Catskill Mountains from Germantown NY

ca. 1850

Orlando Greenwood (1892-1989). The Conclave, ca. 1940. Oil on canvas, 26 x 30 inches; 34 x 38 inches framed. Estate sale stamp on verso. Last photo in listing is an example of Chri...

Enrique Climent (1897-1980). Casas de Ibiza, c.1960. Oil and sand on canvas, 35 x 46 inches; 44.5 x 55.5 inches (frame). Signed lower left. Excellent condition with no damage or conservation. Instituo National de Bellas Artes lebel affixed en verso. Biography: Enrique Climent ( Valencia , Spain, 1897- Mexico City , 1980) was a Spanish painter and graphic designer, present in the Spanish Pavilion of the International Exhibition of Paris in 1937 , two of whose works are conserved in the National Museum Art Center Reina Sofía , as part of the collection of the Spanish Museum of Contemporary Art (MEAC). Exiled in Mexico , country in which he died at 83 years of age. He has been associated with the driving group in Spain of the "New Art". Born in a bourgeois family of the Valencian capital, despite paternal opposition, Climent studied at the School of Fine Arts of San Carlos , and with a scholarship received in 1919, traveled to Madrid to complete them in San Fernando . In the capital of Spain he participated in the gathering of Ramón Gómez de la Serna , for whom he illustrated some greguerías , and in the avant-garde activities of the then-called first Escuela de Vallecas , Associated with the Society of Iberian Artists . He also collaborated as an illustrator of Blanco y Negro magazine, 3 and illustrated books by Elena Fortún , Azorín , Juan Manuel Díaz Caneja and Manuel Abril . 3 Before, in 1924 he had been in Paris for two years, where he came to design some stage sets for opera shows. 6 He participated in three of the exhibitions of "Los Ibéricos" (San Sebastián in 1931, Copenhagen in 1932 and Berlin in 1933), as well as in the International Exhibitions of Contemporary Spanish Art in Paris and Venice in 1936. He was one of the Spanish exiles who in 1939 landed in Veracruz , after the crossing of the Sinaia , along with other intellectuals and artists (such as José Moreno Villa , Arturo Souto...

Mieczyslaw Lurczynski (1908-1992). Pont Neuf/ Landscape. Double-sided canvas measures 10.5 x 13.75 inches. Canvas is a gessoed panel, unstretched. Signed lower right.

Bobert Brown (British, b.1936). Perugia, Italy. Oil on canvas measures 14.5 x 22 inches; 19.5 x 27 inches framed. Signed lower left. One faint area of scratching on paint surface in ...

