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Rare Israeli Naive Art Oil Painting Jerusalem Israel Old City Landscape Folk Art

Big Ben, House of Parliament with Union Jack flag, Thames River, boats, barges, airplane and double decker red bus. Classic London street scene. 24 inches by 11 inches in a frame 24....

Magic realist fantasy painting in the manner of Ernst Fuchs and Arik Brauer. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

JERUSALEM, Vielle du David, (City of David) Superlac (enamel) painting on paper, hand signed, titled and dated. Provenance: Michael Hittleman Gallery Los Angeles. Gabriel Cohen, (...

Arie Azene, Israeli painter, born in Germany, 1934 Arie (Eisman) Azene was born in Hamburg, Germany. He immigrated to the Land of Israel with his parents soon after birth. In 1958, after studying art in Paris, he settled on Kibbutz Tzova in the Judean Hills, where he lived for 28 years. He spent 1968-1970 in France, England and Germany. In 1984, he moved to Jerusalem. Stylistically, Azene was influenced by the New Horizons group to which he was exposed during his studies at the Avni Institute in Tel Aviv. Other influences were Joseph Zaritsky, Avigdor Stematsky and Yehezkel Streichman. Azene works in oil paint, pencil and aquarelle. His early work was abstract, but over the years, it has become more figurative and realistic. His colour palette is often based on two complementary hues, with a predominance of various combinations of gray. Education 1948-51 Avni Institute, Tel Aviv 1951-52 Bezalel Academy of Arts and Design, Jerusalem 1957-58 Academie de la Grande Chaumiere, Paris, France, Advanced Studies Select Exhibitions Autumn Exhibition Autumn Exhibition Yad Lebanim Museum, Petach Tikva 1974 Artists: Shimon Avni, Mordechai Avniel, Azene, Arie, Eli Ilan, Michael Argov, Naftali Bezem, Nachum Gutman, Shraga Weil, Boaz Vaadia, Shmuel Katz, Ruth Schloss. Zaritsky Artists House, Tel Aviv 1976 Artists: Yitzhak Danziger, Menashe Kadishman, Osvaldo Romberg, Michal Wolman, Raffi Lavie The Kadishman Connection Israel Museum, Jerusalem 1979 Artists: Larry Abramson, Jacob El Hanani, Ovadia Alkara, Yosl Bergner, Marcel Janco, Lea Nikel, George Chemeche, Igael Tumarkin. Israeli Prints...

19th century English Folk Art Landscape with Cottage. This charming English Victorian 19th-century folk art landscape is a delightful portrayal of pastoral life, blending a quaint t...

Streeter Blair Overholser Family, 1890, Sterling, Illinois, 1949 Signed, titled, and dated lower left Oil on canvas 8 x 10 inches Primitive painter St...

A perfect painting for lovers of Japan and those of primitive/naive outside art. It is a work by an internatoanlly noted extraordinary artist with an extraordinary life. Maurice LOIRAND (1922-2008) is born into a working class family in Brittany, near the Atlantic coast coast in France. He starts working as a skilled labourer in the shipyards aged 15. Aged 20, when the Nazis start to occupy the country, he joins the Resistance movement, where he meets and befriends thinkers, painters and poets. He is thus introduced to an artistic and intellectual universe far removed from the world of his origins. Loirand finds himself drawn to art, and soon dedicates all his free time to learn how to paint. Completely self taught, he soon begins to exhibit his pictures alongside high level artists. He moves to Paris in the 1950s, and - although still working as a technician - paints all night. He finally becomes a full time artist in 1968. International travel and a multitude of exhibitions follow. He exhibits in Brazil, Argentina, and with Jean Tiroche Gallery in New York, among others. His work is now shown alongside works by Leger, Matisse and Picasso. The Collector's Guild New York Ltd commissions Maurice Loirand for several works of lithographic art. Loirand discovers Japan in the early 1970s, and decides to stay for 18 years. He marries Kazué SHIMOTORI, a Japanese poet...

Contemporary Atmospheric Black & White Monochrome Landscape Wilderness Painting by 20th Century Artist. Mark Thompson is a seasoned professional pa...