Post-Modern Black and White Photography

Surf Wagon, St. Petersburg Beach by Al Satterwhite is a black and white photograph featuring a group of teenagers sitting on top of a car filled with surfboards. Archival Pigment P...

Bob Gruen Patti Smith Live - Schaefer Music Festival, Central Park, NYC, 1976 gelatin silver print 20 x 24 inches Bob Gruen is one of the most well known and respected photographers...

Bob Gruen John Lennon NYC 1974 (printed later) 40 x 30 inches Signed and numbered edition of 75 Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photogr...

Titel: Without Title (New York) Medium: Photograph Year: 1974/2014 Publisher: Griffelkunst Hamburg Size: 7.4 × 10.7 on 11.5 × 15.4 inches After a photographer training at the photo ...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. (American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica. SELECT GROUP EXHIBITS 2018 Marquee Projects...

Bob Gruen John Lennon NYC 1974 24 x 20 inches Signed and numbered edition of 250 Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photographs, he is an ...

Surf Wagon, St. Petersburg Beach by Al Satterwhite is a black and white photograph featuring a group of teenagers sitting on top of a car filled with surfboards. Archival Pigment P...

Edition of 25 Signed and numbered by Al Satterwhite Paper size: 16 x 20 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of 25 Accla...

"We really enjoy getting together with our friends to drink and dance. It's a wild party and we're having a great time." from series, Suburbia Edition of 15 Signed, dated and number...

Edition of 15 Signed, titled, dated, print date, and numbered. Paper size: 36 x 54 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Edition of 25 Signed and numbered by Al Satterwhite Paper size: 20 x 16 in., Image size: 17 3/4 x 12 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x ...

Muhammad Ali, Fifth Street Gym, Miami by Al Satterwhite is a 20 x 16 inch archival pigment print. This photograph features Muhammad Ali leaning against gym equipment with his arms ra...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...

Edition of 25 Signed and numbered in black ink on print margin by Al Satterwhite Paper size: 16 x 20 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x ...

Black and white photography, unique gelatin silver bromide print, with wooden and glass frame, signed by the photographer Vari Caramés (1953, Ferrol, Spain) on the back. The work is ...

Artist: Shahrokh Hatami Title: The Fab Four Year: 1962 / Printed: 2005 Medium: Archival Pigment Print on Watercolor paper, signed and numbered in pencil Editi...

David Hamilton was a British photographer and film director best known for his photography of young women and girls. In addition to he composed photographs of flowers, men, landscape...

Rare black and white photograph, a portrait of a handsome man by Edward Henry Weston (March 24, 1886 – January 1, 1958). Signed "EW 1949" lo...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundacion Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. SELECT GROUP EXHIBITS 2018 Marquee Projects, Bellport, NY: "By the Sea: Mikael Levin, Vera Lutter, Steel Stillman, James Welling" Hohenems Jewish Museum, Hohenems, Austria: "Say Shibboleth! On Visible and Invisible Borders" 2014 Centre d'art Contemporain Faux Mouvement, Metz: "Travail d'archives" 2013 Galerie Michele Chomette, Paris. "Sleeping Beauties IV" 2011 Musée d'art et d'histoire du Judaïsme, Paris. "War Story" in "A journey through the MAHJ's Contemporary Collection" 2010 Bibliotheque Nationale de France, Paris. "Qumran" 2009 The Solo Project, Basel; Gilles Peyroulet Gallery. "New York Moments: Mikael Levin and Rudy Burckhardt" 1996 Galerie F-15 Alby, Moss, Norway: "James Welling and Mikael Levin" 1993 Grand Palais, Paris: "Salon Decouverts" ( Curated by Jean-Claude Lemagny) 1990 Brooklyn Museum, New York: "New Acquisitions" Musem Ludwig, Cologne:"Vom Landschafsbild zur Spurensicherung" 1989 Fotografiska Museet, Stockholm: "Lewis Baltz and Mikael Levin" 1987 One Penn Plaza, New York: "Beautiful Photographs" (Curated by Gene Thornton) 1985 Pavillon des Arts, Paris: "La Photographie Creative" (Curated by J.C. Lemagny) Caves Sainte-Croix, Metz, France: "Construire le Paysage de la Photographie" SELECT PUBLIC COLLECTIONS Jüdisches Museum, Berlin (a selection from War Story in the permanent installation.) Whitney Museum of American Art, New York Metropolitan Museum, New York International Center of Photography, New York Jewish Museum, New York Bibliothèque Nationale, Paris Centre national d'art et de culture George Pompidou, Paris Fonds National d'Art Contemporain, Paris Princeton University Art Museum, Princeton, NJ Victoria and Albert Museum, London Israel Museum, Jerusalem Moderna Museet, Stockholm Statens Konstrad, Stockholm Canadian Center for Architecture, Montréal From the David C. and Sarajean Ruttenberg Collection The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art...

