met people who knew him. When they heard how much I was interested in the healing aspects of his music, they shared their stories with me. I used some of this information in my two books, "Jimi Hendrix, The Spirit Lives On" and "Jimi Hendrix, Reflections and Visions".
Nona's experimental techniques were used in her photographs on many other Rock stars, such as Tina Turner, James Brown, and Frank Zappa.
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ORIGINAL PHOTO ART
one of a kind - experimental & hand painted are in many private collections & museums
HARD ROCK CAFE INTERNATIONAL exhibits over 200 original Hatay photoartworks of MUSICIAN worldwide
A few original vintage photoartworks available from Studio Hatay
2012 Limited edition archival giclee prints available September from Studio Hatay or Gallery shows
ESSAYS, LIMITED EDITION PORTFOLIOS & EXHIBITS ( partial list )
1968 THREE SUNDAYS IN WASHINGTON SQUARE New York City, NY - one copy handmade book
1969 NEW YORK CITY - essay/exhibit Peace Marches, other events, personalities,
Abi Hoffman, Dick Gregory, Stan Lee, Moondog. others, and concerts Fillmore East and Apollo
1975 SAN FRANCISCO HOOKERS BALL (exhibit purchased by Margo St James)
1976 CASTRO STREET FESTIVAL (Sylvester performing) exhibit color (hand painted) expanded photographs
1978 HENDRIX PORTFOLIO limited edition boxed portfolio of 10 original experimental photographs
of Jimi Hendrix with tape of 10 songs illustrated (designed to experience listening while looking at the
multidimensional pictures and reading Hendrix's lyrics/poems) b/w
1980 THE ROSICRUCIAN PARK, San Jose CA (world headquarters) color photos & experimental b/w
1982 JAMES BROWN & TINA TURNER - limited edition portfolio
1983 COLOR EXPANDED PORTRAITS - hand painted photos - many exhibits & commissions
1986 COLOR EXPANDED VINTAGE CARS at Limerick CT exhibited AUTO ART...
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