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Robert Dodd
Napoleonic War Battle of Pulo Aura

Circa 1804

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Printemps
By Charles Levier
Located in Costa Mesa, CA
A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...
Category

Mid-20th Century Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

Bark HESPER Unloading Lumber at San Diego
Located in Costa Mesa, CA
This bright and serene scene of ships unloading off San Diego, California features a ship with a less than quiet history. The painting shows a typically bright and sunny Southern California day, the deep blue waters of San Diego providing the perfect backdrop for unloading crucial lumber for construction. The painting has Thimgan's eye for detail including the historic ship he's depicted, surely with a knowledge of her history, and his ability to so perfectly depict California's coastal landscape and surrounding waters. Some ships of legend get their reputations not for speed or daring rescues, but for the amount of chaos which happens onboard. Sailors, being generally a superstitious lot, could spread a ship's reputation like wildfire. As with the supposedly haunted places on land, the odd instances become larger tales whispered over strong drink in port or at worst, printed in bold newspaper headlines. The best crews don't want to serve aboard such vessels, so only the most hardened men sign on. Tempers flare and conditions deteriorate. Over time a ship gains the nickname of "hell ship" or "blood ship." This was the fate of the Bark HESPER. HESPER was purpose built in 1882 for the Pacific "Triangle Trade" - carrying lumber to Australia, coal to Hawaii and sugar to California, though she took on other cargoes in her career. The wooden bark of 603 tons was built by the Halls Brothers...
Category

Early 2000s Photorealist Paintings

Materials

Canvas, Oil

Coming Through the Mists, Maine Harbor
By George M. Hathaway
Located in Costa Mesa, CA
In this atmospheric Maine harbor view, the grey tone of the fog enveloping the sea and sky lend an air of realism to a striking composition. Granite and green are the colors of the Maine Coast...
Category

1890s Other Art Style Paintings

Materials

Canvas, Oil

Full Rigged Ship GATHERER
By Alexander Charles Stuart
Located in Costa Mesa, CA
A stalwart American ship clearing the Delaware headed for Honolulu with a load of coal, this broadside ship portrait by Alexander Charles Stuart is of the Ship GATHERER. In her maiden year of service, the Bath, Maine-built Downeaster went to New Orleans with hay, took a load of cotton from there to Liverpool, and crossed to collect the coal in Philadelphia before heading to Hawaii. She'd make 8 Cape Horn voyages, averaging about 129 days, a profitable and fast sailing Downeaster, and yet still record one of the bloodiest voyages in merchant maritime history. In this portrait, A.C. Stuart shows the large wooden vessel...
Category

1870s Other Art Style Paintings

Materials

Canvas, Oil

Distant Island
By Frederick Waugh
Located in Costa Mesa, CA
Frederick Waugh was a prolific seascape artist who generated 2,500 paintings of the sea and shore. Although it was never published, he penned a ten chapter book on marine painting. S...
Category

1920s American Realist Landscape Paintings

Materials

Canvas, Oil

Follow the Leader
By Joseph Witham
Located in Costa Mesa, CA
The most important maritime center in the 19th century, Liverpool, had many advantages. Located on the England-facing west coast of the Irish Sea, the Mersey approach was wide, deep and actively associated with all aspects of shipping. It also faced northwest, as the distressed fleet in Witham's work has discovered on a stormy February 8, 1881. To the rescue of the 12 ships, the Pilot Schooner No.2, LEADER, signals the fleet to follow, using the pre-1900 commercial code signals "l w c". She has waited for the rising tide and keeps the line tight to the red starboard buoy, Q1, which marks the beginning of the Queen's Channel. Within a span of hours, all twelve ships were led successfully to their docks. Witham painted the scene in conjunction with the great acclaim the Pilots received in 1881, and it became so popular that he painted additional works marking the event over time. His local contemporary, Samuel Walters...
Category

1890s Other Art Style Paintings

Materials

Canvas, Oil

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