Artist: Herb Greene Title: Rod Stewart Year: circa 1966 Printed 1995 Medium: Gelatin Silver Print, Signed in ink Size: 9 in. x 12 in. (22.86 cm x 30.48 cm) Frame Size: 17.5 x 21.5 i...

Artist: Ron Galella, American (1931 - ) Title: Limelight - Mick Jagger and Jerry Hall Year: 1984 Published: 2009 Medium: Gelatin Silver Print, signed and numbered in pencil verso Ed...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. (American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica. SELECT GROUP EXHIBITS 2018 Marquee Projects...

An iconic photograph of John Lennon and Yoko Ono outsitde the Dakota Hotel in Manhattan. The photo was taken November 21st, 1980. The print is signed, titled and numbered 5/15 in ma...

Artist: Norman McGrath Title: Guggenheim Museum Year: 1995 Medium: Photograph, Signed and Dated in l.r. Paper Size: 22 x 17 inches/ 56 x 43 cm Frame Size: 26 x 21 inches/ 66 x 53 cm

David Hamilton was a British photographer and film director best known for his photography of young women and girls. In addition to he composed photographs of flowers, men, landscape...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This artwork is offered by ClampArt, located in New York City. “Meatyard searched continually for a non-objective art that would be wordless poetry, spontaneous music without sound. The ‘Motion-Sound’ pictures of his later years brought Meatyard’s passion for music and, paradoxically, the silence of Zen Buddhism together in photography. In creating the series, he focused the camera on a natural scene (or one containing plain rural architecture) and then moved it slightly. The result of this action is an image that suggests sound while abstracting natural forms. The landscapes of the ‘Motion-Sound’ series are in stark contrast to the evocative, more traditional views of the Red River Gorge that Meatyard was executing during the same years.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), p. 122 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. (American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica. SELECT GROUP EXHIBITS 2018 Marquee Projects...

Bob Gruen John Lennon NYC 1974 (printed later) 40 x 30 inches Signed and numbered edition of 75 Also available as a color C-print Bob Gruen (born 1945) is an American photographer ...

Man, Stick White Stripe by Ralph Gibson is a black and white photograph of a man holding a white stick, parallel to a painted white stripe on the pavement, creating a graphic image. ...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundacion Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. SELECT GROUP EXHIBITS 2018 Marquee Projects...

Nan Goldin (b. 1953) is one of the most influential photographers of the 20th century. Beginning in the 1970s, Goldin took candid shots of her friends and lovers, characters often li...

Edition of 35 Signed, titled, dated and numbered. Paper size: 20 x 16 in., Image size: 15 x 15 in. Keith Carter is an American photographer who is known for his dreamlike black and ...

Signed, titled, and dated.

Dressing room, La Villa Blanc, Albuquerque, 1971 Gelatin silver print, 19 3/4 x 15 7/8 in. Signed, titled, dated and numbered by Jeffrey Silverthorne Edition of 12, Printed 2008 Jef...

Swim Class, Columbia, MO by Al Satterwhite is a limited edition black and white photograph featuring a woman directing a group of swimmers in a large body of water. Archival Pigmen...

