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David Yarrow
3:10 to Yuma / Josie Canseco Western theme Tied to Train Tracks with Cowboy

2020

About the Item

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper 3:10 TO YUMA Texas, USA 2020 This Work was sourced directly from the artist. Railway tracks can be visually strong props for photographers and filmmakers as they lead the eye and also offer a palpable sense of travel and adventure. The problem is that train tracks are mostly live and therefore out of bounds for working artists. Railroads played an integral role in the push West in the 19th century and the pioneering spirit that characterized their construction has long fascinated me. We located a disused track not far from Marfa in West Texas stretching all the way to Presidio on the Mexican border. It ran through private land and in one cattle ranch a modest station had been built to the side of the track for the Oscar winning 2007 movie “There will be blood”. We negotiated terms with the ranch owner and he gave us access to film on a location well known to Daniel Day Lewis. My preconception was to push modern sensibilities to one side and to play to the stern masculine traditions of Westerns. I wanted a grittiness to the narrative and a simple story of final frontier “badness” at work. The more you complicate Westerns, the less effective they can become. I like to tell stories using archetypal imagery and bring my own vision of Western lore. I think it is always better to exaggerate and amplify - just as Tarantino did so exceptionally well in “Django Unchained”. Why dumb it down? This was not a simple set up - getting an authentic wagon to this remote location required considerable resourcefulness. The composition and lighting work and the model - Josie Canseco - played her tragic role wonderfully well. Sometimes an idea just comes off and there is not much I would change in this frame. Available Sizes (Framed Size) Large: 71” x 104” Standard: 52” x 74” Available Editions Large: Edition of 12 Standard: Edition of 12 About David Yarrow David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2020
  • Dimensions:
    Height: 48 in (121.92 cm)Width: 70 in (177.8 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Greenwich, CT
  • Reference Number:
    Seller: YarD.8217.M1stDibs: LU177829664592

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"Chief" Wyoming, USA 2020 Large: 71" x 96” Edition of 12 Standard: 52" x 69" Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Over the last few weeks we have quietly been photographing senior Native Americans against the backdrop of quintessential and emblematic American vistas.⁣⁣ ⁣⁣ Whilst we will be releasing some of the series in the run up to the Presidential Election, this is not an overtly political statement from us. We know that Native Americans have long had a leaning toward the Democratic Party, but we took this assignment on because it is relevant, not to be political.⁣⁣ ⁣⁣ There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion we want to fully engage in - as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North.⁣⁣ ⁣⁣ For this project we worked with Chief John Spotted Tail, the great-great-grandson of the fabled Lakota chief Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Native American chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls.⁣⁣ ⁣⁣ The ground in front of Devils Tower...
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