Pentti Sammallahti

Belomorsk, White Sea, Russia

1990

Chris McCaw’s ongoing project ‘Sunburn’ has caught fire in recent years, and McCaw’s work exhibits internationally, including: the Getty museum in LA, the Somerset House Trust in Lon...

Chris McCaw’s ongoing project ‘Sunburn’ has caught fire in recent years, and McCaw’s work exhibits internationally, including: the Getty museum in LA, the Somerset House Trust in Lon...

Chris McCaw’s ongoing project ‘Sunburn’ has caught fire in recent years, and McCaw’s work exhibits internationally, including: the Getty museum in LA, the Somerset House Trust in Lon...

That was the River, This is the Sea Portfolio Introduction: The past several years of my life have been colored by change, both positive and adverse: a new partner; a new child; lo...

Louis Chiron of France sits aboard the #1 Maserati 4CL during the first JCC Jersey Road Race on 8 May 1947 at the St.Helier course in Jersey, Channel Islands, United Kingdom. Origina...

Maserati racing cars in the pit during a road race at at St Helier, Jersey, Channel Islands, May 1947. Original publication: Picture Post – 4364 – Road Racin...

‘ Lisa ' By Ian Sanderson, Silver Gelatin print, Fiber based Photography : 1989 A beautiful silver gelatin fibre based print produced in the darkroom directly from the negative. The ...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of Moccasin Flower. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...