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Joshua Tolford
Courtyard in Tuscany

1973

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'Fishing Boat at Dawn', Danish Post-Impressionism, Weilbach Kunstleksikon
By Victor Qvistorff
Located in Santa Cruz, CA
Signed lower right: 'V. Qvistorff' for Victor Qvistorff (Danish, 1883-1953) and painted circa 1915. Born in Bredegaarde, Denmark, Victor Qvistorff first studied with Hans Andersen Brendekilde. Qvistorff then became a successful business-man and painted only part-time until 1931 when he dedicated himself full-time to his art. Although the author of a notable series of nude studies of his long-time model, Sally Philipsen, Qvistorff is known primarily for his marine scenes- particularly the jewel-like views of Copenhagen harbor...
Category

1910s Post-Impressionist Landscape Paintings

Materials

Cotton Canvas, Oil

'Coastal Mist', Woman Artist, Carnegie Foundation, Rhode Island School of Design
Located in Santa Cruz, CA
Signed lower right, 'Horning' for Elizabeth Horning (American, born 1943) and painted circa 1985. Accompanied by artist biography and old label on or...
Category

1980s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

'Winter Landscape, Red Farmhouse', Post-Impressionist oil, Paris Salon, Benezit
By Mogens Erik Christien Vantore
Located in Santa Cruz, CA
Signed lower right 'Vantore' for Mogens Erik Christien Vantore (Danish, 1895-1977) and painted circa 1925. Framed dimensions: 23 H x 28.75 W x 1.25 D inches. An early twentieth-cent...
Category

1920s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

'Mediterranean Orange Grove', Paris Modernist, Royal Danish Academy of Fine Arts
By Viggo Rorup
Located in Santa Cruz, CA
Signed lower left, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1967. A substantial, Post-Impressionist oil landscape showing a view of the Mediterranean with an orange tree and blossoming apple trees in the foreground, framing a view across cultivated fields towards the azure ocean beneath a clouded lilac and ivory sky. A charming and robust work that exemplifies the artist's characteristically lyrical and painterly brushwork, elegantly expressing it here in a gentle palette of moss, teal, lavender and soft pastels. Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Free Exhibition at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they formed the foundation of the avante-garde group of Modernists, The Corner, that first introduced the principles of Modernism to Danish painting. Rorup traveled widely, including to Italy, Austria, Spain, and most importantly to France, where his studies of the Impressionists and the Post-Impressionists had a great stylistic impact on his later work. His palette grew brighter, and his earlier defined contours were subsumed into the nuances of light. We are pleased to offer a dazzling work from the artist's late period, that exemplifies these later qualities of his mature work, harmoniously capturing the warmth and color of a southern summer landscape. Exhibitions: KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Frcia 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al. Literature: Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book...
Category

1950s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

'Sunflower Field in Summer', Danish Impressionist oil Landscape, Paris, Benezit
Located in Santa Cruz, CA
Initialed lower left, 'OK' for Ole Kielberg (Danish, 1911-1985); additionally signed, verso, 'Ole Kielberg', titled and dated 1956. A painterly, Post-Impressionist oil landscape showing a lyrical view of a sunflower field with haystacks beyond, all beneath a bright summer sky filled with light-suffused cumulus clouds. Ole Kielberg first attended Copenhagen's Royal Danish Art Academy where he first studied with the classically-trained landscape painter, Aksel Jørgensen...
Category

1950s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

'California Cove, Orange County', Laguna Beach Art Association, Chouinard
By Helen Hafer
Located in Santa Cruz, CA
Signed lower left, 'Helen Hafer' (American, 1913-2003) and with artist label verso. This listed California artist, Hafer studied at the Chouinard Institute in Los Angeles, and privately with Harry Emerson Lewis. A member of the Palm Springs Art Association, Desert Art Center in Palm Springs, Whittier Art Association, Orange County Art Association and the Laguna Beach Art...
Category

1960s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

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