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Mary Magdalene with Book and Skull - Old Master Italian religious oil portrait

17th century

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Portrait of a lady - British 50's Post Impressionist oil painting blonde woman
By Constance Anne Parker
Located in London, GB
A super circa 1955 British portrait oil painting in tones of blue and brown. A very evocative period portrait of a woman painted by British listed female artist Constance Anne Parke...
Category

20th Century Realist Portrait Paintings

Materials

Oil

Portrait of a Lady in a Landscape - British 19thC art oil painting
By Annie Louisa Swynnerton
Located in London, GB
This stunning British 19th century Pre-Raphaelite portrait oil painting is attributed to famous Manchester born artist and elected associate of the Royal Academy, Annie Louisa Swynne...
Category

19th Century Realist Portrait Paintings

Materials

Canvas, Oil

The Gossip - Scottish 19thC art Victorian oil painting young romantic couple
By William Fettes Douglas
Located in London, GB
A fine Victorian Scottish genre oil on canvas painting which dates to 1868 and is titled The Gossip by famous Scottish artist William Fettes Douglas RSA. It is a stunning depiction o...
Category

19th Century Victorian Figurative Paintings

Materials

Oil

Portrait of a Lady with Pink Bow - British c 1820 Old Master art oil painting
By Sir Thomas Lawrence
Located in London, GB
This lovely British Old Master portrait oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1820 it is a seated half length portrait of a beautiful lady in a b...
Category

1820s Old Masters Portrait Paintings

Materials

Oil

Portrait of Boy Playing a Flute - 18th/19th century art Old Master oil painting
Located in London, GB
This interesting painting is a British Old Master late 18th century or early 19th century oil painting attributed to Thomas Barker of Bath. It is stylistically very similar to his ot...
Category

Early 1800s Old Masters Portrait Paintings

Materials

Oil

At the Foot of the Statue - Scottish art Impressionist figurative oil painting
By William Strang, R.A., R.E.
Located in London, GB
A fine large oil painting by Scottish listed artist William Strang. This is a super evocative oil on canvas which depicts a family at "The Foot of the Statue". It was exhibited in 1904 in Bradford exhibition of fine arts lent by L W Hodson of Wolverhampton who was a patron of his work. This is a fine example of an early 20th century Scottish oil with good subject. It is a good size and signed. This wouldn't be out of place in Kelvingrove Gallery in Glasgow. Signed lower left. Provenance. Bradford Art Gallery 1904. Sotheby 19th June 2002 Guide price £20000-30000GBP. Condition. Oil on canvas. Image size 30 inches by 25 inches and in excellent condition. Housed in a fine period frame, 39 by 34 inches framed and in good condition. William Strang (1859-1921) was born at Dumbarton, the son of Peter Strang, builder, and educated at the Dumbarton Academy. He worked for fifteen months in the counting-house of a firm of shipbuilders before going to London in 1875 when he was sixteen. There he studied art under Alphonse Legros at the Slade School for six years. Strang became assistant master in the etching class, and had great success as an etcher. He was one of the original members of the Royal Society of Painter-Etchers, and his work was a part of their first exhibition in 1881. Some of his early plates were published in The Portfolio and other art magazines. He worked in many manners, etching, dry point, mezzotint, sand-ground mezzotint, and burin engraving. Lithography and wood-cutting were also used by him to create pictures. He cut a large wood engraving of a man ploughing, later published by the Art for Schools Association. A privately produced catalogue of his engraved work contained more than three hundred items. Amongst his earlier works were Tinkers, St. Jerome, A Woman Washing Her Feet, An Old Book-stall with a Man Lighting His Pipe from a Flare, and The Head of a Peasant Woman on sand-ground mezzotint. Later plates such as Hunger, The Bachelor's End and The Salvation Army were also important. Some of his best etchings were done as series—one of the earliest, illustrating poet William Nicholson's Ballad of Aken Drum, is remarkable for clear, delicate workmanship in the shadow tones, showing great skill and power over his materials, and for strong drawing. Another praised series was The Pilgrim's Progress, revealing austere sympathy with John Bunyan's teaching. Samuel Taylor Coleridge's Ancient Mariner and Strang's own Allegory of Death and The Plowman's Wife, have served him with suitable imaginative subjects. Some of Rudyard Kipling's stories were also illustrated by him, and his likeness of Kipling was one of his most successful portrait plates. Other etched portraits included those of Ernest Sichel and of J.B. Clark, with whom Strang collaborated in illustrating Baron Munchausen...
Category

Early 1900s Impressionist Figurative Paintings

Materials

Oil

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