Lucien Adrion

"Vue depuis L'église de la Madeleine" French Post-Impressionist Plein Air Scene

1949

Lucien Adrion was born May 25, 1889, in Strasbourg, France. He was a French post-Impressionist painter, draftsman and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure and landmarks paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of 18, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich and Frankfurt. As the World War broke out, he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, he went on to study engraving under Franz Ritter von Struck, who was Marc Chagall's teacher as well. Adrion returned to his hometown in France in 1919, and then eventually moved to Paris, where he took a studio in Montparnasse of Paris and allied himself primarily with the young Eastern European painters such as Chaïm Soutine, Pinchus Krémègne, and Michel Kikoïne to operate. In 1921, Adrion had his first solo exhibition at the Galerie Chéron and then in 1926, at the age of 37, he had his first major exhibition at the Salon des Indépendants, where later on, he exhibited regularly. In 1940, he exhibited at the Salon d'Automne and the following year at the Salon des Tuileries where he exhibited several landscapes. As an engraver, watercolorist and painter from the French school, he took a variety of external scenes as subjects for his work, showing a particular fondness for the picturesque aspects of the Parisian landscape, beach scenes,and horse races. Throughout his career, Adrion continued to exhibit his work at the Salons in Paris, where his paintings were praised for their ability to capture the movement and transience of urban life. He eventually left Paris to settle in Normandy, where he began focusing on beach landscapes subject, with great success because they became very popular as decorative paintings.