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Philip Rideout
Pair of 19th Century coaching scenes

1894

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19th Century landscape oil painting of figures with Highland Cattle
By George Turner
Located in Nr Broadway, Worcestershire
George Turner British, (1843-1910) A Highland Drove Oil on board, signed, further signed & inscribed verso Image size: 12 inches x 17.25 inches Size including frame: 18 inches x 23...
Category

19th Century Victorian Animal Paintings

Materials

Oil, Board

19th Century landscape oil painting of sheep grazing on a clifftop
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones British, (1836-1892) Sheep Grazing on a Cliff Top Oil on canvas, signed with monogram Image size: 7.5 inches x 11.5 inches Size including frame: 13.5 inches x 17.5 inches Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson...
Category

19th Century Victorian Animal Paintings

Materials

Canvas, Oil

19th Century landscape oil painting of ducks in a harvest field
Located in Nr Broadway, Worcestershire
Arthur Walker Redgate British, (1860-1906) Lunchtime Oil on canvas, signed Image size: 19.5 inches x 29.5 inches Size including frame: 27.25 inches x 37.25 inches A charming harves...
Category

19th Century Victorian Landscape Paintings

Materials

Canvas, Oil

19th Century landscape animal oil painting of cattle & sheep by a river
By Thomas Sidney Cooper
Located in Nr Broadway, Worcestershire
Thomas Sidney Cooper British, (1803-1902) Canterbury Meadows Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894 Image size: 14.75 inches x 24.75 i...
Category

19th Century Victorian Animal Paintings

Materials

Canvas, Oil

19th Century landscape genre oil painting of ploughmen with horses & a dog
By George Cole
Located in Nr Broadway, Worcestershire
George Cole British, (1810-1883) Waiting for a Treat Oil on canvas, signed & dated 1857 Image size: 19.5 inches x 29.5 inches Size including frame: 26.25 inches x 36.25 inches A cha...
Category

19th Century Victorian Animal Paintings

Materials

Oil, Canvas

19th Century landscape oil painting of cattle & sheep in the Highlands
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones British, (1836-1892) Cattle & Sheep in the Scottish Highlands Oil on panel, signed with monogram & dated (18)75, further inscribed verso Image size: 19.75 inches x 15.75 inches Size including frame: 26.75 inches x 22.75 inches A dramatic Scottish landscape painting of Highland Cattle and Sheep by Charles ‘Sheep’ Jones...
Category

19th Century Victorian Landscape Paintings

Materials

Oil, Panel

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Early 20th century English portrait oil of a Falcon hunting bird in a landscape.
Located in Woodbury, CT
Early 20th century English portrait oil of a Falcon hunting bird in a landscape. George Anderson Short was an English painter of Animal, Hunting...
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1920s Victorian Animal Paintings

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A Horse in a Field. Oil on Canvas
By Wright Barker
Located in St. Albans, GB
Wright BARKER 1864 - 1941 Canvas Size: 24 x 30" (61 x 76cm) Outside Frame Size: 31 x 37" (79 x 94cm) Oil on Canvas Free Shipping Exhibited : 1885 - 1935 He was a figure and animal painter who was based originally in Bradford, where he lived until 1885, when he moved to Edwinstowe, near Mansfield, Nottingham. In 1901 he moved to Hampstead and then back north to Harrogate where he stayed until his death. In his later years he became a picture dealer, but in his will he referred to himself as ‘animal painter’. Barker became a member of the Royal Society of British Artists in 1896. Although he called himself an animal painter he is also known to have painted ‘Roman Maidens...
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Early 1900s Victorian Animal Paintings

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Landscape with Cottages and Sheep - British Victorian 1850's art oil painting
By William Henry Crome
Located in London, GB
This superb oil on panel painting is by British Victorian artist William Henry Crome, son of artist John Crome, founder of the Norwich School. Painted circa 1850 the painting depicts...
Category

19th Century Victorian Landscape Paintings

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Oil

Cattle Grazing Near Rhyl, North Wales
Located in St. Albans, GB
A stunning, showpiece example of William Henry Mander's painted in Rhys, North Wales. The size is unusual and perfect for a mantlepiece as a statement piece. Picture Size: 22 x 36" ...
Category

1880s Victorian Landscape Paintings

Materials

Oil

"A River Landscape with Wild Horses", Victorian original, oil on canvas
By John Frederick Herring Jr
Located in Naples, Florida
This is an original unique oil painting by the artist. Born into an artistic family in Doncaster, England during 1820. Best known for his equine art, of the same character as those of the elder Herring, including "The Home Farm," "The Homestead," "The Farm-Yard," etc.John F. Herring, Jr. was born in Doncaster, South Yorkshire c.1820, to the well-known 19th-century artist John Frederick Herring, Sr. (1795-1865), who at the time, was considered one of England's great Sporting and Equestrian artists, patronized by the English aristocracy. The father's mastery of the brush, and popularity with the nobility, served his son, Herring, Jr., well. Early on, John, Jr. was exposed to fine painting and wealthy patrons. Recent reference books state that Herring, Sr.'s first child was named "John Frederick Herring, Jr." and was born on June 21, 1815. John Herring, Jr. developed a love for painting, a passion also shared by his brothers Charles and Benjamin. Three of the four brothers became artists, painting in the same style as their father, often collaborating on a single painting. In the years after 1836, Herring, Sr., feeling threatened by the teenage John Herring, Jr.'s ability and growing popularity, began incorporating the tag "SR" at the end of his signature. John Herring, Jr. continued painting in the tradition of his father, the sporting and animal pictures...
Category

19th Century Victorian Landscape Paintings

Materials

Canvas, Oil

Cattle Watering in a Landscape - British 19th century art Victorian oil painting
By Samuel Bough
Located in London, GB
This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...
Category

1850s Victorian Landscape Paintings

Materials

Oil

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