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Todd Carpenter
Focus Backwards, black and white oil landscape painting

2018

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Located in San Diego, CA
"The Factory Builds Eternally East" depicts a open skies and city lights. This scene is of no particular place, but rather Carpenter's interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul...
Category

2010s Contemporary Landscape Paintings

Materials

Oil, Wood Panel

Lost Between The Details, black and grey oil painting of city skyline
Located in San Diego, CA
"Lost Between The Details" depicts a open skies and city lights. This scene is of no particular place, but rather Carpenter's interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...
Category

2010s Contemporary Landscape Paintings

Materials

Oil, Wood Panel

Cast Away From The Mainland, oil grey, white, black, city, clouds and waterway
Located in San Diego, CA
"Cast Away From The Mainland" depicts a city near a waterway. These small paintings beckon viewers to draw closer and observe all that artist has been able to convey on such a small ...
Category

2010s Contemporary Landscape Paintings

Materials

Oil, Wood Panel

Undersky
Located in San Diego, CA
"Undersky" depicts flashes of city lights. These small paintings have so much to say and we can say they beckon viewers to draw closer and observe all that artist has been able to co...
Category

2010s Contemporary Landscape Paintings

Materials

Oil, Wood Panel

Clones of Clones
Located in San Diego, CA
"Clones of Clones" depicts a a city at the foot of a mountain ranged. This painting is rendered in about nine variations of gray, the darkest in the foreground is a few steps from bl...
Category

2010s Contemporary Landscape Paintings

Materials

Oil, Wood Panel

Future Shadow
Located in San Diego, CA
"Future Shadow" is of a scene in the woods. This scene is of no particular place, but rather his interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...
Category

2010s Contemporary Landscape Paintings

Materials

Oil, Wood Panel

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