Impressionist Paintings

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only members of the New Hope Art Colony actually born in Bucks County...

Impressive early American modernist urban backyard scene. Framed. Oil on board. Signed. Image size, 18H by 24L.

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Boat and Fjord Scandinavia by Jorgen Hansen Denmark Dramatic skies and well boat along a Fjord by Jorgen Hansen (1862 - 1937) was active/lived in Denmark...

P. L. Hohnstedt (Peter Lanz) (1872 - 1957) San Antonio, Comfort Artist Image Size: 12 x 16 Medium: Oil Circa 1930s "Texas Summer" Hill Country Biography P. L. Hohnstedt (Peter Lanz) ...

Russian Impressionist painting of a meadow by Zhukovsky Russian, 1938 Frame: Height 68cm, width 67.5cm, depth 4cm Canvas: Height 48cm, w...

Walter Farndon June Day at the Sound Signed lower right Oil on canvas 20 x 24 inches Living and working in an era of passionate and often controversial changes in the art world, Wal...

Antique American modernist portrait oil painting. Oil on canvas. Framed.

Ernest Albert (1857 - 1946) Maine Coast, Ogunquit, 1937 Oil on canvasboard 18 x 20 inches Signed and dated lower right; titled on a label on the reverse A distinguished theatrical and scenic designer who also became a landscape painter and muralist, Ernest Albert worked in New York, St. Louis, and Chicago. He was born in Brooklyn, New York in 1857, and showing early talent, received the Graham Art...

A beautiful watercolor still life of Japanese Iris bonsai by longtime Santa Cruz, CA resident Cordelia de Gavere, c.1930's. Signed "Cor de Gavere" lower right. Unframed. Image, 18"H ...

Kenneth Nunamaker never took a formal art lesson. His “training” began during his travels out West as a young man, where he painted in his spare time. It continued informally through...

Great Condition Beautiful Imagery

Serene landscape of the Putah Creek Bridge (now submerged, also known as Monticello Bridge) by Frank Willson Judd (American, 1864-1940). The Putah Creeks flows beneath an old Closed-spandrel red stone arch bridge 1896-1957 submerged intact beneath Lake Berryessa in 1957. When built this bridge was reputed to be the longest stone arch bridge in California and quite possibly the largest West of the Rockies. Signed and dated "Frank Willson Judd 1937" in the lower left corner. Presented in an antique, distressed frame...

Antique American impressionist still life oil painting. Oil on canvas. Framed. Signed illegibly. Image size, 20L x 24H.

Antique American modernist landscape oil painting. Oil on canvas. Signed. Framed. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent conditio...

Mid-20th century Impressionist scene, French landscape with cottage The painter was active around the middle of the 20th century, painting landscapes, portraits, and city scenes. ...

Signed lower right, 'A. Delauzieres' for André Delauzieres (French, 1904-1941), dated 1936 and titled 'Bry-Sur-Marne'. Provenance: Collection of Ole...

Oil on board painting by Sister Mary Norbert from 1938 of a summer mountain landscape with lush trees and a farm house. Colors of green, brown, purple, blu...

Portrait of a Seated Woman Oil on canvas, c. 1930 Unsigned Provenance: estate of the Artist by Descent to the Heirs Signed in oil with the artist’s initials “PH...

Antique American impressionist landscape oil painting. Oil on board, circa 1920. Unsigned. Image size, 16L x 13H. Housed in a period frame.

Signed lower right, 'Richard A Chase' for Richard Andrew Chase (American, 1891-1985) and painted circa 1925. Framed dimensions: 21.25 x 25.25 x 1.75 inches. Born in Columbus, Kansas, Richard Chase studied at the Art Institute of Chicago (1919-1925) under Karl Buehr, Leon Kroll and George Oberteuffer...

Landscape. 1937, oil on cardboard, 34x40 cm Reinhold Kasparsons (born 13/9/1889 in Cēsis, died 14/1966 in Riga), painter. Born in a craftsman's family. Studied at Nītaure school, a...