Modern Luminist, Hudson River School landscape painting on canvas of the expansive view over the Hudson River as observed at the top of Olana, the historic home of Frederic Church "In the Afterglow" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 48 x 60 x 1 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower left Acclaimed artist of the Hudson Valley, Jane Bloodgood, takes her painting to a new level with a new work entitled "In the Afterglow". Her interpretation of this very iconic view (observed from the top of Olana, the historic home of Frederic Church located near Hudson, NY) is set during the very quiet moments of a summer's evening when the sun has dipped beyond the mountains. The crystal blue sky illuminates with the sun's setting rays; a golden band of yellow haze otherwise known as "The Venus Belt" is an atmospheric phenomenon only visible shortly before sunrise or right before sunset. The water reflects the pink and purple glow that forms near the horizon; the dusty shadows of trees tower over the water's edge. We marvel at how simply Jane captures a complex phenomenon, evidence of her unparalleled ability to paint light and endow her work with luminosity. Yet this painting succeeds not only in its representation of the actual landscape and the awe produced by the experience, but also in its contemporary abstraction of atomsphere. The big, open blue sky is stacked with the colors of the sunset against the horizon, calling to mind a Rothko or the other great color field painters who achieve mood and depth from singular color. About the work: Painter Jane Bloodgood-Abrams has become one of the area’s most celebrated artists, gracing viewers with her compositions of sky, river, and earth. Being less concerned with documenting specific scenes, Bloodgood-Abrams is focused on capturing nature’s essence, “the deeply profound moments, where there is a connection to a vital energy.” Her process begins with being in nature, where she allows the emotional energy of the landscape to filter through her psyche. The memory is then translated onto canvas after being worked over a period of time with layers of paint that is applied, wiped away, and reworked. The result is a radiantly dramatic remembrance of Bloodgood-Abram’s encounter with “something beyond everyday life”. The artist’s final hope is for these images to evoke remembrances within the viewer's own personal relationship with nature. Artist Biography: Jane Bloodgood Abrams was born in Queens, New York. She received her Bachelor’s of Fine Arts from the College of Saint Rose in Albany, in 1985. Three years later, she earned a Master’s of Fine Arts at the State University of New York in New Paltz. Now she paints in the Hudson River Valley and the Berkshires. EDUCATION Master of Fine Arts Painting - (cum laude) State University of New York at New Paltz 1988 Bachelor of Studio Arts - (cum laude) College of Saint Rose, Albany 1985 SELECTED SOLO EXHIBITIONS: 2015 Carrie Haddad Gallery, Hudson, NY 2014 Mark Gruber Gallery, New Paltz, NY Carrie Haddad Gallery, Hudson, NY 2013 Christopher Clark Fine Art, San Francisco, CA The Harrison Gallery, Williamstown, MA 2012 Carrie Haddad Gallery, Hudson NY River Gallery, Chattanooga, TN The Storefront Gallery, Kingston, NY "Beyond the Real" 2011 The Harrison Gallery, Williamstown, MA Carrie Haddad Gallery, Hudson, NY Locust Grove State Historical Site, Poughkeepsie, NY 2010 Carrie Haddad Gallery, Hudson, NY 2009 Carrie Haddad Gallery, Hudson, NY 2008 DFN Gallery, New York, NY 2007 Meyer East Gallery, Santa Fe, NM The Harrison Gallery, Williamstown, MA Carrie Haddad Gallery, Hudson, NY 2006 Mendenhall-Sobieski Gallery, Los Angeles, CA DFN Gallery, New York, NY Carrie Haddad Gallery, Hudson, NY 2005 Carrie Haddad Gallery, Hudson, NY River Gallery, Chattanooga, TN 2004 Albert Shahinian Galleries, Poughkeepsie, NY Carrie Haddad Gallery, Hudson, NY 2003 Carrie Haddad Gallery, Hudson, NY Living Room Gallery, Kingston, NY River Gallery, Chattanooga, TN 2002 Carrie Haddad Gallery, Hudson, NY 2001 Carrie Haddad Gallery, Hudson, NY Artforms Gallery, Albany, NY 2000 Carrie Haddad Gallery, Hudson, NY Mark Gruber Gallery, "Romancing the Landscape" New Paltz, NY 1999 River Gallery, Chattanooga, TN 1998 Alan Sheppard Gallery, Piermont, NY "New Traditions" 1997 Coffey Gallery, Kingston, NY SELECTED JURIED AND INVITATIONAL MULTI-ARTIST EXHIBITIONS: 2016 Byrdcliffe’s Legacy: An ode to Nature and Place, Kleinert Art Center, Woodstock, NY Artists of the Mohawk-Hudson Region, Hyde Collection Museum, Glens Falls, NY ARTBAR Gallery, Kingston, NY 2015 The Laffer Gallery, Schuylerville, NY Jessica Hagen Fine Art, Newport, RI 2014 Jessica Hagen Fine Art, Newport, RI “Riverscapes,” The Harrison Gallery, Williamstown, MA "Far and Wide" Regional Juried Exhibition, Woodstock Art Association and Museum, Woodstock, NY 2013 Artists of the Mohawk-Hudson Region, Hyde Collection Museum, Glens Falls, NY Far and Wide" Regional Juried Exhibition, Woodstock Art Association and Museum, Woodstock, NY 2012 "Riverscapes," The Harrison Gallery, Williamstown, MA “The Great Hudson River Exhibition,” Mill Street...

Important framed 19th century Hudson River School landscape. Possibly estate stamped. Housed in an impressive period frame. Oil on canvas.

Joseph Antonio Hekking was a landscape and marine painter born in 1830 in the Netherlands and died in New York in 1903. He studied in Paris and was a talented draftsman who lived in Cherry Valley, NY, Hartford, CT, Detroit, MI, and Washington, D.C. He also exhibited paintings of the Adirondacks at the National Academy of Design (NYC). He served in the Civil War with a New York regiment and exhibited in the Detroit area after the war. He was a versatile and talented painter was active from the early 1850s to the later 1870s and he participated in major exhibitions. His paintings were inspired by visits to the Adirondacks and White Mountains. He is considered an important and relevant early American landscape...

Antique American Hudson River School panoramic landscape oil painting. Oil on paper. Framed. Apparently unsigned. Image size, 13L x 8.5H.