Ernest Quost

Fleurs - Impressionist Oil, Still Life of Flowers in a Vase by Ernest Quost

1900

Signed still life oil on canvas circa 1910 by French impressionist painter Marie Duhem. This stunning piece depicts delicate pink and yellow peonies in a vase placed on an ornate marble-topped table with a fan resting beside them and a mirror behind. Signature Signed lower left Dimensions: Unframed: 29"x20" This painting is not currently framed but a suitable frame can be sourced if required Provenance: The collection of the artist's family Marie Duhem's parents operated a lace factory, so she became familiar with the work of designers and models from an early age. She began her art studies with Adrien Demont...

Signed still life oil on canvas circa 1930 by French impressionist painter Leon Detroy. The work depicts a vase filled with roses and peonies in deep reds and pinks. Signature: Sign...

Signed still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a colourful ceramic vase filled with red and white anemones set a...

Signed still life oil on canvas circa 1910 by French post impressionist painter Jacques Martin-Ferrieres. The work depicts a black ceramic jar with w...

Technique (canvas handmade) The picture was painted with a palette knife and a brush on canvas . (handmade) I poured my soul into this canvas, blending vibrant acrylics and oils to...

Impressive early American impressionist flower still life oil painting. Framed. Oil on canvas. Signed. Image size, 30.5H by 21.5L.

Old Iron Kettle with Apples by Lu Haskew Oil 16x24" image size 24x32" Framed ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go ...

Harvest Still Life​ by Lu Haskew Oil 18x25" image size, 24x31" framed Still Life of an abundant vegetable garden harvest with onions, eggplant, cabbage and tomato ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...