#14 Shelby Cobra Daytona Coupe/Bob Holbert, Daytona 2000 Kilometer race by Al Satterwhite is an 11 x 14 inch archival pigment print. This photograph features a racecar with the numbe...

Signed, print date, misc. notation in pencil on verso. Series: Suburbia Bill Owens was born and raised in California. After volunteering in the Peace Corps he picked up photography ...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...

Black and white original photography by Cyrille Druart. Edition: I/VIII It is the last available. Dimensions: 50 x 40 cm Cyrille Druart is a Fr...

Untitled (Portrait in Window) features a gelatin silver print by Lee Friedlander and a diptych of etchings by Jim Dine. The photograph depicts a framed portrait of a young black girl...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75). Paper...

Black and white original photography by Cyrille Druart. Signed and Numbered Edition: II/V Dimensions: 120 x 90 cm Cyrille Druart is a French pho...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Edition of 25 Signed, titled, dated, print date, and numbered by Al Satterwhite Archival pigment print Paper size: 24 x 36 in., Image size: 21.5 x 32 in. AVAILABLE SIZES: 11 x 14 in...

Surf Wagon, St. Petersburg Beach by Al Satterwhite is a 16 x 20 inch archival pigment print, available in an edition of 25. This photograph features a group of teenagers sitting on top of a car filled with surfboards. The image size is 12 x 17 3/4 inches, the paper size is 16 x 20 inches. This photograph is signed, titled, dated, print date, and numbered by Al Satterwhite. This photograph is available in multiple sizes: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 20 x 24 in., Edition of 25 24 x 36 in., Edition of 25 36 x 54 in., Edition of 15 Al Satterwhite started working as a photographer at a major daily newspaper in Florida while in high school, covering major news stories in the Southeast. After a year as the Governor of Florida's personal photographer, he started a career as a freelance magazine photographer. Over the next 10 years he worked on assignment for almost every major magazine (Automobile, Car & Driver, Fortune, Geo, Life, Look, Money, Newsweek, People, Playboy, Sports Illustrated, Time, Travel & Leisure, to name a few). He was a consultant to Kodak for digital imaging for a number of years. He has lectured at Boston University, Brooks Institute of Photography, Hallmark Institute of Photography, ASMP, NYU/Tisch School of the Arts, PhotoExpos in Los Angeles & New York. He has given workshops at Dawson College (Montreal), ICP (NYC), Kauai Photographic (Hawaii), the Maine Workshops, the Missouri Workshops, Palm Beach Photographic Workshops, Santa Fe Workshops & his own studio in New York City. He lectures and holds workshops at various facilities around the U.S. His photographic prints are in the permanent collections of the Smithsonian National Portrait Gallery, Houston Fine Art...

Muhammad Ali (Situps on Bench) by Al Satterwhite depicts Muhammad Ali amidst a sit-up, with his arms and legs lifted. He is seated on a bench in a gym, with a man in sunglasses watch...

Edition 15/25 Gelatin silver print 16 x 20 in. Signed and dated in pencil on print verso by Ralph Gibson

"I wanted Christina to learn some responsibility for cleaning her room, but it didn't work." Edition of 15 Gelatin silver print, 11 x 14 in. Signed, numbered, and dated in pencil wi...

Edition of 25 Signed, titled, dated, print date, and numbered by Al Satterwhite Image size: 17.5 x 11.5 in. Paper size: 20 x 16 in. AVAILABLE SIZES: 14 x 11 in., A/P 24 x 20 in., Ed...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 11 x 14 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

"We're really happy. Our kids are healthy, we eat good food, and we have a really nice home." Gelatin silver print, 11 x 14 in. Signed, print date, misc. notation in pencil on vers...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 11 x 14 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Jim Dine and Lee Friedlander From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969 Signed and numbered (Edition of 20/75) Paper ...

Signed, titled, and dated in pencil on print verso by Mariana Yampolsky Gelatin silver print 13 1/4 x 18 in.