Dongxing Huang

Dongxing Huang Contemporary Original Oil On Canvas "Collection Version II"

2000 Circa

Title: Leaf Medium: Oil on canvas Size: 15.5"" x 15.5"" Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note: This painti...

Title: Blue Vase Medium: Oil on canvas Size: 12 x 12.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is u...

Title: Early Spring II Medium: Oil on canvas Size: 12 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Tao Yu...

Title: Apricot Flower Medium: Oil on canvas Size: 23.5 x 23.75 inches Frame: Framing options available! Condition: The painting appears to be in excelle...

This bright and colorful floral painting, "Zinnias Having Fun", is a 34x37 still life oil painting on canvas by Maryann Lucas. Featured is a ...

As a painter, I am attracted to subjects that have a history to them; everyday objects from the past that have a story behind them, even if that story is not fully told, they have ex...

Anne Harney is a representational painter beginning her work from observation and concluding with a mix of imagination. “I prefer to begin my work from life. My landscape paintings u...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...