Sean Durkin

Bustling Street VI, Modern Figurative Painting, Industrial Cityscape Artwork

2021

Street Shadows 1 [January 2021] Original Figurative Oil Painting on Gesso board Size: H:20 cm x W:20 cm x D:1.9cm Sold Unframed Please note that insitu images are purely an indicatio...

Fiona Carver Summer in St Ives Original Contemporary Painting Oil on Panel Image size: H 11cm x W 16cm Framed size: H 24cm x W 29cm Sold in a hand painted wooden frame (Please note t...

First Day of Spring By Lynda Minter [2021] Original Oil paint on board Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:0.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Using a mix of vibrant colours working from life. Artist Bio: Lynda Minter is a London-based artist who has an interest in capturing impressions of how the landscape and cityscapes appear in a fleeting moment, bringing to life the complexity of how light and colour transforms shapes and mood which she finds exciting Lynda’s colourful palette combining thick brushstrokes with rich colour to capture the vivacity of Britain’s varied landscape: recording over her long career the ever-changing skyline of London parks and the river Thames. St Martin’s School of Art BA hons in Fine Arts 1984 where she studied sculpture and a few years later made the transition into oils at the Slade Summer School. In 2013 Lynda was artist in residence at the River and Rowing Museum, Artist in Focus at The Dover Street Arts Club 2006 and has contributed to many solo and mixed exhibitions including the Royal Academy Summer Exhibition , The Discerning Eye, The Mall Galleries, The Chelsea Arts Society, The Painter’s Fine Art Society, Christie’s Wine Art...

Anemones in a terracotta jug by Gabrielle Moulding [2021] original oil on board Image size: H:52 cm x W:45 cm Complete Size of Unframed Work: H:35 cm x W:28 cm x D:3cmcm Frame Size: H:52 cm x W:45 cm x D:3cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Anemones in a terracotta jug is an original painting by Gabrielle Moulding. Painted from life in my garden studio. During this year in lockdown I have been painting flowers and I have felt a deeper connection with nature and the appreciation of the beauty of small wonders...

Landscape Seascape Painting of The Little Bay in Jersey by Artist James Longueville PS PBSA (British Northern School) Oil on board, signed bottom left,...

Warrior and Pegasus Fight the Kraken - Original Surrealist On Board Dramatic and dynamic fantasy scene by Russell R. Tripp (American, 1942-2025). This piece depicts a warrior atop a...

Antique American modernist cityscape with the statue of liberty oil painting. Oil on board. Framed. Measuring 20 by 27 inches overall and 14 by 21 painting alone.

Henry Prellwitz Into the Woods Oil on board 11 1/2 x 8 3/4 inches Henry Prellwitz studied art at the Art Students League of New York, where his chief mentor was Thomas Wilmer Dewing; he later became its director.[3] He also studied at the Académie Julian in Paris. In 1892, he set up his studio in the Holbein Studios building on West 55th Street in Manhattan, where his future wife, the artist Edith Mitchill, also had a studio. They married in 1894 and had a son, Edwin. By the mid 1890s, he was teaching portrait painting at the Pratt Institute, where one of his students was the Cubist artist Max Weber. In 1899, Henry and Edith moved to the north shore of Peconic Bay on Long Island, where their artist friends Irving Ramsay Wiles and Edward August Bell were already established. They painted plein air paintings and also worked in adjoining studios at High House, their Peconic Bay home. Prellwitz painted Impressionist and Tonalist waterscapes of Peconic Bay and allegorical figure paintings such as the 1904 Lotus and Laurel. He exhibited mainly on the east coast and at expositions like the St. Louis World's Fair, where he won a silver medal. He won the Third Hallgarten Prize from the National Academy of Design (NAD) in 1893 for The Prodigal Son, and his Venus won the Thomas B. Clarke Prize at the 1907 NAD exhibition for the best figure composition by an American citizen painted in the United States. Both Prellwitzes disappeared into obscurity for several decades after their deaths in the early 1940s. Rediscovered in the 1980s, they have been called one of the best-kept secrets in art...