Items Similar to 'La musique et les roses' by Dietz Edzard, (Bremen 1893 – 1963 Paris)
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 15
Dietz Edzard'La musique et les roses' by Dietz Edzard, (Bremen 1893 – 1963 Paris)1893 – 1963
1893 – 1963
About the Item
Dietz Edzard
Bremen 1893 – 1963 Paris
German Painter
'La musique et les roses'
Signature: signed lower left ‘D Edzard’
Medium: oil on canvas
Dimensions: image size 39 x 74 cm, frame size 56 x 81 cm
Provenance: Private collection; sale Cologne, Van Ham, April 2006;With Noortman Master Paintings, Maastricht;Acquired by a private collection in Belgium at Noortman, June 2006.
Literature: Gerd Muehsam, D. Edzard, New York 1948; Claude-Roger Marx (et al.), D. Edzard. Tableaux de 1917 a 1963, Paris 1971.
Notes: Dietz Edzard, a well-known painter of the School of Paris, was born in 1893, in Bremen, Germany. He has lived in the Rhineland, in Holland and after the First World War in the South of France. From there he moved to Paris where he since had resided. Edzard, a colourful artist who has carried on the traditions of the masters of French Impressionism, studied painting with Max Beckmann. In his book D. Edzard, Gerd Muehsam writes: 'Edzard has captured in his canvases the charm of the Parisian atmosphere. With the light, vibrant touch of his brush, he produced sparkling, and yet delicate, paintings of beautiful women, dancers and flowers. His spirited portrayals of Parisian cafe scenes have made him a favorite of art circles in this country and abroad.' Edzard's love for the tender and delicate, for the fragile and the fair have made him a painter of woman and flowers par excellence. In the style of his still lifes, done in the typically impressionist manner with small dabs of pigment splashed lightly on canvas, his individual temperament is clearly discernable.In 1929, Edzard's work was included in an exhibition of Contemporary Painting at the Jeu de Paume, Paris, a museum dedicated to the Impressionist masters and he exhibited with the famous Parisian art dealer Durand-Ruel. In the last ten years he frequently exhibited in New York and at the Domian Gallery in Montreal.
Biography: Dietz Edzard, a well-known painter of the School of Paris, was born in 1893, in Bremen, Germany. He has lived in the Rhineland, in Holland and after the First World War in the South of France. From there he moved to Paris where he since had resided. Edzard, a colourful artist who has carried on the traditions of the masters of French Impressionism, studied painting with Max Beckmann. In his book D. Edzard, Gerd Muehsam writes: ‘Edzard has captured in his canvases the charm of the Parisian atmosphere. With the light, vibrant touch of his brush, he produced sparkling, and yet delicate, paintings of beautiful women, dancers and flowers. His spirited portrayals of Parisian cafe scenes have made him a favorite of art circles in this country and abroad.’ Edzard’s love for the tender and delicate, for the fragile and the fair have made him a painter of woman and flowers par excellence. In the style of his still lifes, done in the typically impressionist manner with small dabs of pigment splashed lightly on canvas, his individual temperament is clearly discernable.
In 1929, Edzard’s work was included in an exhibition of Contemporary Painting at the Jeu de Paume, Paris, a museum dedicated to the Impressionist masters and he exhibited with the famous Parisian art dealer Durand-Ruel. In the last ten years he frequently exhibited in New York and at the Domian Gallery in Montreal.
Dietz Edzard was born in 1893 and grew up in the city of Bremen in northwestern Germany. He completed his education at age sixteen, and was then apprenticed to an import/export firm specialising in the wool trade with Great Britain.
The young Edzard was not particularly interested in the wool trade however, and he quit after only a year. Instead, he set out for Karlsruhe where he hoped to study art with the Realist painter Wilhelm Trubner (1851-1917) at the Academy of Arts. By the time Edzard arrived in 1910, Trubner was not only teaching, but also serving as the director of the Academy, and it seems that he spent most of his time on administrative responsibilities. Although Edzard clearly obtained his basic art education there, developing his drawing skills in particular, he left after only a brief period of study.
