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Brian DuffyJean Shrimpton, Edgware Road, 1960 - Brian Duffy (Black and White Photography)
About the Item
Jean Shrimpton, Edgware Road, 1960 - Brian Duffy (Black and White Photography)
Signed by Duffy
Authenticated by Chris Duffy, executor of the estate, stamped with embossed archive stamp and the photographer's archive ink stamp and numbered on reverse.
Silver Gelatin Print
19 x 13 inches
From an edition of 15
Anarchist, painter, atheist, fashion illustrator, film producer, advertising director, photographer – Brian Duffy (1933-2010) was a blizzard of talent and contradictions. Fast-talking and controversial, he was also something of an enigma. Those involved in the media during the 1960s and 70s remember him as a cutting-edge fashion photographer, equal in stature to Terence Donovan and David Bailey – the three of them sharing Norman Parkinson’s soubriquet, ‘The Black Trinity’.
- Creator:Brian Duffy (1934-2010, British)
- Dimensions:Height: 19 in (48.26 cm)Width: 13 in (33.02 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: G12071388165
Brian Duffy
Photographer Brian Duffy had an eight-year working relationship with David Bowie shooting five key sessions over this period, providing the creative concept as well as the photographic image for three album covers. First came the iconic 1973 shoot for the cover of Aladdin Sane, often nicknamed 'the Mona Lisa of pop', when Duffy interpreted Bowie's original title of 'A Lad Insane’ as “Aladdin Sane”. Duffy the went on to shot the cover for 'Lodger' in 1979 and in 1980, the cover for Scary Monsters (and Super Creeps). Duffy's input had a significant influence on the creation of Bowie's chameleon-like public persona and his continual pioneering reinvention.
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