Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 17

John Bates Noel
Pair of 19th century landscape oil paintings of the River Avon & Berwyn Valley

C1900

About the Item

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 19 INCHES X 23 INCHES** John Bates Noel British, (1870-1927) On the Avon & In the Berwin Valley Oil on canvas, pair, both signed, also signed & inscribed verso Image size: 12 inches x 16 inches (each) Size including frame: 19 inches x 23 inches (each) John Bates Noel was born John Noel Bates in Worcester in 1870. He was the son of the landscape artist David Bates (1840-1921) but later on changed his professional name to avoid confusion. The family lived in Worcestershire as well as in Birmingham and it was highly likely that he was encouraged and taught by his father as their subject matter and style bear similarities, although John’s compositions tend to be more fluid and looser. By the turn of the century Noel was living in Malvern where he also taught art. He specialised in painting the rugged landscapes in and around the West Midlands, Worcestershire and North Wales. He exhibited at the Royal Academy from 1893-1909 and at the Royal Birmingham Society of Artists between 1892-1919. He also exhibited works at some of the major galleries of the time including the Manchester City Art Gallery and the Walker Art Gallery, Liverpool. The building in the painting 'On the Avon' is believed to be that of St Margaret's Church at Wolston in Warwickshire. The structures at the front of the church appear to be thatched hay ricks, which are similar to ones seen in an old postcard of the church seen from the river Avon dated from around 1900. Presentation: The paintings are housed in their original period gilt frames, which are in excellent condition. Condition: As with all of our original antique oil paintings, these works are offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished. © Benton Fine Art
  • Creator:
    John Bates Noel (1870 - 1927, British)
  • Creation Year:
    C1900
  • Dimensions:
    Height: 19 in (48.26 cm)Width: 23 in (58.42 cm)Depth: 2.25 in (5.72 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Nr Broadway, GB
  • Reference Number:
    1stDibs: LU1562386922

More From This Seller

View All
19th Century exhibition size landscape oil painting of Sheep on a cliff
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones British, (1836-1892) Sheep Resting Oil on canvas, signed with monogram & dated 1877, further inscribed verso Image size: 35 inches x 59 inches Size including frame: 47 inches x 71 inches Exhibition Size Painting A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...
Category

19th Century Victorian Animal Paintings

Materials

Canvas, Oil

19th Century genre oil painting of fisher folk on a beach
By WILLIAM SHAYER SENIOR (1787-1879)
Located in Nr Broadway, Worcestershire
William Shayer British, (1787-1879) Fisher Folk on the Beach Oil on canvas, signed & dated 1839 Image size: 27.25 inches x 35.25 inches Size including frame: 37.25 inches x 45.25 in...
Category

19th Century Victorian Figurative Paintings

Materials

Canvas, Oil

19th Century landscape oil painting of horses near a barn with figures & a dog
By Thomas Blinks
Located in Nr Broadway, Worcestershire
Thomas Blinks British, (1853-1910) Midday Rest Oil on canvas, signed & dated (18)87 Image size: 11.5 inches x 17.5 inches Size including frame: 20.25 inches x 26.25 inches A pleasing landscape painting of a plough team at rest next to a barn by Thomas Blinks. Three horses are shown eating hay from a cart in the shade of a barn. Two figures and a dog are also depicted taking their repast. On the left of the scene, open fields can be seen through a gate whilst in the far distance a church and other buildings can be made out on the brow of a hill. Thomas Blinks was born in Maidstone, Kent on 29 October 1853 to Richard Blinks and Eleanor Poile. His father was a master butcher in Ticehurst and the family lived above the shop, which is still operates as a butchers today. Thomas initially worked for his father but his talent for art soon took him in another direction. He married Louisa Anne Winterbottom on 11 April 1874, at Rye, Sussex and together they had 3 children. They lived in Hawkhurst, Kent before moving to Hackney, London in 1878. Whilst largely self- taught, Blinks would have learnt basic anatomy from working with his father, but he also spent time at Tattersalls canine and horse auctions...
Category