In 1911, he set out for Berlin where he studied with Max Beckmann (1884-1950). Life for a young artist in Berlin during this time was full of excitement as well as tension. The new ideas emerging among the Expressionist artists, like the members of Die Brücke, were both fascinating and challenging. Their work echoed some of the Fauve experiments occurring in Paris at the same time, but there was a distinctive edginess to the German avant-garde caused by the collapsing political and social structures of the society.
With the onset of war in the summer of 1914, Edzard found himself in the infantry, facing all the horrors of trench warfare. When he became ill because of the appalling conditions, he was transferred to the Eastern Front, stationed in the westernmost region of Latvia known as Courland; he fared no better there, however, and was sent to a nearby sanitarium to recover. His illness was not only physical, but psychological; today, it would be called post-traumatic-shock disorder.
When he was finally released in 1919, he made his way to Amsterdam, where he stayed with a friend to recuperate. Gradually, he began to paint again and was able to put together enough work to exhibit in Amsterdam and The Hague in 1920.
Happier times arrived in 1921 when the artist moved to Bavaria, far from the barbaric reminders of the northern German battlefields. There, he met the woman who would become his first wife, and he became a father for the first time.
In 1928, he left Germany for good, moving first to Provençe and then to Neuilly immediately west of Paris. The reason for the move is not entirely clear, although his wife and child do not seem to have accompanied him to France.
His early years in Paris were quite successful. In 1928, he was part of an exhibition at the Galerie Durand-Ruel, which traveled to New York later in the year. In 1929, he was exhibiting in Brussels and in 1930, his work was shown at the Galerie de Boer in Amsterdam. The canvases from these years included a variety of subjects from street musicians to clowns, acrobats and unicyclists. Edzard’s short career as a rope dancer with the circus seems to have graced him with an appreciation for performers of all sorts as well as an understanding of the hardship of this hand-to-mouth existence. These types of figures will remain a part of his repertoire throughout his career.
Throughout the 1930s, Edzard’s work was consistently exhibited at galleries in major European cities as well as New York. There were shows at the Leicester Galleries in London in 1934 and 1936. In New York, his work was included in the Galerie Durand-Ruel exhibits in 1935, 1937 and 1939. And in Paris, he had an exhibition at Galerie Zak in 1933. In short, his career was thriving. His personal life also changed significantly during this decade when he met a fellow artist, Suzanne Eisendieck (1906-1998) who became his second wife shortly after.
Edzard continued to work throughout World War II, focusing on still-lifes of flowers and interiors as well as a handful of images of single female figures. After the war, Edzard produced some of his most memorable canvases. La Famille dans la Loge (1946) is particularly notable as a statement of faith in the family after a lengthy period of grim hardship.
In 1958-1960, Edzard began painting in Venice. He was following in the footsteps of many generations of artists, but he developed an atypical perspective on the usual canal scenes. Rather than concentrate his attention exclusively on the magic of the water, he positioned himself behind large bouquets of flowers on the balconies of the houses along the canals. The view of the gondolas, churches and palaces in the distance was thus filtered through the immediate beauty of the blossoms in the foreground. There are also scenes from the Venetian theatre and of course, carnevale as we can see in the current painting.
He was a colourful artist, who painted with a light and vibrant touch, seeming playful, which are the heritage of the tradition of Watteau, Fragonard, Renoir and the masters of French Impressionism. Edzard’s last exhibition was at the Hammer Gallery in New York in 1962. He died in Paris in 1963. His artwork can be found in important collections and museums worldwide, such as The National Gallery of Art, Washington, D. C., Metropolitan Museum of Art, New York City, Art Institute of Chicago.
- Creator:Dietz Edzard (1893-1963, German)
- Creation Year:1893 – 1963
- Dimensions:Height: 22.05 in (56 cm)Width: 31.89 in (81 cm)Depth: 3.94 in (10 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:The artwork is elegantly presented within a beautiful frame, impeccably preserved in its good condition. This piece is showcased in a state suitable for immediate gallery hanging, having undergone professional review.
