Leslie Lewis Sigler

SilverSpoon #131_TheInterest

Represented by George Billis' Gallery in NYC. Realism as a style has basically remained unchanged since the Renaissance. Realism as a technique, however, has definitely been alter...

Represented by George Billis Gallery NYC. In my work I explore family objects as “families” of objects—individual silver heirlooms that are related to one another in a single collec...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf, Jan Davidsz de Heem, Abraham van Beijeren...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf, Jan Davidsz de Heem, Abraham van Beijeren...

"Poinsettia" is an oil painting of the signature red plant blossomed against a light backdrop, in a minimalist pot, a cement cube. Painting dimensions: 16 x 12 inches Framed dimensions: 18.5 x 14.5 inches Matthew Weigle...

"Pansies and Spilled Dirt" is an oil painting of purple and white pansies in a rustic brown pot. Dirt spilled onto the clean white surface below. Painting dimensions: 16 x 12 inches Framed dimensions: 18.5 x 14.5 inches Matthew Weigle...

An oil painting depicting the Basilica de la Sagrada Familia. This nocturne shows the beautifully sculpted spires of a cathedral designed by architect ...

Painted from life, a grouping of irises stand tall against a black backdrop. A classical painting subject and style, with a fresh and intriguing touch. Iris blossoms range from buds ...