John Goodman

Portrait No. 13, 2008

2008

'Vessel no. 1' contemporary portrait oil on canvas painting by Tamera Avery, whose paintings are created with wit and wisdom. Avery's work deals with serious themes including global ...

'Vessel no. 3' contemporary portrait oil on canvas painting by Tamera Avery, whose paintings are created with wit and wisdom. Avery's work deals with serious themes including global ...

'That Perches in the Soul' contemporary portrait oil on canvas painting by Tamera Avery, whose paintings are created with wit and wisdom. Avery's work deals with serious themes inclu...

'Vessel no. 2' contemporary portrait oil on canvas painting by Tamera Avery, whose paintings are created with wit and wisdom. Avery's work deals with serious themes including global ...

America Martin "Woman in Orange & Sunshine" Oil & Acrylic on Canvas 32.5 x 72.5 inches, Framed Exploring the identity of both her namesake and country, LA-based America Martin draws...

Portrait d'Homme is an artwork realized by the french artist Alphonse Legros (1837-1911) in 1859. Oil on Canvas. Good conditions except some rips on the edges. Broche du nº 23 du catalogue Malassis-Thibaudeau "Portrait de Frederique Regamey". Collection Thibaudeau. Alphonse Legros was born on May 8, 1837 in Dijon, France. While young, Legros visited the farms of his relatives, and the peasants and landscapes of that part of France are the subjects of many of his works. He was sent to the art school at Dijon with a view to qualifying for a trade, and was apprenticed to an interior decorator. In 1851, Legros left for Paris, but passing through Lyon he worked for six months as journeyman muralist for painter/art restorer Jean-Baptiste Beuchot, who was painting the chapel of Cardinal Bonald in the cathedral.In Paris, Legros studied with theater scene painter Charles-Antoine. He attended also the drawing-school of Lecoq de Boisbaudran (the "Petite école") where he found made friends with Jules Dalou and Auguste Rodin. In 1855, he attended the evening classes of the École des Beaux Arts.Legros sent two portraits to the Paris Salon of 1857: one was rejected, and formed part of the exhibition of protest organized by Francois Bonvin in his studio; the other, which was accepted, was a profile portrait of his father. Art critic Champfleury saw the work in the Salon, and sought out the artist to enlist him in the "Realists," a group anchored by Gustave Courbet.Legros picked up the art of etching by watching a colleague in Paris who worked as a commercial engraver, and taught himself both etching and medallion making. He considered the traditional journey to Italy an important part of artistic training, and in later years, gave part of his salary to augment the income available for a travelling internship.He moved to England in 1863 and in 1864 married Frances Rosetta Hodgson. In his early career, he lived from the sales of his etchings and teaching. He began teaching etching at the South Kensington School of Art and in 1876 became a Slade Professor at University College, London, succeeding Edward Poynter...

Ursula Krauss is a German artist born in 1984 who lives & works in Nuremberg in Germany.

The painter Elie Shamir was born in 1953 in the village Kfar Yehoshua, studied at Bezalel, and participated in many exhibitions in Israel and abroad. This exhibition centers on Shamir’s work dealing with his birthplace. After years spent in Jerusalem and Boston, Shamir returned to the village in 1999 and resettled there, as the third generation of the place’s founders. The issue of place is present with great force and complexity in Shamir’s work; aspects of this issue pertain, among others, to that tangled knot which is tied and unraveled throughout the generations between the Jew and the land, between the immigrant and the native-born, between the local Arab and the Hebrew pioneer and his vision, between the farmer and his field. The clumps of earth in Shamir’s paintings are placed on geological strata charged with biblical past, with primeval culture, with Zionist history, with socio-economic ideology, with artistic tradition but also with his own personal family story. Kfar Yehoshua is both a personal, specific case of an agriculturBorn 1953, Kfar Yehoshua, Israel Education 1981 BFA, Bezalel Academy of Arts and Design, Jerusalem 1996 MA, Based on exhibitions and publications Selected Group Exhibition 1986 "The First Line", Museum of Art, Ein Harod, Ein Harod. "International Festival of Paintings, Cagne Sur Mer, France 1987 "Visiting Card", The Gallery of the Art Department., Bezalel Academy of Arts and Design, Jerusalem "Abraham's Sacrifice"'או "Sacrifice of Isaacin Israeli Art" The Museum of Israeli Art, Ramat Gan 1988 "Fresh Paint", Tel Aviv Museum of art, Tel Aviv "Portrait of a City"', Haifa Museum of Art, Haifa "Prints", Meimad Gallery, Tel Aviv 1989 "New Acquisitions", Tel Aviv Museum of art, Tel Aviv "New Acquisitions", Haifa Museum of Art, Haifa "Via Maris", Bat Yam Museum "International Biennale of Prints", Ljublijana, Yugoslavia 1990 "Winter Exhibition", Different Angle Gallery, Boston 1991 "Winter Exhibition", Different Angle Gallery, Boston 1993 "Locus", Contemporary Art from Israel...