Boris Buchet

French, 20th Century still life of fruit and candlestick by Boris Buchet

1984

Boris Buchet (French, 1917 – 1999) A carafe of wine, root vegetables and apples Oil on canvas Signed and dated ‘B.Buchet 72’ (upper left) 21.3/4 x 26. 5/8 in. (55.3 x 67.5 cm.)

Boris Buchet (French, 1917 – 1999) A terracotta ewer with a bowl of sugar, apples and orange Oil on canvas Signed ‘B. Buchet’ (upper right) 21.3/8 x 23.1/2 in. (54.3 x 60 cm.)

R. Bazin (French, 20th Century) Still life with kettle, cup and jug Oil on canvas Signed ‘R BAZIN’ (lower left) 15 x 18 in. (38 x 46 cm.)

Louise-Jeanne Cottard-Fossey (French 1902-1983) Still life with apples and wine bottle Oil on canvas, Signed ‘L COTTARD-FOSSEY’ (lower right) 18.1/8 x 21.1/2 in. (46 x 54.7cm.) Exh...

A substantial, mid-century Post Impressionist oil still-life comprising a fish on a platter with four lemons, a raffia-wrapped bottle of Italian chianti...

Initialed lower right, 'Kay' for Kay Christensen (Danish, 1899-1981), dated verso, "27 October 1948" and titled, 'Paris'. A serene, Parisian cityscape showing an aerial perspective of the Seine and the Île Saint-Louis viewed from above the Quai des Célestins, and looking towards the Île de la Cité and Notre Dame in the distance. This early Danish Post-Impressionist artist first studied with Marie Sandholt and Astrid Holm at the Copenhagen Art Academy and, subsequently, at the School of Graphics (1929-31). Christensen continued his studies while traveling widely in Europe, including to Germany and Austria (1913-14), Paris (1917-23) and to Budapest and Vienna (1934). In 1935, he was awarded the Michaelsen Scholarship which enabled him to remain in Paris during the late 1930's. During intense period of development and creativity, he moved away from the bold colors and defined forms of his earlier Fauve and Cubist periods and began to explore the creation of predominantly single-color works, often in blues or greens accented with subtle shades of white. After the Second World War, he returned frequently to paint in Paris. Kay Christensen, like his friend, Rainer Maria Rilke, followed a solitary artistic path in which his imagery was characterized by a personal aesthetic of sensuality combined with a spirited boldness and expressive force. He exhibited internationally with success and was the recipient of numerous prizes, medals and juried awards. Christensen's work is held in private and public collections including the State Art Museum of Denmark and Copenhagen's Metropolitan Museum, among others. We are pleased to offer this lyrical perspective of the Seine, the Pont Marie and the Île Saint-Louis painted...

Painted collaboratively in 2022 by father and son artists Anthony and Michael McNaught and signed, verso, Anthony McNaught (American, born 1952) and Michael McNaught (American, born ...

Signed, verso, "Ament" and "de la Roche" for Janet Ament de la Roche (American, 1916-2000) and titled "Black Vase"; painted circa 1955. Oil still-life of a black teapot...