- Gallery Location:Knokke, BE
- Reference Number:1stDibs: LU2006214526792
Dietz Edzard
Dietz Edzard was born in Bremen in 1893. He traveled extensively through Germany, Holland and France. Edzard, a colorful artist, who has carried on the traditions of the masters of French Impressionism, studied painting with Max Beckmann. In 1929, Edzard's work was included in an exhibition of Contemporary Painting at the Jeu de Paume, Paris, a museum dedicated to the Impressionist masters. In 1938, Edzard married Suzanne Eisendieck (1908–98), a well-regarded artist in her own right who worked in an impressionistic style. In Edzard’s book D. Edzard, Gerd Muehsam writes, "Edzard has captured in his canvases the charm of the Parisian atmosphere. With the light, vibrant touch of his brush, he produced sparkling, and yet delicate, paintings of beautiful women, dancers and flowers. His brilliant delineations of circus life and the theatre, his spirited portrayals of Parisian café scenes have made him a favorite of art circles in this country and abroad" "Consciously, (Edzard) turns his back on the experimental art of his contemporaries, opposes all weighting of art with programs and theorems. Deliberately, he avoids the representation of human conflict and inner discords and the chaos and shifting quicksands of modern existence. Instead, he prefers to work along with well-defined modes of expression. The line began in portraits of Velazquez and Goya and continued in the art of Manet and Renoir becomes Edzard's artistic credo."
About the Seller
5.0
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1998
1stDibs seller since 2022
23 sales on 1stDibs
Typical response time: 19 hours
- ShippingRetrieving quote...Shipping from: Knokke, Belgium
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllOswald Poreau, Brussels 1877 - 1955 Waterloo, Belgian Painter, ‘Anemones’
Located in Knokke, BE
Poreau Oswald
Brussels 1877 – 1955 Waterloo
Belgian Painter
'Anemones'
Signature: Signed top right, dated 1946; on revers signed, named and dated
Medium: Oil on canvas laid down on...
Category
Mid-20th Century Impressionist Still-life Paintings
Materials
Canvas, Oil, Panel
Victor Abeloos, 1881 – 1965, Belgian Painter 'Bouquet of Flowers in a Green Vas'
By Victor Abeloos
Located in Knokke, BE
Victor Abeloos
Brussels 1881 – 1965
Belgian Painter
'Bouquet of Flowers in a Green Vase'
Signature: Signed lower right
Medium: Oil on canvas
Dimensions...
Category
Early 20th Century Impressionist Still-life Paintings
Materials
Canvas, Oil
White and Pink Peonies in Vase, Charles Swyncop, Brussels 1895 – 1970, Signed
By Charles Swyncop
Located in Knokke, BE
White and Pink Peonies in Vase
Charles Swyncop
Brussels 1895 – 1970
Belgian Painter
Signature: Signed top left
Medium: Oil on canvas
Dimensions: Image size 46 x 38 cm, frame size 64 x 56 cm
Biography: Swyncop Charles was born in Brussels in 1895. Charles was a painter of landscapes, city views, seascapes, still lifes, flowers, children, genre scenes, figures (often Spanish beauties) and portraits. He was also illustrator and lithographer.
Younger brother and pupil of Philippe Swyncop. He studied at the Academy of Brussels (1908-1917 and 1919-1920) with as teachers, J. Delville, H. Richir and Alfred Bastien. He also travelled to Rome and Venice. In Rome he studied iconography and the study of the great masters.
Also found, like his brother, inspiration in Spain. Like his brother, he painted in a lighter genre. But, unlike his brother, he used subtle, spontaneous brushstrokes such as the French Fauvists. His colourful sea views are reminiscent of the works of Henri Matisse and André Derain.
In 1920 Swyncop assisted his teacher Alfred Bastien with the panoramic painting “Panorama de l’Yser”. Other assistant painters were Charles Léonard and Jef Bonheur, also former pupils of Bastien. The work was done in what later became the mosque of the Cinquantenaire Park. From 1924 onwards, it was given a suitable panoramic building in Ostend. The canvas was severely damaged during the Second World War.
Charles Swyncop took part in a group exhibition at ‘Maison d’Art Moderne’ in Brussels in 1920 together with Jean Colin, Philippe Swyncop, Arthur Navez, Samuel Milbauer, L. Bisschops, J. Payro and Jean-Jacques Gailliard.
