Meyer-Waldeck Kunz

Kunz Meyer-Waldeck, 1859 –1953, Fishermen Boats in Harbour of Cascais, Portugal

1859 –1953

Berne-Bellecour Étienne-Prosper Boulogne 1838 – 1910 Paris French Painter Battle Scene Signature: Signed middel lower left Medium: Oil on panel Dimensions: Image size 22 x 27 cm Biography: Berne-Bellecour Étienne-Prosper was born in Boulogne, France on June 29, 1838. He was a French painter illustrator and printmaker. He also practiced as a sculptor and an etcher. He studied under master teachers and artists Picot François-Édouard and Barrias Félix- Joseph. He also studied at the École des Beaux-Arts in Paris and competed in 1859 for the Prix de Rome. He also worked in photography to support himself while he studied. In 1867 he won a prize for photography at the Universal Exposition. French painter Vibert Jehan Georges...

Georges Charles Dufresne Millemont 1876 – 1936 La Seyne-sur-Mer French Painter 'Le Jugement de Pâris – The Judgment of Paris' Signature: signed lower right 'dufresne' Medium: oil o...

Nymph with Child Feeding Swallows Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Dimensions: Image size 140 x 235 cm, frame size 145 x 240 cm Medium: Oil on canvas Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice...

André Hallet Liège, Belgium 1890 – 1959 Kisenyi, Rwanda Belgian Painter 'The Water Carriers' Signature: signed lower left 'A. Hallet', placed and named on reverse Medium: oil on canvas Dimensions: image size 100 x 80,5 cm, frame size 120,5 x 100,5 cm Biography: Hallet André was born in the Liege in 1890, emerged as a luminary in the world of Belgian post-impressionist painting. His oeuvre, a testament to his profound talent, has graced the walls of over 60 museums worldwide, including the venerable Louvre in Paris, France. Hallet’s artistic repertoire was as expansive as it was breathtaking. He wielded his brush with mastery in a multitude of genres, creating enchanting landscapes, bustling cityscapes, serene garden views, captivating marine scenes, evocative genre depictions, and intimate portraits that breathed life onto his canvases. The journey of André Hallet’s artistry began under the tutelage and guidance of R. Heintz. He honed his craft further at the Academy in Liege. It was in the South of France that Hallet discovered the transcendent allure of light and the sun, infusing his work with a cheerful and impressionistic burst of color. The vibrant hues of his palette mirrored the radiant landscapes he encountered in Flanders and the Mediterranean, from the sun-kissed shores of Southern France to the picturesque vistas of Italy. In 1920, Hallet embarked on a new chapter, working in the enchanting city of Bruges before ultimately settling in Leuven. Each location left its mark on his art, contributing to the rich tapestry of his creative journey. A turning point in Hallet’s life came in 1934 when the Belgian government sent him to Congo. Later, in 1947, he found his home on the shores of Lake Kivu in Kisenyi, present-day Rwanda. It was here that he would spend the remainder of his life, captivated by the mesmerizing beauty of the African landscape. He passed away in 1959, leaving a lasting legacy. During his time in Africa, Hallet forged a deep connection with Tutsi king Mwambi Matura III of Ruanda-Burundi. This relationship inspired a series of exquisitely detailed portraits, offering a glimpse into the regal splendor of the king’s family...

George Dunlop Leslie (1835 - 1921) Antique English realist oil painting. Oil on canvas. Signed. Framed. Measuring 17 by 20 overall and 12 by 15 paining alone. Artist Bio: George Dunlop Leslie RA (London 2 July 1835 – 21 February 1921 Lindfield, Sussex) was a British genre painter, author and illustrator. He was born into an artistic family; his father was the notable genre painter Charles Robert Leslie RA, and his uncle Robert Leslie was a marine artist. He studied art first at Cary's Art Academy, then from 1854 at the Royal Academy. His first exhibition at the Academy was in 1859, and he showed his work every year thereafter. He became an Associate (ARA) in 1868 and a full Royal Academician (RA) in 1876.George Dunlop Leslie lived early on in St John's Wood (London), and was part of the St John's Wood Clique, a group of artists who favoured light-hearted genre subjects. From 1884–1901 he was resident at "Riverside", St. Leonard's Lane, Wallingford, Oxfordshire. His sister Mary Leslie (1833–1907), also an artist, lived at "Cromwell Lodge" next door. Fellow artist, James Hayllar, was also a resident of the village and they painted a portrait of Queen Victoria together for her Golden Jubilee in 1887. From 1906 he lived at "Compton House" in Lindfield, SussexHis early works, such as Matilda (1860) showed the strong influence of the Pre-Raphaelites, but he settled into a more academic, aesthetic, style of painting with the aim of showing "pictures from the sunny side of English domestic life". He often used children as subjects and his work was praised by John Ruskin for its portrayal of the "sweet quality of English girlhood". One of his pictures, This is the Way we Wash our Clothes, was used as a poster in an advertising campaign for soap. Despite its apparently trivial subject matter, however, Leslie's work was highly regarded by critics of the time.In 1889 during his time at Riverside house in Wallingford Leslie is credited with painting four angel murals in St Leonards Church.Leslie was also an author and had several books published. Our river (1888), Letters to Marco (1893) and Riverside letters (1896) were all illustrated by him in black and white, and based on personal observations of life and nature in his local area. He also wrote a history of the early years of the Royal Academy - The inner life of the Royal Academy.Leslie was married to Lydia. They had a daughter Alice (depicted in his painting Alice in Wonderland) and a son Peter Leslie...

Incredible quality American school portrait painting. Oil on canvas. Framed. No signature found.

A powerful 19th century landscape and portrait painting. A young dutch woman lacing up her skates. Really rare and well painted. Oil on canvas, lain to board. Housed in a beautif...

John Berry is a well-known English artist who painted portraits of the royal family. During his career, he discovered Edward Curtis's photographs of Native Americans and became awestruck by the strength and power each portrait held. He studied them in-depth and became an expert in depicting the Native American lifestyle and portraits. This painting entitled "Solitary Figure" is an original oil on canvas painting measuring 40x30 in. In this painting a Native American chief with an Indian headdress...