Diana Tremaine

Levity I

2017

Garden pots in bright colors by Mary Robertson whose still life paintings are celebrated and enjoyed worldwide. Wayne Thiebaud said of her work, "Mary Robertson’s joyous and meditati...

'Common Ground' narrative oil on canvas painting byTamera Avery, whose contemporary oil paintings are created with wit and wisdom. Avery's work deals wit...

Invigorating and exciting painting 'Eventide at Hole-in-the-Wall' features swirling ocean blue water and big rocks at sunset's evening tide at Northern Cali...

Willard Dixon, Morning, Carson City painted in 2021, oil on canvas. Crisp morning in Carson City, Nevada. Morning sun lighting up the soft yellow of the ne...

"Potted Cactus" Oil Painting 47" x 55" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 1973 he ...

"Wind" Oil Painting 16" x 26" inch by Egor Plotnikov Egor Plotnikov was born in Kirov (Russia) in 1980. 2000 – graduated from the Rylov Art School of Vyatka. 2006 – graduated from M...

Image dimensions: 50cm x 40cm Framed dimensions: 65.5cm x 55.5cm Signed lower right. Peter Van Breda perfectly captures the reflection of sunlight in...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...