Old House at Capistrano, Laguna Beach Figurative Landscape by California Pioneer Artist Daisy A. Newell Kearns Substantial and historic mid-1930's period...

Water reflection with blossoms impressionist oil painting by Gorm Hansen Gorm Hansen, born in 1886 in Copenhagen, Denmark, and died in 1952, is a renowned Danish painter. He is prim...

Janis Pupols (1886 – 1956) Graduated Landscape studio of V. Purvitis in Latvia Art academy (1927). He took part in exhibitions since 1925. Artist painted landscapes in different t...

Bruno was born in 1888 in Bruenn, then part of the Austro-Hungarian Empire. He was the youngest son of a well-to-do family of textile manufacturers. Bruno was a delicate child, but...

Original Period Frame Hayley Lever (1876 - 1958) Hayley Lever's exceptional career path took him from the shores of his native Australia to those of England, and then the United S...

An original antique watercolor painting by well listed Austrian artist Franz Weidinger. This work is signed and titled lower left and housed in a be...

Antique American impressionist seascape signed oil painting. Oil on canvas. Signed. Framed. Image size, 15L x 12H.

Janis Pupols (1886 – 1956) Graduated Landscape studio of V. Purvitis in Latvia Art academy (1927). He took part in exhibitions since 1925. Artist painted landscapes in different t...

The picture is in very good condition. However, there is a small tear is at the end of the page right side about less then 1/2 inch and some wrinkle. Abraham Weinbaum, also known as...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

This painting by Bernhard Oscarsson (1894-1977) is a captivating visual narrative of Stockholm's serene beauty. Oscarsson, a student of Caleb Althin's painting school and the Royal S...

Artist: Kamesuke Hiraga, Japanese (1889 - 1971) Title: Corse Year: 1931 Medium: Oil on Canvas, signed, titled and dated l.l. Size: 25 x 21 in. (63.5 x 53.34 cm) Frame Size: 33.5 x 29...

Pastel on board - Saturday Evening Post Cover, Evening Gown May 21st, 1938 - Reproduced version looks better because the Saturday Evening Post Art Director retouched the plates before printing and strengthened the colors to give it more newsstand appeal - Signed and inscribed lower left. Housed in an inexpensive period frame From Wiki : as an American illustrator and portrait painter who studied at The School of The Art Institute of Chicago and Art Students League of New York. She began her career as an illustrator and during World War I, she traveled across France entertaining military troops with Anita P...

An original oil on board by American artist Julius Richter. Julius Richter, was a physician, surgeon and educator. He was born Dec. 19,1876, in Alleghany, Pennsylvania. He was educ...

Mid Century Island in the San Francisco Bay Landscape by Alexander Nepote Lovely late 1930's Impressionist watercolor of a Bay Area island by listed California artist Alexander Nepo...

PHILIP REISMAN "STILL LIFE WITH FROWERS" OIL ON PANEL. SIGNED AMERICAN, C.1935 20 X 16 INCHES Philip Reisman 1904-1992 Philip Reisman was born July 18, 1904 in Warsaw, Poland....

Artist: Marcel Bouyeron, French (1890 - 1976) Title: Ruisseau a Maisangy (Yonne) Year: circa 1930 Medium: Oil on Canvas, signed l.l. Size: 18 in. x 21 in. (45.72 cm x 53.34 cm) Frame...

1930s French Impressionist Barbizon School oil on panel view a port by Georges Guerin (1910-1984). The painting is not signed but was acquired with a collection of other signed paint...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only members...

Oil on artist board, signed Emily Hoffmeier lower left Most likely a scene of Nantucket harbor and presented in what could be the original frame with a slightly highlighted silver finish. Presents well overall measuring 16.5" x 20.5" including the frame. From 1929 to her death in 1952, Emily Hoffmeier (1888-1952) spent summers on Nantucket, painting in the waterfront studios—first Harborview No. 3 and later moving to the Red Anchor Studio on Washington Street. She exhibited in the Easy Street Gallery, the Candle House Studio, and later at the Kenneth Taylor Galleries. After the death of Maud Stumm in 1935, Hoffmeier took over the direction of the annual Sidewalk Art Show, which she ran for the next eighteen years “with untiring cheerfulness and unflagging interest.” She was one of the founding members of the Artists Association of Nantucket and served on its first executive committee. A graduate of Mount Holyoke College, South Hadley, Massachuetts, Hoffmeier taught art classes at the college for several years. From 1917 to 1951 she was a teacher at West Chester High School in Pennslyvania, where she headed the mathematics department. In addition to enrolling in the plein air classes of Frank Swift Chase...

