Riznischenko Feodor Petrovich

Vue d'un sous bois, tableau daté 1901, huile sur toile de Feodor Petrovich Rizni

Thomas Sidney Cooper was one of the foremost animal painters of the Victorian period. He was born in Canterbury, Kent, and as a small child he began to show strong artistic inclinations, but the circumstances of his family did not allow him to receive any systematic training. By the time he was twelve years old, he was working in the shop of a coach painter. Later he obtained a job as a scene painter, and he alternated between these two occupations for about eight years. He still felt a strong desire to become an artist, and all his spare moments were spent drawing and painting from nature. At the age of twenty, he went to London, drew for a while in the British Museum, and was admitted as a student of the Royal Academy. Subsequently, he returned to Canterbury, where he was able to earn a living as a drawing master and by the sale of sketches and drawings. In 1827, he settled in Brussels and married before taking up a position as a teacher in Brussels in 1829. There he befriended Eugène Joseph Verboeckhoven, the great Belgian animal painter, who greatly influenced his style. He was also influenced by the 17th Century Dutch School. Because of the Belgian Revolution, he returned to London where he settled and first exhibited at Suffolk Street in 1833. He exhibited forty-eight pictures at the British Institution between 1833 and 1863. ‘Landscape and Cattle’, Royal Academy 1833, was shown until 1902 without a break - a record for a continuous exhibit at the Royal Academy. Sheep and cattle were his most frequent subjects, although he did paint a few figurative subjects. Cooper collaborated between 1847 and 1870 with Frederick Richard Lee...

River landscape with mill, 1839 Dimensions: 51 x 70 cm (canvas) Oil on canvas (original canvas), Signed and dated lower left Canvas by Legendre Wi...

Hermann Baisch began his career in his father's lithography workshop. When he moved to Stuttgart, he became acquainted with local artists and enrolled at the Stuttgart Academy of Fine Arts. He made study trips in 1868 and 69 to Paris and Munich. At the Musée du Louvre, he studied the Dutch painters Paulus Potter and Albert Cuyp. Shaped by the influences of Théodore Rousseau, Charles-François Daubigny, Constant Troyon, Jules Dupré and the landscape painting of the Barbizon school, he went to Munich in 1869 to study with Adolf Lier...

"Evening Sky On A Vast Moor." British school Second half of the 19th century. A very powerful and precise painting of a sunset in a landscape of moors with umbrella pines. The in...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Gershon Benjamin (1899 – 1985). An American Modernist of portraits, landscapes, still lifes, and urban scene...

In this oil painting, I've captured a whimsical snowman, the embodiment of winter joy. The expressive strokes and vibrant palette evoke the crisp, enlivening air of a snowy forest. T...

In this piece, I sought to capture the serene stillness of winter, with oil paints delicately layered to create a landscape that invites reflection. The gentle pinks and cool blues m...

In my oil painting, I sought to capture the serene essence of a winter's journey. I employed a blend of expressionism and impressionism to convey the chill and introspection that sno...