He received an honourable mention (third prize) on the Prize of Rome in 1920.
In the years 1922-1923 he made study trips to Spain and Italy. There he made portraits of the local population. He regularly returned to Spain.
Commissioned by the Ministry of Colonies, he painted decorative panels for the 1930 World Fair in Antwerp.
Swyncop was a member of the group ‘La Lierre’ and took part in the annual exhibitions. Other members of ‘La Lierre’ included Alfred Bastien, Julius Brouwers, Louis Clesse, Henri De Clerck...
Category
Early 19th Century Impressionist Still-life Paintings
Materials
Canvas, Oil
Vase of Orange Gerberas, Hubert Glansdorff, Brussels 1877 – 1963 Knokke, Signed
Located in Knokke, BE
Vase of Orange Gerberas
Hubert Glansdorff
Brussels 1877 – 1963 Knokke
Belgian Painter
Signature: Signed bottom left
Medium: Oil on canvas
Dimension...
Category
Early 20th Century Impressionist Still-life Paintings
Materials
Canvas, Oil
A Scorpionfish, Jacques Madyol, Brussels 1871 – 1950, Belgian Painter
Located in Knokke, BE
A Scorpionfish
Madyol Jacques
Brussels 1871 – 1950
Belgian Painter
Signature: Signed bottom left, verso inscribed and dated "La rascasse 1935" Expo Ja...
Category
Early 20th Century Impressionist Still-life Paintings
Materials
Canvas, Oil
Still Life with Mediterranean Seafood, Jacques Madyol, Brussels 1871 – 1950
Located in Knokke, BE
Still Life with Mediterranean Seafood
Madyol Jacques
Brussels 1871 – 1950, Belgian Painter
Signature: Signed bottom left, verso inscribed "Poissons de la Méditerranée" Expo Jan. 84...
Category
Early 20th Century Impressionist Still-life Paintings
Materials
Canvas, Oil
You May Also Like
Paradise Garden" floral landscape in oil on canvas Volskaya Lily.
Located in Zofingen, AG
Paradise Garden" floral landscape in oil on canvas Volskaya Lily. Everyone has their own garden of eden of dreams, and maybe of reality. For some, this is a garden of love. For some,...
Category
2010s Impressionist Still-life Paintings
Materials
Canvas, Oil
$2,234 Sale Price
50% Off
Daisies in Vase - Still Life Oil on Canvas, by Herman
Located in Soquel, CA
Daisies in Vase - Still Life Oil on Canvas, by Herman
A wonderfully executed still life oil painting in soft yellows, ochre, to deep hues of burnt sienna, giving this painting beaut...
Category
Late 20th Century Impressionist Still-life Paintings
Materials
Canvas, Oil
Facing the Light Floral Still-life Nature 18" x 18" Oil on Canvas Gallery Wrap
Located in Houston, TX
Facing the Light Floral Still-life Nature 18" x 18" Oil on Canvas Gallery Wrap
On a summer morning in 1993 a 22 years old young came to Florida from a small old town in the centra...
Category
2010s Impressionist Still-life Paintings
Materials
Cotton Canvas, Oil
Roses. Original painting
Located in Zofingen, AG
The painting “Yellow Roses” is made in the technique of oil painting on canvas with the size of 50x50 cm. It depicts delicate buds of yellow roses, which occupy the center of the com...
Category
2010s Impressionist Still-life Paintings
Materials
Canvas, Oil
"Zinnias and Cosmos" impressionistic still life oil painting of bright flowers
By Amy Florence
Located in Sag Harbor, NY
"Zinnias and Cosmos" is an impressionistic still life oil painting of bright glowing flowers by British born, but Florence-based painter Amy Florence.
Signed at bottom right in red
...
Category
21st Century and Contemporary Impressionist Still-life Paintings
Materials
Canvas, Linen, Oil
The Old Samovar
Located in Milford, NH
A fine impressionist still life of a samovar amongst flowers on a table by American artist Dorothy Ochtman (1892-1971). Ochtman was born in Riverside, Connecticut, and became a renow...
Category
Early 20th Century American Impressionist Still-life Paintings
Materials
Canvas, Oil
