Sir David Murray

The Clyde from Darleith Moor above Cardross - Scottish art Victorian landscape

1881

This superb British 1950's landscape oil painting is by noted artist Laurence Henry Irving. Painted in 1952 it is entitled verso as Elegy to a Dead Tree. In ...

This lovely Victorian landscape oil painting on canvas is by noted exhibited British artist John Horace Hooper. Hooper was particularly known for his landscapes and was fond of the s...

This lovely British Victorian landscape oil painting is by noted artist Sam Bough. It was painted in 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes alongside fellow artist Alexander Frazer. The location is the ancient forest of Cadzow in Lanarkshire which they both favoured. The landscape is of a rough path through ancient oaks heading towards more dense forest with white cattle grazing to the right. A superb balanced composition and an excellent example of Bough's skill in landscape painting. Signed lower left and dated 1855. Provenance. Christie's stencil verso 519GG. James Bourlet & Sons label verso. Condition. Oil on canvas, 28 inches by 18 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 35 inches by 25 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skil ful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

A stunning large oil on canvas by British nineteenth century artist Arthur William Redgate who was a Nottinghamshire based artist. He was a noted rustic landscape painter and he spec...

"Nightfall" is an oil on brass painting of the Italian Countryside at night. Dark blue skies soften as our eye drifts down to the horizon, where a mountainous landscape frames the ba...

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...

Charles Lewis Fussell (American, 1840–1909) Fort Hamilton, Brooklyn Oil on canvas, 8 x 11 ½ inches FRAMED: 15 x 19 inches (approx.) Signed and inscribed at lower left: "C. L. FUSSEL...

Thomas Birch (American, born England, 1779-1851) Winter Landscape, Pennsylvania Oil on canvas, 18 x 24 inches FRAMED: 27 x 33 inches (approx.) Thomas Birch was born in Warwickshire, England, son of the enamel and miniature painter William Russell Birch (1755-1834). He and his father settled in Philadelphia in 1794 and produced popular sets of engravings that documented the city's growth such as The City of Philadelphia (1800) and Country Seats (1808). Thomas Birch began to paint portraits around 1806, and soon gravitated to the subjects that made him famous, landscapes, winter scenes, and marine scenes. Birch also painted numerous winter scenes throughout his career, perhaps influenced by the popularity of sleighing and skating in Philadelphia. His landscapes represented the more rustic tradition of English painting and although the subject matter was either the Pennsylvania of New Jersey countryside, Birch’s imagination was oriented toward seventeenth century Dutch painting as he was influenced by artists Jan van Goyen and Salomon van Ruysdael. Birch frequently exhibited his work at the Pennsylvania Academy of the Fine Arts and the Artists’ Fund Society, formed in 1835. His art was influential in the later development of the Hudson River School of painting and the style of romantic realism...