Jean Melville Rose

(1933-2022) Original oil painting of Interior Scene in Bath Somerset England

2001

ARTIST: Sonia Mervyn (1893-1977) British TITLE: "Still Life of White Peonies" SIGNED: lower right MEDIUM: oil on board SIZE: 65cm x 55cm inc frame CONDITION: excellent DETAIL: Studied under Ralph Todd at Regent Street School Of Art London. Exhibited at all the leading London galleries, including Beaux Arts and Leicester Galleries, RA, NEAC and had pictures toured by AB and Arts Council GB. Her work drew admiring letters from Sir Alfred Munnings, Sir Stanley Spencer, Dame Ethel Walker...

ARTIST: Jacqueline Williams NEAC (1962-) British TITLE: "Still Life Interior Composition" SIGNED: lower right MEDIUM: oil on board SIZE: 55cm x 70cm CONDITION: excellent DETAIL: Pa...

ARTIST: Hugh Ralph Micklem (1918-2009) British TITLE: "Still Life Composition Of Onions" SIGNED: lower right MEDIUM: oil on board SIZE: 48cm x 38cm inc frame CONDITION: very good ...

ARTIST: Unsigned late 20th Century English School TITLE: "Terracotta Pots In A Sunny Conservatory Window" MEDIUM: pastel on paper SIZE: 44cm x 38cm inc frame NOTES: Frustratingly uns...

Nude in Lime by Gabrielle Moulding [2020] original oil on linen Image size: H:65 cm x W:45 cm Complete Size of Unframed Work: H:65 cm x W:45 cm x D:1cm Sold Unframed Please note...

Scene of a seated headmaster watching over a pair of studying students in the style of Romanticism. The work has been attributed to the renowned American portrait artist Thomas Sully...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

Woman with Basket & Fruit 2009 – original by Christiaen van Couwenbergh (1604 – 1667) Finely painted oil on canvas copy of the original Dutch Golde...