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Jack Hubert Bonnefoy
19th century French Impressionist Breton landscape with cottage, figures

circa 1900

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American Impressionist sketch of a setting Sun in Aspen, Colorado, with snow
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Located in Woodbury, CT
Outstanding American Impressionist sketch of Sun Set in Aspen Colorado Charles Bertie Hall painted scenes all over England, Europe, and America i...
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19th century English village scene with cottages, horses landscape and people
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Located in Woodbury, CT
Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocat...
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19th century English village scene with cottages, horses landscape and people
By Georgina Lara
Located in Woodbury, CT
Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocat...
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1890s Victorian Landscape Paintings

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French Impressionist South of France Landscape with hill top Village
By Josine Vignon
Located in Woodbury, CT
Josine Vignon (1922-2022) was a French artist living on the Rue Beautreillis in the Marais district of Paris. She painted with a beautiful style, largely influenced by the Impression...
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1950s Landscape Paintings

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Swedish Mid Century Impressionist, cafe scene in a landscape
Located in Woodbury, CT
Wonderful Impressionist scene from Sweden Painted with a great deal of care this scene is of an outside cafe scene with figures in an extensive landscape and town. The artist was...
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1960s Impressionist Landscape Paintings

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English fox hunting scene with fox hounds, men up on horse back in a landscape
Located in Woodbury, CT
Gerald Coulson was an English painter in the mid to latter part of the 20th century. Gerald Coulson has been painting professionally for over 47 years ...
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1970s Impressionist Figurative Paintings

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On the Beach - Oil Paint by Renzo Vespignani - 1955
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On the Beach is an artwork realized by Renzo Vespignani in 1955. Oil on Canvas, 128x102 cm. It Includes a gilded modern frame. Hand signed and date lower left. Good conditions. Renzo Vespignani was born in Rome on February 19, 1924 to Guido Vespignani and Ester Molinari, great-grandson of Virginio Vespignani, a famous architect. After the death of his father, a surgeon and cardiologist, he had to move very young with his mother to the proletarian area of Portonaccio, adjacent to the San Lorenzo district, where he grew up. He began to paint during the Nazi occupation, hiding with the engraver Lino Bianchi Barriviera, his first teacher. Other important points of reference, which influenced his artistic beginnings, were Alberto Ziveri and Luigi Bartolini while, especially in his first paintings, the influence of expressionists such as George Grosz and Otto Dix seems evident. In 1945 he exhibited his first personal exhibition and began to collaborate with various political-literary magazines (Domenica, Folla, Mercurio, La Fiera Letteraria) with satirical writings, illustrations and drawings. His work, between 1944 and 1948, describes the attempt to resurrect an Italy destroyed by the war. In 1956 he founded, with other intellectuals, the magazine Città Aperta, focused on the problems of urban culture. In 1961 he was among the winners of the Spoleto Prize; an essay was dedicated to the selected artists accompanied by large-format reproductions (black and white and four-color) of the exhibited works. In 1963 a work by him was exhibited at the Contemporary Italian Paintings exhibition, set up in some Australian cities . In 1963-64 he exhibited at the exhibition Peintures italiennes d'aujourd'hui, organized in the Middle East and North Africa. Since 1969, Vespignani has been working on large pictorial cycles dedicated to the crisis of the society of well-being: Imbarco per Citera (1969), concerning the intellectual class involved in '68; Album di Famiglia...
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