Léon Frédéric

Landscape at Nafraiture by Léon Frederic (1856 - 1940)

1883

Georg Anton Rasmussen (August 7, 1842, Stavanger - October 23, 1914, Berlin) was a Norwegian landscape painter who spent most of his career in Germany. He began his artistic training in Bergen, where he studied with Johan Ludvig Losting and Anders Askevold. In 1863, he moved to Copenhagen to study with Frederik Rohde [de] at the Royal Danish Academy of Fine Arts. From 1864 to 1867, he completed his studies at the Kunstakademie in Düsseldorf with Oswald Achenbach, and was influenced by the works of Hans...

La Chapelle de la Protection in Cagnes, circa 1925 Oil on panel, signed with the monogram lower left 27 x 34.5 cm Bibliography: The Painters of Cagnes, exhibition catalogue, Château-Musée Grimaldi, 2011, p.62 Paul Leduc...

LEGNAIOLI SUL TEVERE - RIVER SCENE WITH FIGURE GATHERING REEDS Oil on canvas: 30 1/2 x 38 1/2 in., 36 x 44 1/2 in. (framed) Framed; lower right signed and dated: H. Corrodi, 1892

Thomas Sidney Cooper was one of the foremost animal painters of the Victorian period. He was born in Canterbury, Kent, and as a small child he began to show strong artistic inclinations, but the circumstances of his family did not allow him to receive any systematic training. By the time he was twelve years old, he was working in the shop of a coach painter. Later he obtained a job as a scene painter, and he alternated between these two occupations for about eight years. He still felt a strong desire to become an artist, and all his spare moments were spent drawing and painting from nature. At the age of twenty, he went to London, drew for a while in the British Museum, and was admitted as a student of the Royal Academy. Subsequently, he returned to Canterbury, where he was able to earn a living as a drawing master and by the sale of sketches and drawings. In 1827, he settled in Brussels and married before taking up a position as a teacher in Brussels in 1829. There he befriended Eugène Joseph Verboeckhoven, the great Belgian animal painter, who greatly influenced his style. He was also influenced by the 17th Century Dutch School. Because of the Belgian Revolution, he returned to London where he settled and first exhibited at Suffolk Street in 1833. He exhibited forty-eight pictures at the British Institution between 1833 and 1863. ‘Landscape and Cattle’, Royal Academy 1833, was shown until 1902 without a break - a record for a continuous exhibit at the Royal Academy. Sheep and cattle were his most frequent subjects, although he did paint a few figurative subjects. Cooper collaborated between 1847 and 1870 with Frederick Richard Lee...

Using an impasto, painterly technique Dana Cowie creates cubist-inspired farm and rural landscapes. Working within controlled color schemes, her artworks appear abstract up close and...

In this oil on canvas painting, the horizon shows where the breaking waves and sunset appear to meet. A small strip of land appears most noticeably on the left, darker than the shimm...

Sunday hikes are a cherished tradition when you live in a mountainous region. The trail may be challenging, but the reward is worth it— the chance to take in the sight of snow-capped...

Rustic Cottage is an original painting, realized in 1980 by Franco Viola. Mixed colored painting on plywood. Hand signed by the artist on the lower left...