Erik Madigan Heck

Brianna in Crab Apple Tree, The Garden – Erik Madigan Heck, Fashion, Colour, Art

2020

Stéphane COUTURIER (*1957, France) Les Nouveaux Constructeurs, Sète – Port n°4, 2018 Cibachrome, framed to artist's specification 69 x 52 cm (27 1/8 x 20 1/2 in.) Edition of 4; Ed. no. 2/4 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. – Les Nouveaux Constructeurs At the invitation of Julie Gutierrez, curator of the Musée Fernand Léger in Biot (France), Stéphane Couturier intensively studied the work of Fernand Léger, one of the Master of Modern painting in France in the early 20th century. Léger paid particular attention to the upheavals of his time. Alongside the city, the transformation of man through machine and mass production was the central theme of his works, which, starting from the formal experiments of the Cubists, found their own artistic expression, combining Cubist avant-garde with Communist commitment. ‘I have become aware of the many elements that bring me closer to him - his fascination for the city, for industrial elements, for architecture, for the geometry of forms...’, comments Stéphane Couturier on his examination of Léger's work. When photographs of cityscapes and industrial architecture are combined with the painter's compositions, the principle of superimposing two images, which the photographer has developed into an essential element of his art in recent years, is taken to a new level. The encounter of two different and yet closely related, because architectural structures, leads to works that are both painterly photographs and photographic paintings. Constructively and constructively, these works depict the reality as seen, yet go beyond the merely visible. Not images, but pictures that have their own reality. Photographed as cibachromes and fitted into a black object...

ALBERT WATSON (*1942, Scotland) Double Exposure through Windshield 2013 C-print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Framed A student of the fam...

Stéphane COUTURIER (*1957, France) Alger – Bab El Oued – Melting Point n°11, 2017 C-print in Artist's frame 50 x 39 cm (19 5/8 x 15 3/8 in.) Edition of 8; Ed. no. 2/8 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. – Alger In his latest series, which was created over a period of more than three years, Stéphane Couturier explores, in highly aesthetic and, at the same time, socially ambitious photos and videos, the ‘Climat de France’ housing project – today called Oued Koriche – in Algiers. Built in the International Style in the 1950s and based on a design by French architect Fernand Pouillon...

Balthasar BURKHARD (1944–2010, Switzerland) Kuba, 2005 C-print in artist’s iron frame, museum glass Sheet 176 x 176 cm (69 1/4 x 69 1/4 in.) From an...

Richard Heeps' Dream in Colour Series beautifully captures 1950's chic, the nostalgic vibe and warm colours paired with a movie still from 'Red River', make it incredibly seductive. ...

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

Foyer VI, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become ...

'Telephone VII' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines bright contrastin...