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Elliott Erwitt
Bratsk, Siberia, USSR

1967

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Joy Riders by John Albok, 1938, Silver Gelatin Print, Photography
By John Albok
Located in Denton, TX
Signed, titled, and dated in pencil on mount margin. Vintage gelatin silver print Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921 find...
Category

Early 20th Century Modern Portrait Photography

Materials

Silver Gelatin

Boy Under the Boardwalk, Coney Island
By Harold Feinstein
Located in Denton, TX
Edition 3/200 Gelatin silver print, 14 x 11 in. Signed, dated and numbered in black ink on print margin by Harold Feinstein Harold Feinstein was born in Coney Island, New York, in 1...
Category

20th Century Modern Black and White Photography

Materials

Silver Gelatin

Girl on Cyclone II
By Harold Feinstein
Located in Denton, TX
Edition 3/200 Signed, dated and numbered. Harold Feinstein was born in Coney Island, New York, in 1931. He began photographing in 1946 at the age of 15 and joined the Photo League ...
Category

20th Century Modern Black and White Photography

Materials

Silver Gelatin

Untitled (Roper at Bell Ranch) by Bank Langmore, 1973-75, Silver Gelatin Print
By Bank Langmore
Located in Denton, TX
Untitled (Roper at Bell Ranch) depicts a cowboy riding on a horse. The cowboy is turned away from the viewer, looking back over his shoulder at the rope leading to a small calf in th...
Category

1970s Modern Portrait Photography

Materials

Silver Gelatin

In an Iron Foundry, Washington, Pennsylvania, 1941
By Jack Delano
Located in Denton, TX
Titled and dated in black ink on print margin. Signed, titled, and dated in pencil on print verso. Jack Delano, born Jacob Ovcharov, moved from his native Russian to New York in 192...
Category

20th Century Modern Black and White Photography

Materials

Silver Gelatin

Interior of a Sharecropper's Home, Greene County, Georgia
By Jack Delano
Located in Denton, TX
Signed, titled, and dated in pencil on print verso.
Category

20th Century Modern Black and White Photography

Materials

Silver Gelatin

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Untitled (Guy Mendes) [Boy Dressed as Airplane Pilot]
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Located in New York, NY
Vintage gelatin silver print Signed in black ink, recto Credit stamped and numbered, verso of mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
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Lucybelle Crater and her 15 year old son's friend
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From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
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Madonna
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From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 6.5 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “Madelyn Meatyard was an indulgent model. The role her husband usually chose for her was that of mother, posing with one or more of her three children. Here, he stations her before an arched window. The pious atmosphere created by this framing is contradicted by Madelyn’s everyday dress and by the dilapidated Venetian blinds behind her. Unlike a traditional religious icon, this Madonna gazes sternly into space, while her small child stands facing the maternal loins from which she sprang. Many photographers prior to Meatyard—such as Alfred Stieglitz, Edwards Weston and Harry Callahan—had produced series based on their beguiling wives.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), pp. 86-87 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
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