Mireille Piazzoni Wood

"Ranch Hills", Carmel Valley California Landscape

1993

White Sands New Mexico, Mid-Century Southwest Desert Landscape by Vannerson Gorgeous desert scene by award winning, self-taught artist Dr. Lucien C. Vannerson (American, 20th Centur...

Beautiful historically significant oil painting of the Congregational Church of Soquel by Mary DeNeale Morgan (American, 1868-1948). Signed "M. DeNeale Morgan" lower right corner. Exhibit label on verso. Canvas on Masonite. Displayed in giltwood frame. Image, 24"H x 20"W. Born in San Francisco in 1868, she was taken to Oakland in 1872, where the painter and teacher William Keith was her first teacher. She was precocious. In 1886 she enrolled in the California School of Design in San Francisco and studied with Emil Carlsen and Amédée Joullin until 1890. She paid her first visit to Carmel in 1903. In 1910 she returned to buy the studio and home of the late Sydney Yard...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Blue Lake, c. 1940s, oil on masonite, signed lower right, 20 x 36 inches, label and inscriptio...

Three Chimneys, 1956, oil on Masonite, signed and dated lower left, 18 x 36 inches, titled verso, presented in its original frame Three Chimneys is a prime example of Ethel Margolies’ Precisionist-influenced industrial scenes. Throughout the 1950s and 1960s, Margolies made a name for herself by painting the Northeast’s factories, foundries, and manufacturing plants. Although this subject matter is often associated with male artists, Margolies is part of an important lineage of female modernists who depicted symbols of America’s industrial might. Starting with artists like New Jersey’s Elsie Driggs and Chicago’s Yvonne Deluc Pryor, Margolies is part of a through line of women Precisionist painters that also included the West Coast’s Vanessa Helder. Whereas these artists tended towards a stark and pristine realism, Margolies seems to have been influenced by the 1920s and early 1930s work of Charles Demuth’s and Charles Sheeler’s highly designed paintings from the same period, as both adopted a cubo-futurist oriented brand of Precisionism. Ethel Polacheck Margolies was a Connecticut painter...