Nicola Mosley

Aura, Original painting, Landscape, Sunset Art, Peach clouds, Contemporary

2024

Trevor Waugh St Ives, Cornwall Original Seaside Painting Oil Paint on Canvas Framed Size: H 30.5cm x W 40.5cm Sold Framed Please note that in situ images are purely an indication of ...

A Wiltshire Sky, Trevor Waugh Original Contemporary Oil Landscape Painting Size Unframed : H 60cm x W 75cm Price if Sold Unframed: £1250 Size Framed: H 70cm x W 85cm Price if Sold Framed: £1400 A Wiltshire Sky is an original contemporary oil painting. The impressionisitic style of the piece enhances the fresh, bright colours of the piece. Trevor Waugh was born in 1952 and grew up in London. Trevor studied at The Slade School of Fine Art from 1970 -1974 (BA) under the guidance of Sir William Coldstream, Professor of The Slade at the time, Patrick George, Philip Sutton...

Rachel Painter The Dawn From Upon High Original Landscape Painting Oil On Paper Image Size: 40 x 30 cm Sold Unframed Free Shipping Please note that in s...

Eleanor Woolley Polka Dot Poppies Original Landscape Painting Oil Paint on Canvas Canvas Size: H 76cm x W 76cm x D 3.7cm Sold Unframed Ready to Hang Please note that insitu images ar...

Sudip Roy - Banaras - 48 x 50 inches (unframed size) Oil on Canvas It will be delivered in roll form. Style : Sudip Roy's strength lies in his realistic rendering of everyday things...

"The Factory Builds Eternally East" depicts a open skies and city lights. This scene is of no particular place, but rather Carpenter's interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul...

"Lost Between The Details" depicts a open skies and city lights. This scene is of no particular place, but rather Carpenter's interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"Cast Away From The Mainland" depicts a city near a waterway. These small paintings beckon viewers to draw closer and observe all that artist has been able to convey on such a small ...