Brad Wilson

Eastern Screech Owl #1, St. Louis, MO

2012

My work investigates the atmosphere of place through chance-based approaches to photography. I am interested in the mysterious space between the camera lens and outside world, and ho...

From the Still Beating Series Narrative Art refers to visual imagery which tells stories, engages the imagination, and stirs the emotions. These stories transcend culture and are re...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

New York City based wildlife and street photographer Viet Chu, captured the angular, light and architectural aspects of Grand Central Terminal in NYC at 42nd St. and Park Avenue. By...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifi...

All available sizes and editions: 30 x 37.5, edition of 15 40 x 50, edition of 10 48 x 60, edition of 5 Narrative: KC immediately had us in wonder. Her speckled coat laid across her...

18"x24", signed, editioned color photograph. The rose pink textured wall of the distressed background in this photograph complements pinkish reds of the road depicted in the rural town landscape painting, which was selected and placed by the artist to have this interaction. The red tones in horizontal stripes of the exposed wood lathing strips on the wall that the painting is hung, add to the visual texture with the white paint under the peeling pink paint. Time and age have created an image of beautiful decay with the cracked and peeling paint, which creates an amazing visual backdrop to the painting. The pairing of the two in this photograph compliment each other on a sensory level and bring out thoughts of nostalgia and longing. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. He is arguably the first to coin the neologism “modern ruins”. His photographs published in “Woody Guthrie’s Wardy Forty,” have won numerous awards, documenting the singer/songwriter/activist’s life at Greystone Park Psychiatric. He received his BA at Rutgers University and his MFA in photography at School of Visual Arts. Phillip Buehler has been featured in Art in America, The New York Times, Art News, The Art Newspaper, Wall Street Journal, American Photo Magazine, The Huffington Post, Hyperallergic, Gothamist, Art F City, The Sun, ABC, CNN, and numerous other publications. Phillip Buehler Church Dome...