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Ansel Adams
Sand Dunes, Sunrise, Death Valley

1948

$42,000List Price

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Equivalents
By Alfred Stieglitz
Located in Carmel-by-the-Sea, CA
Alfred Stieglitz made the Equivalents cloud studies between 1925 and 1934. They are often recognized as the first photographs free of literal subject matter and considered some of th...
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Early 20th Century Black and White Photography

Materials

Silver Gelatin

Roots, Foster Gardens, Honolulu
By Ansel Adams
Located in Carmel-by-the-Sea, CA
Signed in pencil on front of mount with Portfolio One stamp and numbering in red crayon on back. Anne Helms’ (daughter of Ansel Adams) personal collection stamp on back of mount. Fro...
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20th Century Black and White Photography

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Silver Gelatin

Pont des Arts, Study 3, Paris, France, 1987
By Michael Kenna
Located in Carmel-by-the-Sea, CA
Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount. Edition of 45. Price and availability subjec...
Category

20th Century Black and White Photography

Materials

Silver Gelatin

Eel River Ranch, 1937
By Edward Weston
Located in Carmel-by-the-Sea, CA
Stamped.
Materials

Silver Gelatin

Palm Canyon, Borrego Desert, 1937
By Edward Weston
Located in Carmel-by-the-Sea, CA
Initialed and dated front of mount. Negative number annotated on back of mount. Negative Code B-PC-9G. Printed in 1938.
Category

20th Century Black and White Photography

Materials

Silver Gelatin

Pulqueria, Mexico, 1926
By Edward Weston
Located in Carmel-by-the-Sea, CA
Museo De Arte Moderno, Mexico Bosque De Chapultepec, Exposicion Inaugural El Dia 20 De Septiembre De 1964’ stamp on verso with artist, title, collection, EW birth/death date, number,...
Category

20th Century Portrait Photography

Materials

Silver Gelatin

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Feminist T. Grace Atkinson Being Arrested As She Demonstrates Against Richard Nixon's War in Vietnam October 23, 1972 Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson...
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Vintage hand signed and stamp signed with the photographers stamp and numbered photo of trilliums. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...
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