Miniature Figurative Photography

Bryan Atkinson Boot's Court Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Signed: On Label COA provided *Framing options available. Please inquire. Bryan Atkinso...

Missing -2018 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival Print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2016-458. No...

Kristine DeBell is a vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s .

Original Marilyn Monroe Photograph Original photograph of Marilyn Monroe posing in her dressing room on the film of "Gentlemen Prefer Blondes" by photographer Milton Gold (American,...

This captivating black-and-white photograph, titled Mainbocher Corset by Horst P. Horst, masterfully blends elegance and geometry. The composition features a woman seen from behind, ...

PACKAGING: 30x40" and 40x60" prints are shipped in a special fortified tube to guard against bending or damage. Framed 30x40" prints are shipped via FedEx ...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

The Palm Trees is a black and white vintage photo, realized in 1970s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments, places,...

Everlong - 2016, Edition of 7 plus 2 Artist Proofs Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2016-2003. Not mounted. K...

The swamp landascape is a black and white vintage photo, realized in 1970s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments, p...

Voyeurism for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph.  From the series "Voyeurism " realized by Newton for Playboy magazine. ...

Black and white fine art cityscape photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

Solitude - 2022 [ Shot on location in Oslo Norway in the spring of 2022 and influenced by themes of alienation and self-imposed isolation] Edition of 10 - 20 x 20 cm Archival C-Pr...

Heartbreak Motel - 2016 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival print, based on the original Polaroid. Signature label and certificate. Artist inventory PL2016-123....

Voyeurism for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph.  From the series "Voyeurism " realized by Newton for Playboy magazine.

Jeffrey Tamblyn Redemption and Retribution Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 16x16 inches Edition: 50 Signed, dated and numbered by hand on label COA ...

Kristine DeBell is a vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

David Pugh Disco Atlas Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age resi...

Nude 01 - Platinum Palladium print over 24 carat Gold leaf on vellum paper Edition 1 of 8 , plus 2 AP ( small size ) Signed + numbered with certificate of authenticity ( signatu...

Historical Places Photo- Old Folkestone is a black and white vintage photo, realized in the early 20th century. It belongs to historical album including masterpieces of historical pl...

Iconic portrait photograph by midcentury society photographer Slim Aarons, capturing young Jackie Kennedy (Jacqueline Onassis) (1929 - 1994) wife of Senator Jack Kennedy, at a 'April...

Swan-Like Embrace, Paris 2001, printed later, 2021 C-Print on paper 8 x 5 1/8 inches Signed on the back published by Pain Nan Goldin's "Swan-like Embrace, Paris, 2001" is a poignant...

Missing -2018 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival Print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2016-458. No...

All that Glitters ain't Gold - 2017, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inven...

Kristine DeBell is a  vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

Horses - Vintage Photograph is a black and white photograph realized in the 1960s. Good conditions.

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

Kindling - 2016 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-2002. N...

Warm ice. Erotic Photograph, 22.5x16 cm Erotic woman photograph by Latvian photographer Juris Abramenko. Photo made at winter by the sea at sunny day

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

Everlong - 2016, Edition of 7 plus 2 Artist Proofs Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2016-2003. Not mounted. K...

Gerry Adams, Leader of Sinn Fein is a vintage photograph realized in the 1970s. Good conditions. The artwork is depicted in a well-balanced composition.

3 Stefanie Schneider's Minis from the movie Stay: 'Forgive me', 'Lila', 'Jellyfish' with Naomi Watts Signed in front, not mounted Lambda digital C...

Nastassia Kinski for Playboy is a mixed colored photograph realized by Helmut Newton in 1981. Photograph on positive trasparency films.

Grace Jones for Playboy is a photograph realized by Helmut Newton in 1985. Albumen print From the series realized by Newton for Playboy magazine. Edtion 7/85. 

Faithfull To Jagger - Marianne Faithfull and Mick Jagger 1967 Actress Marianne Faithfull backstage with her boyfriend Mick Jagger after her first night performance as Irina in Cheko...

Vintage Photo. Rome, 13.3.86, The German-American Actress Barbara Bouchet. Good condition.

From a long forgotten Dream (Chicks and Chicks and sometimes Cocks) - 2019 20x20cm, Edition of 10. Digital C-Print, based on the Polaroid. Artist inventory 21582. Signature label an...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Photogravure on papier gravure Cartiere Enrico Magnani à la main, mounted on papier Cartiere Enrico Magnani à la main moulé-pressé paper, as issued. Inscription: unsigned and unnumbe...

Prof. Pietro Valdoni and Prof. Angelo Biocca is an original black and white photograph realized by an Anonymous photographer. With the typed notes in Italian " the description" on t...

Kenn Duncan (1928-1986). Fashion editorial photo of male model Pat Anderson, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. The print was used for publication in After Dark Magazine. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

"Doris and Henry (and her brothers)" is an original piece by Shawn Theodore made from found/family photos, polaroid lift, acrylic on wood panel. This pieces measures 16.75"h x 16.75"...

Photograph of Vintage Painting is a black and white vintage photo realized by an anonymous artist in the Early 20th Century. Good conditions except for some minor fixings. The artw...

Stefanie Schneider's Minis Runaway (Haley and the Birds) - 2013 signed and signature brand on verso Lambda digital Color Photographs based on the Polaroid Polaroid sized open Editi...

By Nan Goldin Swan-Like Embrace, Paris (2001), printed later, 2021 C-Print on paper 8 x 5 1/8 inches Signed verso (please see image 3) From the 2021 timed release, published by Pain.

Photograph of Vintage Painting is a black and white vintage photo realized by an anonymous artist in the Early 20th Century. Good conditions except for some minor fixings. The artw...

Doll - 2017 - 20x20cm, Edition 4/7 plus 2 Artist Proofs. Digital C-print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2017-128. ...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

Car crash at Woodhead is a black and white vintage photo, realized in 1962. The photo depicts a car that falls into a ravine at Woodhead, Cheshire. Mr. John Henry Jones, Labour Memb...

Heartbreak Motel - 2016 Edition of 7 plus 2 Artist Proofs. Archival print, based on an original Polaroid. Signature label and certificate. Artist inventory PL2016-123. Not mount...

Lucchino Visconti on the Set of the Film Ossessione is a vintage black and white photograph realized in 1943. Good conditions.

Emilio Lussu is a vintage black and white photograph realized in the 1960s. Good conditions.

The Dancers, 1984 is an 8" x 8" vintage gelatin silver sepia-toned photograph by contemporary Czech artist Jan Saudek. Signed “Jan,” titled and dated “July 20-23, 1985” in ink below ...

Memory of a Dream (29 Palms, CA) - 2006 38x36cm, Edition 2/10. Archival C-Print, based on the original Polaroid. Certificate and Signature Label. Artist inventory Number 3602. Not...

George Platt Lynes Photograph #11 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #11 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

'Caitlin aka Jane Bond III' (Heavenly Falls) - 2016 20x20cm, Edition of 10, Archival C-Print based on a Polaroid, Not mounted. Certificate and signature label, artist inventory ...

Photograph of Vintage Painting is a black and white vintage photo realized by an anonymous artist in the Early 20th Century. Good conditions except for some minor fixings. The artw...