Paris roofs. 1930s. Oil on canvas, 60x80 cm

Artist: Marcel Bouyeron, French (1890 - 1976) Title: Bord l'Yerre de Seine Year: circa 1930 Medium: Oil on Canvas, signed Size: 13 in. x 18 in. (33.02 cm x 45.72 cm) Frame Size: 22.5...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only membe...

Artist: J. Rieser, Swiss or German XXth Century Title: Snowy Landscape Year: circa 1935 Medium: Oil on Canvas, signed lower right Size: 28 in. x 22 in. (71.12 cm x 55.88 cm) Frame Si...

Martha Simkins (1869-1969) Dallas, Denton Artist Image Size: 24 x 20 Frame Size: 29 x 25 Medium: Oil Unsigned from her estate through her nephew “Brass Plate with Eggs...

A fine impressionist oil of Chiswick Mall, by The Thames, London circa 1930's-40's by listed artist Josephine Matley Duddle later Matley-Duddle Ghilchik (1890-1981) oil on canvas la...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only membe...

Original vintage 1941 Colorado landscape painting with autumn leaves and Pikes Peak blanketed in snow by Charles Bunnell (1897-1968). Inscribed verso, "To Laura, November 22, 1941", egg tempera on board. Signed by the artist in the lower left corner and titled verso. Presented in a custom frame, outer dimensions measure 15 ½ x 19 ¼ x 1 ¼ inches. Image size is 7 ¾ x 11 inches About the Artist: Artist and teacher, Charles ("Charlie") Bunnell worked in a variety of styles throughout his career because as an artist he believed, "I’ve got to paint a thousand different ways. I don’t paint any one way." At different times he did representational landscapes while concurrently involved with semi- or completely abstract imagery. He was one of a relatively small number of artists in Colorado successfully incorporating into their work the new trends emanating from New York and Europe after World War II. During his lifetime he generally did not attract a great deal of critical attention from museums, critics and academia. However, he personally experienced a highpoint in his career when Katherine Kuh, curator at the Art Institute of Chicago, personally chose one of his paintings - Why? - for its large exhibition of several hundred examples of abstract and surrealist art held in 1947-48, subsequently including it among the fifty pieces selected for a traveling show to ten other American museums. An only child, Bunnell developed his love of art at a young age through frequent drawing and political cartooning. In high school he was interested in baseball and golf and also was the tennis champion for Westport High School in Kansas City. Following graduation, his father moved the family to Denver, Colorado, in 1916 for a better-paying bookkeeping job, before relocating the following year to Colorado Springs to work for local businessman, Edmond C. van Diest, President of the Western Public Service Company and the Colorado Concrete Company. Bunnell would spend almost all of his adult life in Colorado Springs. In 1918 he enlisted in the United States Army, serving in the 62nd Infantry Regiment through the end of World War I. Returning home with a 10% disability, he joined the Zebulon Pike Post No. 1 of the Disabled American Veterans Association and in 1921 used the benefits from his disability to attend a class in commercial art design conducted under a government program in Colorado Springs. The following year he transferred to the Broadmoor Art Academy (founded in 1919) where he studied with William Potter and in 1923 with Birger Sandzén. Sandzén’s influence is reflected in Bunnell’s untitled Colorado landscape (1925) with a bright blue-rose palette. For several years thereafter Bunnell worked independently until returning to the Broadmoor Art Academy to study in 1927-28 with Ernest Lawson, who previously taught at the Kansas City Art Institute where Bunnell himself later taught in the summers of 1929-1930 and in 1940-41. Lawson, a landscapist and colorist, was known for his early twentieth-century connection with "The Eight" in New York, a group of forward-looking painters including Robert Henri and John Sloan whose subject matter combined a modernist style with