Peter McArthur

"White Mountains Road With Clouds, 1968" - Black and White Photograph

1968

"Henry And Eve Miller On Partington Ridge" - 1954 Original Photograph 1954 original black and white silver gelatin photograph of Henry and Eve Miller at their house on Partington Ridge in Big Sur, California by California photographer Jim Healy (American, 20th C.). Eve Miller sits behind a desk while Henry Miller leans against a bookshelf in their home office in Big Sur. Eve holds a cigarette in her hand, with Henry next to her, leaning his elbow against the bookshelf. Titled, stamped and dated on verso. "Henry and Eve Miller on Partington Ridge 1954 photo by Jim Healy" Stamped "Henry Miller Memorial Library, Big Sur California" Presented in a white mat. Mat: 20"H x 16"W Photo: 14"H x 11"W Image: 13 1/8"H x 10 5/8"W Henry Miller was born December 26, 1891 in New York, New York. In 1920 Miller began working for Western Union Telegraph service where his interest in writing began. He soon left for Europe in 1928 where he resided in Paris in 1930. He continued full time with his long and lucrative career as a writer of more than 36 creative and analytical works. Miller's entrance into the writer's circle began with Tropic of Cancer, which still proves to be Miller's most famous work. Tropic of Cancer and Tropic of Capricorn chronicle Miller's lives and loves as an expatriate in Paris. They were both originally published in France by Jack Kahane at Obelisk Press in the mid-thirties. Soon after the publishing of Tropic of Cancer and Tropic of Capricorn, Miller's other works to date were published in the United States. During this time it was said that "Miller became a legendary character, a kind of folk hero, the Paul Bunyan of literature, larger than life as exile, bohemian, and rebel, the great champion of freedom of expression and other lost causes...

Exquisite black and white photograph of Nikita Khrushchev, a portrait in profile of the former Premier of the Soviet Union, by Yousuf Karsh from his ...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...