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John Moyers
The Rainy Season, Southwestern Landscape, Native American Figures on Horseback

2007

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Little Bear, 1950s Framed Traditional Western Mountain Landscape Painting
By Harold Vincent Skene
Located in Denver, CO
Little Bear is a traditional Landscape painting by Harold Skene (1883-1978). The mid 20th century painting depicts a brown or black bear crossing on a log...
Category

Mid-20th Century American Impressionist Animal Paintings

Materials

Oil, Board

"Ethel, the Blue Spotted Cow" 1960s Folk Art Oil Painting, Cowboys Birds Cattle
By Martin Saldana
Located in Denver, CO
'Ethel, The Blue Spotted Cow' is an oil on board vibrant folk art painting by Marin Saldana with colorful cattle, birds, and cowboys with a blue sky with clouds and airplanes. Presented in a custom frame with all archival materials, outer dimensions measure 40 ¼ x 50 ¼ inches. Image measures 29 x 39 inches. About the Artist: Born on December 11, 1874, at Rancho Nuevo, 40 miles north of San Luis Potosí, Mexico, Martin Saldaña’s life began humbly on a family ranch established by his grandfather. His father, a cattle dealer, raised nine children, and though Martin was the smallest in the family, he overcame the odds to live a remarkable life. From a young age, he worked on the ranch, caring for pigs at age 8 and joining his brothers on horseback at age 10 to help herd cattle. He had a fondness for gardening, managing a large flower garden on the ranch by the time he was 15. Resourceful and driven, Martin sold wood to fund his trip to San Antonio, where he found better-paying work picking cotton. After saving $350, Saldaña traveled to Tampico, Mexico, where he worked as a stoker on a ship, enduring the physically grueling job of shoveling coal while standing in water all day. Using his earnings, he and a few companions pooled their money to purchase mules, enabling them to peddle dishes to women in the mountainous regions near the mining town of Pacuoco. His time there was marked by danger, as mountain lions roamed the area—he recalled seeing the bodies of four men who had fallen victim to the wild cats. To avoid a similar fate, Martin and his companions built large fires at night for protection. Saldaña's adventurous spirit led him to work as a cook on a fishing boat, where he narrowly escaped drowning after falling between the boat and the pier. His cooking career took him across the United States, from Alabama to Kentucky and Tennessee, where he worked in various restaurants, including Italian and Greek establishments. In Tennessee, he was captivated by the sight of waitresses in white silk dresses—a memory that would later influence his art. In 1912, Saldaña arrived in Denver, Colorado, where he found work as a cook at the Sisters of Mercy Hospital. In 1915, he began a long career as a cook at the Brown Palace Hotel, a Denver landmark, where he worked for decades. By 1950, at the age of 76, Saldaña had saved enough to afford his own room nearby. It was then, in an unexpected twist, that he was invited to join a children's watercolor class at the Denver Art Museum. Embraced by both the children and their teacher, Saldaña discovered a passion for painting. Encouraged by this new creative outlet, he enrolled in art classes at the Emily Griffith School of Opportunity, where he studied under Lester Bridaham. Bridaham became Saldaña’s mentor, patron, and biggest advocate, buying every painting the artist created. He helped promote Saldaña's work in galleries and museums around the world. In 1953, Life magazine published an article titled “An Old Cook’s New Art,” celebrating Saldaña’s unexpected artistic journey. Saldaña only painted for the last 15 years of his life, working primarily from memory and imagination. His paintings, often depicting scenes from his childhood in San Luis Potosí, showcased ranch life, vibrant landscapes, animals, and his beloved flower garden. His bold use of color and geometric forms echoed the tapestry traditions of his Mexican heritage. Despite a relatively brief painting career, Saldaña completed a new work every three days and left behind a significant body of work. Saldaña passed away on September 5, 1965, at the age of 91. His legacy endures through his distinctive and heartfelt paintings, which are held in major collections including the Denver Art Museum, the University of Wyoming Art Museum, the Colorado Springs Fine Arts Center, the International Folk Art Museum, Neuss in Aberthaw Museum (London), and the Stedelijk Museum (Amsterdam). ©David Cook Galleries...
Category

20th Century Folk Art Landscape Paintings

Materials

Oil

20th Century Watercolor Painting of Horses, Carriage, Buildings in Blue, Yellow
By Alfred Wands
Located in Denver, CO
This vintage original modernist watercolor painting by Alfred Wands (1904-1998) depicts a captivating scene of horses attached to a carriage with buildings in the background. The com...
Category

20th Century American Impressionist Animal Paintings

Materials

Paper, Watercolor

20th Century Plein Air Impressionist Northern California Landscape, Farmhouse
By Jon Blanchette
Located in Denver, CO
Original Mid 20th Century Northern California Landscape Painting by Jon Blanchette (1908-1987). This vintage plein air style painting depicts a serene rural scene with a white farmho...
Category

Mid-20th Century American Impressionist Landscape Paintings

Materials

Oil

The Coast- Vintage Marine Landscape in Moonlight, Nocturnal Oil Painting in Blue
Located in Denver, CO
The Coast is a vintage, original oil painting from the midcentury (circa 1950s-1970s) by renowned 20th-century New Mexico artist Marjorie Chambers (1923-2006). This captivating nocturne depicts a serene marine landscape illuminated by moonlight, rendered in soothing evening colors of blue, green, brown, and white. The painting is expertly crafted on a wood panel and is signed by the artist in the lower right corner. Titled on the reverse, it is presented in a custom frame with a dark finish and a gold lip, with outer dimensions measuring 18 ¼ x 21 ¾ x 1 inches. The image size is 11 x 15 inches. About the Artist: Marjorie Bell Chambers (also known as Marjorie Bell) was born in New York in 1923 and became a significant figure in both the arts and social activism. She graduated from Mount Holyoke College in 1943 with a Bachelor of Arts in Art History and Political Science and later earned a Master of Arts from Cornell University in 1948. Chambers moved to Los Alamos, New Mexico in the 1940s, where she raised her family and worked as a substitute teacher while her husband, physicist William H. Chambers, worked at the Los Alamos National Laboratory. In addition to her artistic pursuits, Chambers had a distinguished career in education and women's advocacy. She earned a PhD in History and Political Science from the University of New Mexico in 1974, later serving as a faculty member and dean at various institutions, including the University of Denver’s Colorado Women's College. As a lifelong advocate for women's rights, she was appointed to the National Advisory Council on Women's Educational Programs in 1976 and played an influential role as vice-chair of President Carter...
Category

Late 20th Century American Impressionist Landscape Paintings

Materials

Oil, Wood Panel

Grand Canyon, Arizona - Large Vintage Southwestern Landscape with Evening Clouds
By Pawel Kontny
Located in Denver, CO
This striking original painting by renowned artist Pawel (Paul) Kontny captures the grandeur of the Grand Canyon in Arizona during an evening sunset. The semi-abstract landscape feat...
Category

1980s American Impressionist Landscape Paintings

Materials

Gesso, Mixed Media, Oil

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