John Lapsley

The Ice Wagon

1962

Family Downtime. 2008. Oil on canvas. 24 x 30. Provenance: the artist; Westport River Gallery, CT. Signed and dated, lower right Housed in a gold 29 7/8 x 35 7/8-inch frame. A mothe...

Dunure Castle. Oil on canvas. 16 1/2 x 28 3/8. Signed, lower right. Housed in a dramatic 22 x 34-inch gold leaf frame. The ruins of Dunure Castle lie in a quiet location overlookin...

Beautiful Impressionist painting featuring elegantly-dressed Parisians out for an afternoon stroll. Bouquets of flowers rest in a tub to the left of the streetlamp, while a horse-dra...

Brilliantly-colored oil on canvas depicting the French countryside, with "les flâneurs," (people strolling) along the bank of the river. The eye of the viewer follows the river past ...

Bold figurative work by Richard Cronin (American, b. 1952). Two figures are at the edge of the sea, one of which is seated and holding two beach balls. ...

This evocative vintage oil painting from the 1930s–1940s captures a classic adobe church in New Mexico, likely inspired by the historic San Francisco de Asís Mission Church in Rancho de Taos. Painted by Denver modernist Paul K...

This is a hand painted copy of the New Yorker Magazine cover image from September 25, 1978. It is not signed. I was told it is not by the artist. I am selling it as in the style of Gretchen Dow Simpson...

Genre: Modern Subject: Landscape with figure of horse, driver and wagon Medium: Oil Surface: wood Board EMANUEL ROMANO Rome, Italy, b. 1897, d. 1984 Emanuel Glicen Romano was born in Rome, September 23, 1897. His father Henryk Glicenstein was a sculptor and was living in Rome with his wife Helena (born Hirszenberg) when Emanuel was born. His father obtained Italian citizenship and adopted the name Enrico. Emanuel was brought up in Italy, Switzerland, Germany, England and Poland. In 1926 Emanuel Glicenstein Romano and his father sailed for New York. They briefly visited Chicago. Romano's sister, Beatrice, and mother only joined them in New York years later. Romano changed his name on his arrival to America and some have erroneously speculated that this was to avoid antisemitic discrimination. In truth, as the son of a highly-regarded artist, Romano changed his name to ensure that any success or recognition he would later attain, would be the result of nothing other than his own merit as an artist, and not on account of his father's fame. In 1936 Romano was worked for the WPA Federal Art Project creating murals. ( there were many jewish artists active with in the WPA period. notably Chaim Gross, Ben Shahn, Isaac and Moses Soyer, Abraham Rattner and many others. During and immediately after World War II, Romano created a series of allegorical works depicting graphic holocaust images that were held closely by the family until after his passing. One of these works is now on permanent display in the Florida Holocaust Museum in St. Petersburg Florida. Emanuel's father died in 1942 in a car accident before they could realize their shared dream of visiting Israel. In 1944 Romano, having completed his degree at the Pennsylvania Academy of Fine Arts and the Art Institute of Chicago, began teaching at the City College of New York. Romano moved to Safed, Israel in 1953 and established an art museum in his father's memory, the Glicenstein Museum. COLLECTIONS Indianapolis Museum of Art Metropolitan Museum of Art Boston Fine Arts Museum Fogg Museum Musée Nacional de France Recently his work has been added to the Florida Holocaust Museum collection. His notable works include his holocaust themed allegorical paintings as well as portraits of Marianne Moore, his father and William Carlos Williams...