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Robert MapplethorpeMapplethorpe "Cock & Devil" 1982 Gelatin Silver Print Satyr & Phallus Photograph1982
1982
About the Item
"Cock and Devil" is a photograph by Robert Mapplethorpe, created and printed in 1982. The work is a gelatin silver print, known for its stark contrast and meticulous composition, which are hallmarks of Mapplethorpe's style. This photo is an exemplar of his bold approach to photography, blending technical skill with controversial subject matter to create images that continue to resonate and inspire debate in the art world.
This image is a provocative and thought-provoking piece that incorporates themes of sexuality, control, and power. It features a satyr or devil figure symbolically binding a phallus, representing the complex interplay between male sexuality and societal or religious constraints. This work reflects Mapplethorpe's exploration of the human form, eroticism, and taboo subjects. His work often challenged conventional norms and provoked discussions about the boundaries of art and censorship.
The Tate Museum in London, and the Getty Museum and the Los Angeles County Museum of Art (LACMA) house a print of "Cock and Devil," emphasizing its importance in the realm of contemporary art photography.
This photo is from the signed and numbered edition of 10.
- Creator:Robert Mapplethorpe (1946 - 1989, American)
- Creation Year:1982
- Dimensions:Height: 15.25 in (38.74 cm)Width: 19 in (48.26 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In very fine, age appropriate condition.
- Gallery Location:Rancho Santa Fe, CA
- Reference Number:1stDibs: LU516314746492
Robert Mapplethorpe
Robert Mapplethorpe was born on November 4, 1946, in Floral Park, New York. He left home in 1962 and enrolled at Pratt Institute, Brooklyn, in 1963, where he studied painting and sculpture and received his BFA in 1970. During this time, he met artist, poet, and musician Patti Smith. She encouraged his work and posed for numerous portraits when they lived together in Brooklyn and in the Chelsea Hotel in Manhattan, a gathering place for artists, writers, and musicians in the early 1970s.
It was not Mapplethorpe’s original intention to be a photographer, and from 1970 to 1974, he mainly made assemblage constructions that incorporate images of men from pornographic magazines with found objects and painting. In order to create his own images for these collages, Mapplethorpe turned to photography, initially using a Polaroid SX-70 camera. Interested in portraiture, Mapplethorpe worked as a staff photographer for Andy Warhol’s Interview magazine. He also produced album covers for Smith and the group Television, and at the same time photographed socialites and celebrities such as John Paul Getty III and Carolina Herrera.
Mapplethorpe had his first substantial shows in 1977, both in New York: an exhibition of photographs of flowers at the Holly Solomon Gallery and one of male nudes and sadomasochistic imagery at the Kitchen. Mapplethorpe’s diverse work — homoerotic images, floral still lifes, pictures of children, commissioned portraits, mixed-media sculpture — is united by the constancy of his approach and technique. The surfaces of his prints offer a seemingly endless gradation of blacks and whites, shadow and light, and regardless of subject, his images are both elegant and provocative. In the mid-to-late 1980s, returning to the sculptural use of photography seen in his early assemblages, Mapplethorpe created sensual diptychs and triptychs of photographs printed on fabric and luxurious cloth panels.
In 1988, four major exhibitions of Mapplethorpe’s work were organized: by the Stedelijk Museum, Amsterdam; the Whitney Museum of American Art, New York; the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; and the National Portrait Gallery, London. Mapplethorpe died due to complications from AIDS on March 9, 1989, in Boston.
Find original Robert Mapplethorpe photography on 1stDibs.
(Biography provided by Cerbera Gallery)
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