Martin Yeoman

Late Autumn, Oil on Canvas, Figurative Landscape Painting, 2019

2019

Stephen Bone was a 20th century landscape, mural and portrait painter. He was born in London, the son of the artist and etcher Sir Muirhead Bone. The family lived in Italy between 1910 and 1912, before Stephen returned to attend Bedales School. He went on to study at the Slade School of Art, which now forms part of University College London, from 1922 to 1924 under Henry Tonks. Bone won a gold medal for wood engraving in the Paris International Exhibition the year after his graduation. The rest of 1925 was spent touring Spain with his father and travelling to France, Greece and Scandinavia. In 1929 he married his fellow artist, Mary Adshead, who had been a student with him at the Slade. In the early years of their marriage, the two travelled around Greece, Italy and the British Isles together. An exhibition of Bone's work, alongside works from Robin Guthrie and Rodney Burn, was held at the London Goupil Gallery in 1926. In 1932 Bone became a member of the New English Art Club, having exhibited with them since around 1920. During the 1930s, he exhibited landscapes and portraits at the Royal Academy, the Fine Art Society, the Lefevre Gallery, and the Redfern Gallery, including a solo exhibition in 1938. An exhibition at Ryman's Galleries, Oxford, in 1936 included oil paintings of forty-one British counties that Bone had created during his travels. During his time in Stockholm in 1936-37, Bone produced many works and had a number of exhibitions. Though Bone is most recognised for his landscape paintings, he was also an illustrator, portraitist and mural painter. In 1925 his woodcuts illustrated the book 'Of the Western Isles...

Adrian Daintrey was born in Balham, London on 23 June 1902, the youngest of three children of Ernest Daintrey, a solicitor and his wife Lucy Mary (née Blagdon). He was educated at Ch...

Nicholas Turner is a painter of quiet compositions that are beautifully structured and well-painted. Born in London, Turner spent many years in Bristol before moving to Monmouthshir...

David Pearce is a British painter. After travelling widely throughout the 1980s, Pearce returned to settle and work near Padstow in Cornwall. As a self-taught artist, he sought ins...

This is a unique painting. It is an oil painting on 22 carat gold leaf gilded on a canvas. CS Art comprises of two artists, one French, the other Norwegian. Th...

Landscape painting titled "Untitled (Salt Marsh Herring Cove)" by Cobi Moules - Oil on canvas Driven by the desire for adventure and discovery, Cobi Moules embraces the beauty of nature all the while shifting its weight through the exaltation of his own existence within, and as part, of it. This is best exemplified by the way he incorporates multiple self-portraits throughout his compositions. The multiplicity of self takes both precedence over, as well as integration into, the landscape creating a world with a sense of excitement, self-worth and play. The locations of Moules’ compositions are equally important. All of the locations were previously depicted in paintings by the Hudson River School. Through the exploration of the grand American landscape and the reflection on mid-19th century American...

Venice,Italy,Blue, Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive results dominated...

NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century Eugene Savage (1883 – 1978) 1939 World’s Fair Mural Study 45 x 30 inches Oil on Canvas Signed lower right The painting is part of a 1,000 piece collection of art and objects from the 1939 World’s Fair. The collection as a whole is available. Savage created the mural for the facade of the Communications Building. An image of the completed mural, along with a published postcard, is part of the listing. Note the center top female figure, she resembles the figure in the offered painting. BIO Eugene Francis Savage was born in Covington, Indiana 1883. He underwent various forms of art training in the early years. He was a pupil of The Corcoran Gallery and The Art Institute of Chicago, and was later awarded a fellowship to study in Rome at The American Academy. While under the spell of that ancient city the young artist began to render historic figures that were suitable for the classic style needed for mural painting in the traditional manor. During this period he was able to study and observe Roman and Greek sculpture, although much of the academic training was accomplished by using plaster casts along with the incorporation of live models. This method survived and was used efficiently throughout Europe and the United States. After leaving the Academy, Savage was commissioned to paint numerous murals throughout the United States and Europe. This artist received acclaim for the works he produced while under commissions from various sources. This young master was a contemporary of Mexican muralists David Alfaro Siqueiros (1896-1974), Jose Clemente Orozco (1883-1949) and Diego Rivera (1886-1957). In this period he was to show the influence of his contemporaries in formulating a modern style. Savage also played a vital role in the WPA Federal Art program, and he was a member of The Mural Art Guild.. Savage was elected an associate member of The National Academy of Design in 1924 and a full member in 1926. From 1947, he held a professorship at Yale University where he taught mural painting, and some of his students went on to significant positions. By this time the artist had painted large-scale murals at Columbia, Yale University, Buffalo N.Y., Dallas, Texas, Chicago, Indiana, along with other commissioned works. He also achieved recognition for a series of murals commissioned by the Matson Shipping Line and completed around 1940. For this commission, Savage made many exacting studies of customs and folkways of the Hawaiian natives. However, the award-winning murals were not installed as planned but were put in storage during the war years when the ships were used for troop transportation and were in danger of attack. However the mural images were reproduced and distributed by the shipping company including nine of the mural scenes that were made into lithographed menu covers in 1948. The American Institute of Graphic Arts awarded certificates of excellence for their graphic production, and the Smithsonian Institute exhibited the works in 1949. Today Savages' Hawaiian Art production is held in high regard by collectors of Hawaiian nostalgia. In later years the artist focused his attention on a theme that dealt with the customs and tribal traditions of the Seminole Indians of Florida. He produced many variations of this theme throughout his lifetime, and the pictures were usually modest scale easel paintings, precise and carefully delineated. Many of these pictures incorporate Surrealistic elements and show some minor stylistic influences of the painters Kay Sage...