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Victor Simonin
Victor Simonin, Vase de Fleurs, Oil Painting

c. 1930

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Charles-Gilles Dutillieu (Circle), Still Life With Flowers & Glass Vase
Located in Cheltenham, GB
This exquisite early 18th-century French still life depicts a bouquet of vivid blooms set in an urn-shaped glass vase. It’s reminiscent of flower pieces by the French painter, Charle...
Category

1730s French School Still-life Paintings

Materials

Canvas, Oil

Franz Xaver Petter (Circle), Still Life With Alpine Flora
Located in Cheltenham, GB
This beautiful mid-19th-century Austrian oil painting depicts a still life with a decorous abundance of alpine flora and lively blooms. It’s sign...
Category

1850s Naturalistic Still-life Paintings

Materials

Canvas, Paper, Oil

Mid-17th-Century Neapolitan School, Still Life With Grapes, Peaches & Plums
Located in Cheltenham, GB
This elaborate mid-17th-century Neapolitan school still life depicts a pyramidal arrangement of fruit on a circular silver platter. It’s somewhat reminiscent of works by Luca Forte (...
Category

1670s Italian School Still-life Paintings

Materials

Canvas, Oil

Niels Frederik Schiøttz-Jensen, Travelling Family, Capri
Located in Cheltenham, GB
This buoyant late 19th-century oil painting by Danish artist Niels Frederik Schiøttz-Jensen (1855-1941) depicts a coastal view in Capri, Italy, with a travelling family. Schiøttz-Jen...
Category

1890s Landscape Paintings

Materials

Oil, Canvas

David Bates, Behind The Village, Capel Curig
By David Bates b.1840
Located in Cheltenham, GB
This early 20th-century oil painting by British artist David Bates (1840-1921) depicts a rural view in Capel Curig, North Wales. Bates was an accomplished landscape painter who often...
Category

Early 1900s Victorian Landscape Paintings

Materials

Canvas, Oil, Board

Early 19th-Century Central European School, Christ The Saviour
Located in Cheltenham, GB
This early 19th-century central European oil painting depicts Christ The Saviour standing atop an orb and carrying a cross over his left shoulder. An unusual composition, Christ’s rather striking posture is perhaps more ‘Saturday Night Fever’ than it is sacramental. However, the iconography is archaic and derived ultimately from New Testament illustrations dating to the Middle Ages. Depictions of orbs are usually symbolic of the universe, while the cross alludes to redemption. Hence, it’s a visual representation of Christ as the Saviour of humanity. Francisco de Zurbarán...
Category

1830s Portrait Paintings

Materials

Canvas, Oil

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