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Heinrich Berger
Farmers bringing in the hay

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The Chapel Of Protection In Cagnes
By Paul Leduc
Located in Gent, VOV
La Chapelle de la Protection in Cagnes, circa 1925 Oil on panel, signed with the monogram lower left 27 x 34.5 cm Bibliography: The Painters of Cagnes, exhibition catalogue, Château-Musée Grimaldi, 2011, p.62 Paul Leduc...
Category

1920s Impressionist Landscape Paintings

Materials

Oil, Panel

The Chapel Of Protection In Cagnes
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Paul-Édouard Crébassa (1864-1912) - River with water lillies
Located in Gent, VOV
Paul-Édouard Crébassa’s painting is a beautiful example of post-impressionist art, showcasing his ability to blend detailed observation with expressive techniques to capture the ephe...
Category

19th Century Landscape Paintings

Materials

Oil

Summer in the fjords, Oil on canvas by Georg Anton Rasmussen, 1842 - 1912
By Georg Anton Rasmussen
Located in Gent, VOV
Georg Anton Rasmussen (August 7, 1842, Stavanger - October 23, 1914, Berlin) was a Norwegian landscape painter who spent most of his career in Germany. He began his artistic training in Bergen, where he studied with Johan Ludvig Losting and Anders Askevold. In 1863, he moved to Copenhagen to study with Frederik Rohde [de] at the Royal Danish Academy of Fine Arts. From 1864 to 1867, he completed his studies at the Kunstakademie in Düsseldorf with Oswald Achenbach, and was influenced by the works of Hans...
Category

20th Century Landscape Paintings

Materials

Canvas, Oil

River scene at sunset with figures gathering reeds
By Hermann Corrodi
Located in Gent, VOV
LEGNAIOLI SUL TEVERE - RIVER SCENE WITH FIGURE GATHERING REEDS Oil on canvas: 30 1/2 x 38 1/2 in., 36 x 44 1/2 in. (framed) Framed; lower right signed and dated: H. Corrodi, 1892
Category

1890s Italian School Landscape Paintings

Materials

Oil

Oil on canvas : Cattle near the cliffs of Herne Bay KENT by Thomas Syndey Cooper
By Thomas Sidney Cooper
Located in Gent, VOV
Thomas Sidney Cooper was one of the foremost animal painters of the Victorian period. He was born in Canterbury, Kent, and as a small child he began to show strong artistic inclinations, but the circumstances of his family did not allow him to receive any systematic training. By the time he was twelve years old, he was working in the shop of a coach painter. Later he obtained a job as a scene painter, and he alternated between these two occupations for about eight years. He still felt a strong desire to become an artist, and all his spare moments were spent drawing and painting from nature. At the age of twenty, he went to London, drew for a while in the British Museum, and was admitted as a student of the Royal Academy. Subsequently, he returned to Canterbury, where he was able to earn a living as a drawing master and by the sale of sketches and drawings. In 1827, he settled in Brussels and married before taking up a position as a teacher in Brussels in 1829. There he befriended Eugène Joseph Verboeckhoven, the great Belgian animal painter, who greatly influenced his style. He was also influenced by the 17th Century Dutch School. Because of the Belgian Revolution, he returned to London where he settled and first exhibited at Suffolk Street in 1833. He exhibited forty-eight pictures at the British Institution between 1833 and 1863. ‘Landscape and Cattle’, Royal Academy 1833, was shown until 1902 without a break - a record for a continuous exhibit at the Royal Academy. Sheep and cattle were his most frequent subjects, although he did paint a few figurative subjects. Cooper collaborated between 1847 and 1870 with Frederick Richard Lee...
Category

1880s Realist Landscape Paintings

Materials

Canvas, Oil

Vue d'un sous bois, tableau daté 1901, huile sur toile de Feodor Petrovich Rizni
Located in Gent, VOV
View of an undergrowth, 1901 Dimensions: 49 x 80 cm (unframed) Oil on canvas Signed lower left and dated Fedor Petrovich Riznichenko - Russian and Ukrainian landscape painter, was ...
Category

20th Century Landscape Paintings

Materials

Canvas, Oil

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