urban-based realism. Bunnell, who won first-place awards in Lawson’s landscapes classes at the Academy, was promoted to his assistant instructor for the figure classes in the 1928-29 winter term. Lawson, who painted in what New York critic James Huneker termed a "crushed jewel" technique, enjoyed additional recognition as a member of the Committee on Foreign Exhibits that helped organize the landmark New York Armory Exhibition in 1913 in which Lawson showed and which introduced European avant-garde art to the American public. As noted in his 1964 interview for the Archives of American Art in Washington, DC, Bunnell learned the most about his teacher’s use of color by talking with him about it over Scotch as his assistant instructor. "Believe me," Bunnell later said, "[Ernie] knew color, one of the few Americans that did." His association with Lawson resulted in local scenes of Pikes Peak, Eleven Mile Canyon, the Gold Cycle Mine near Colorado City and other similar sites, employing built up pigments that allowed the surfaces of his canvases to shimmer with color and light. (Eleven Mile Canyon was shown in the annual juried show at the Carnegie Institute in Pittsburgh in 1928, an early recognition of his talent outside of Colorado.) At the same time, he animated his scenes of Colorado Springs locales by defining the image shapes with color and line as demonstrated in Contrasts (1929). Included in the Midwestern Artists’ Exhibition in Kansas City in 1929, it earned him the gold medal of the Kansas City Art Institute, auguring his career as a professional artist. In the 1930s Bunnell used the oil, watercolor and lithography media to create a mini-genre of Colorado’s old mining towns and mills, subject matter spurned by many local artists at the time in favor of grand mountain scenery. In contrast to his earlier images, these newer ones - both daytime and nocturnal -- such as Blue Bird Mine essentially are form studies. The conical, square and rectangular shapes of the buildings and other structures are placed in the stark, undulating terrain of the mountains and valleys devoid of any vegetation or human presence. In the mid-1930s he also used the same approach in his monochromatic lithographs titled Evolution, Late Evening, K.C. (Kansas City) and The Mill, continuing it into the next decade with his oil painting, Pikes Peak (1942). During the early 1930s he studied for a time with Boardman Robinson, director of the Broadmoor Art Academy and its successor institution, the Colorado Springs Fine Arts Center from 1930 to 1947. In 1934 Robinson gave him the mural commission under the Public Works of Art Project (PWAP) for West Junior High School in Colorado Springs, his first involvement in one of several New Deal art...

Jules Cavailles French, 1901-1977 View from a Parisian window 1937 Oil on canvas 24 ½ x 20 ¾ inches (62 x 53 cm) Framed: 27 x 23 inches (86 x 76 cm) Signed lower right and verso: J...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

Gwendolyn Collins was a wealthy painter who did most of work between 1922 - 1933. She lived in a Mount Street in Mayfair and did not join any art groups or societies. When her st...

"Country Stroll" by Galien-Laloue is an Oil on Canvas, French Impressionism painting of the French country side of a dirt road on your wa...

This stunning work features Mr. Dumond's trademark green. Trout Rock Signed lower left: F. V. Dumond Titled on stretcher with artist's estate stamp: Trout Rock From a Texas Estate. Frank Vincent Dumond was an artist, illustrator, and painter of the Tonalist school...

Lucien Neuquelman, French (1909 - 1988) - Bouquet, Year: circa 1938, Medium: Oil on Canvas laid on board, signed lower left, Size: 14 x 9 in. (35.56 x 22.86 cm), Frame Size: 17.5...

New York City Wintry Street Scene of the Flat Iron Building from the 1930's by Margit De Corini (1897-1982). Oil on Canvas. Signed lower right. D...

Jim’s of Lambertville is proud to offer this artwork by: Walter Emerson Baum (1884 - 1956) Born in Sellersville, Pennsylvania, Walter Baum was one of the only members of the New Ho...