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1959 Mid Century Modern Vintage Still Life Oil Painting - A Moment Left Behind

1959

QUAINT INTERIOR Size: 60 x 51 cm (including frame) Oil on canvas A charming and intimate interior composition dated 1998 and painted in a naïve style, executed in oil onto canvas. ...

INTERIOR WITH PAINTING Size: 57 x 45 cm (including frame) Oil on board An expressive and uplifting mid-century modernist painting that showcases a richly decorated interior scene, e...

PAUL Size: 58.5 x 53 cm (including frame) Oil on canvas A striking and expressive mid-century portrait painting, executed in oil onto canvas. The composition depicts a male figure ...

THE CURIOUS ENCOUNTER Size: 53.5 x 67 cm (including frame) Oil on Canvas A striking and lively composition, executed in oil onto canvas and dated 1974. The canvas bursts with energ...

Impressive early American modernist interior still life oil painting. Framed. Oil on canvas. Signed. Image size, 40H by 28L.

Very impressive early American modernist flower still life oil painting. Framed. Oil on canvas. Image size, 12H by 16L. Exceptional quality.

This original modernist still life oil painting by John E. Thompson (1882-1945) beautifully captures an interior scene, featuring a table draped in a rich red cloth with a vibrant ar...

“Morning Light” epitomizes the abundance of Spring with its bustling bouquet of white lilies, yellow roses, and a sliced open, ready to be eaten pink grapefruit. Despite the levity of the scene, Lucas has challenged herself with space, making a clear contrast between subject and background. She is consciously rejecting the “ironed on” effect of a subject onto a canvas, a trap to which lesser artists might succumb. Artist Bio Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received instruction and support from wonderful and generous members of the East End artistic community. Working exclusively in oils, Lucas sets out almost daily to create plein aire landscapes and seascapes. In her studio, she works directly from life and captures the beauty of natural light as it transforms ordinary objects into visual delights. Lucas wants her work to celebrate all that is well with this world and brilliant in this life, despite its pockets of darkness. For me, she says, I know I am in the Presence of something beautiful, when it steals my breath, silences my mind, pushes out everything else and draws me in. I trust That. I use That to guide my hands as I arrange a still life or scan a landscape to determine where to set down my easel. Ultimately, That is what drives me to paint. Becoming evermore skilled as an oil painter is another of Lucas goals. To that end she remains teachable, finding it refreshing and vital for her own growth to paint with others. She has studied with favorite artists including Michael Klein...