1920's European School

Portrait of a Gentleman with a Cigarette - 1920's Art Deco Oil on Board Painting

1924

A beautiful post impressionist/fauvist impasto oil on board portrait of a lady gardener resting on a bench, by modern British artist Paul Beauvais. Excel...

A beautiful impressionist oil on canvas board by Zlatan Pilipovic depicting a lady reading in the artist's studio with a portrait on an easel. The work is very well painted with a wo...

A beautiful impressionist oil on canvas board by Zlatan Pilipovic depicting a lady in the artist's studio. The work is very well painted with a wonder...

A beautiful impressionist oil on board by Zlatan Pilipovic depicting a nude lady reclining on a blanket in the artist's studio. The work is very well ...

Lawrence G. Low (American, 1912 - 1992) Signed: L. G. Low (Lower, Center, Right) " My Wife Myrtle on a Palette with Brushes ", 1939 Oil on Canvas 26" x 20 1/8" Housed in a...

This superb Art Deco portrait oil painting is by noted Scottish artist Cowan Dobson. Painted in 1923 it is a really light and bright portrait of a young boy. The light catching his white shirt and face illuminate him beautifully as his blue eyes gaze at the artist/viewer. The brushwork, for example on his hair and shirt are superb. This stunning portrait is finished off in a gorgeous original frame. A excellent example of Cowan Dobson's work. Signed and date (19)23 lower right. Provenance. Scottish estate. Condition. Oil on canvas, unframed size is20 inches by 16 inches and in good condition. Frame. Housed behind glass in a beautiful ornate gilt frame. Framed size is 28 inches by 24 inches and in good condition. David Cowan Dobson (1894–1980), referred to as 'Cowan' Dobson ARBA (1919), RBA (1922), was a leading Scottish portrait artist of his day. Dobson was born in Bradford, Yorkshire, the second son of the Scottish portrait painter Henry John Dobson (1858–1928).Dobson started his career in Scotland. He was educated at George Watson's College in Edinburgh and studied art in Edinburgh, London and Paris. In 1918 he was using his father's studio at Dalry. Around 1920 he moved to London and from then on he worked and resided mainly in London. Occasionally, he would work in and around Glasgow. He is said to have rented Kenmure Castle, in New Galloway, Kirkcudbrightshire, in the 1930s and 1940s to entertain and paint fashionable sitters. Dobson mainly worked in oils but also painted some fine water-colour scenes. He painted in the tradition of the academic nineteenth century with mostly a rather darker colour scheme, while his brother Henry, influenced by the Modernist movement in Edinburgh, painted more colourful portraits. Although he painted some fine portraits of well known men, like Earl Attlee, Earl Beatty and Harold Wilson, Dobson also portrayed "fashionable London ladies". Dobson was married to Phyllis Bowyer, who was the brains behind his financial success. She made Dobson one of London's leading society portrait painters. She herself sat for the photographer Alexander Bassano, the resulting portrait now being at the National Portrait Gallery, London. During World War I, Dobson was commissioned by the Royal Air Force section of the Imperial War Museum to paint portraits of three recipients of the Victoria Cross. Dobson painted portraits of Lt. Col. L.W. Brabazon Rees, Sgt Mottershead and Flight Lt. A.W. Beauchamps-Proctor. Dobson first exhibited at Royal Academy when aged only nineteen and began showing at the Royal Scottish Academy four years later. Dobson's works were also exhibited at the Royal Society of Arts, Royal Society of Water-colourers, Royal Society of Portrait Painters, Royal Society of British Artists, Royal Cambrian Academy, Fine Art Society and at the Walker Art Gallery in Liverpool. Dobson enjoyed significant commercial success and thirty-six of his paintings, almost all portraits, are held in UK public collections including Glasgow Museums, The National Galleries of Scotland, Imperial War Museum, Paisley Art...

Signed 'ORPEN' (upper left) Sitter is bathed in warm window light that creates subtle patter of light and shadow in the background. Artists depicts Mr. Glass in a beige and brown ...

A stunning exhibited 1934 nude female portrait by Dora Crocket (Countess Lewenhaupt). The portrait depicts a nude woman reclining in a sensual pose against a background of red and bl...