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Joseph PaquetEel Seller2018
2018
About the Item
Provenance
Acquired by the gallery directly from the artist
Artist Statement
"Was painted in a remote village in late afternoon.
I don’t think the few folks there had ever seen anyone painting before.
It was all quiet and we were painting away in silence when a very small boy emerged from the hut to relieve himself and had not seen us across the pond under the trees until it was too late.
He took off like a flash leaving us all in stitches."
—Joseph Paquet
Exhibited
China's Crown Jewel; Recent Paintings by American Artists, American Legacy Fine Arts, June 21 – July 28, 2019
Exhibition Description
The rapid transformation of Southern China’s Guangzhou province from an agricultural region into a global leader for international trade has truly created a feast for the eyes, juxtaposing charming Chinese houseboats floating along the Pearl River Delta against a backdrop of imposing skyscrapers. The expeditious changes that have occurred since the 1980s have caught, in particular, the attention of artists who once lived in the region – some while training at the prestigious Guangzhou Academy of Fine Arts. They now find themselves fondly reminiscing about the pristine countryside that they used to explore. In recent years, these Chinese artists, who now call California home, have traveled back to their native land to capture in artwork glimpses of both the past and the continually evolving present of this sprawling port city that has embraced Western influences.
Accompanying the Chinese-American artists on these plein air painting expeditions have been their American counterparts, many of whom had never visited China – let alone painted in the world’s most populous country. This exhibition features more than 40 paintings that resulted from these trips, revealing a range of fascinating perspectives on life in China’s third largest city.
Dimensions
Framed: 13.5" x 14.5" x 2" Unframed: 8" x 10"
Joseph Paquet
Joseph Paquet, while pursuing a Bachelor of Fine Arts at the School of Visual Arts in New York, had the good fortune of finding mentors in artists James McMullan and John Foote who opened his eyes to the joys of drawing the human figure. After graduating, Paquet met another major influence in his life, John Osborne, who was uniquely gifted artist and teacher. Osborne believed that a landscape painting should begin on location, but that its poetic essence should be completed in the solitude of the artist's studio. Paquet experienced a demanding and rewarding apprenticeship, in which he learned to fuse field studies with the image he could see in his mind's eye. Increasingly however, Paquet is creating most of his work from life, believing that the direct correspondence with nature increases the potential for greater feeling. "Intellect, he says, doesn't keep one warm at night." He has been featured in the Washington Post Sunday Magazine, The Artist's Magazine, American Artist, Southwest Art and Plein Air Magazine. Paquet's awards include both Artist's Choice and Collector's Choice from The 2007 Laguna Beach Plein Air Invitational as well as the 2008 Alden Bryan Memorial Prize from The Salmagundi Club of New York, the First Place in Landscape from the Richeson 75: Artist's Choice Competition and The Edgar Payne Award for best Landscape at the 97th Annual Gold Medal Show at the California Art Club. Paquet is a Emeritus Member of The Plein Air Painters of America, The Salmugundi Club and an Signature Member of The California Art Club.
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