19th Century Landscape Paintings

Materials

Canvas, Oil

19th century landscape oil painting of a village tavern with a windmill
By John Holland Senior
Located in Nr Broadway, Worcestershire
John Holland Snr British, (1830-1886) The Windmill Tavern Oil on canvas, signed Image size: 13 inches x 20.5 inches Size including frame: 18.25 inches x 25.75 inches Provenance: Frost & Reed A pleasing landscape painting of the Windmill Tavern by John Holland Snr. The scene depicts a large group of people conversing outside the inn whilst others make their way along a country track running beside it. The building and windmill pictured here appear very similar to those situated at Reigate Heath in Surrey. The mill at Reigate was built in 1753 and was still used for grinding wheat up until around 1870. The main building is now the Reigate Heath Golf Club. The windmill still stands today and is owned and maintained by Reigate and Banstead Borough Council. John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists. By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint. He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886. A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...
Category

19th Century Landscape Paintings

Materials

Oil, Canvas

19th century landscape oil painting of a village tavern
By John Holland Senior
Located in Nr Broadway, Worcestershire
John Holland Snr British, (1830-1886) The Malt Shovel Tavern Oil on canvas, signed Image size: 13 inches x 20.5 inches Size including frame: 18.25 inches x 25.75 inches Provenance: Frost & Reed A wonderful painting of figures sat outside a village inn by John Holland Senior. A wagon is shown delivering supplies as another cart drives off towards a windmill in the distance. In the foreground two people cut a log in half whilst their family looks on. The Malt Shovel Inn was most likely the one at Upper Lambourn in Berkshire. Over 500 years old, it was located on Malt Shovel Lane, and was originally a bakery, becoming an inn sometime during the mid 1700’s. It remained as a pub until its closure in 2016. The windmill in the distance was situated outside Lambourn on the road to Baydon. It was built in 1771 but was demolished around 1887 and is now the site of a farm. John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists. By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint. He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886. A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...
Category

19th Century Landscape Paintings

Materials

Canvas, Oil

19th Century river landscape oil painting of the Thames at Shepperton
By Alfred Augustus Glendening Senior
Located in Nr Broadway, Worcestershire
Alfred Augustus Glendening Snr British, (1840-1921) The Thames at Shepperton Oil on canvas, signed Image size: 16 inches x 26 inches Size including frame: 22.5 inches x 32.5 inches ...
Category

19th Century Paintings

Materials

Canvas, Oil

You May Also Like

Sunset fields by Katharina Husslein - large contemporary abstract oil painting
By Katharina Husslein
Located in DE
This beautiful landscape painting is full of vibrant yellows and orange depicts workers in the field. The oil color creates a heavy impasto texture and looks as rich as the fields th...
Category

21st Century and Contemporary Abstract Paintings

Materials

Canvas, Oil

Sailboats in Dana Point
By Calvin Liang
Located in Pasadena, CA
Provenance Acquired by the gallery directly from the artist Exhibited "California Highlights", American Legacy Fine Arts, Pasadena, Californ...
Category

2010s Realist Landscape Paintings

Materials

Oil, Canvas

Georgie Dowling, Cotswold Barley Field, Original Landscape Painting
Located in Deddington, GB
Cotswold Barley Field [2021] Original Landscapes Oil paint on canvas Canvas Size: H:40 cm x W:50 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of ...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Oil, Canvas

Together in Motion - K.Husslein Contemporary abstract painting
By Katharina Husslein
Located in DE
Kindly note that artworks can be purchased separately for 350Euro each.  Katharina Husslein’s Floating in Time is a striking departure into abstraction, a dynamic and colorful expre...
Category

21st Century and Contemporary Photorealist Paintings

Materials

Canvas, Oil

ARART, Oil on Canvas
Located in Montreux, CH
Karen Shahverdyan „Ararat“ 120 X 140cm, oil on canvas
Category

Early 2000s Surrealist Landscape Paintings

Materials

Canvas, Oil

ENCOUNTER II, Triptychon, Oil on Canvas
Located in Montreux, CH
„Encounter II“, Triptychon, 270 X 130cm, oil on canvas,
Category

2010s Landscape Paintings

Materials

Canvas, Oil

Recently Viewed

View All